Clay Moulded Famolavolana Atitrano ho an'ny Teatra nataon'i Marius Mateika

Ny endrika Clay Moulded Famolavolana Atitrano ho an'ny Teatra nataon'i Marius Mateika dia mpandresy sarobidy amin'ny 2025 A' Design Award Volamena amin'ny Sokajin'ny Fifanintsanana Famolavolana Habaka Anatiny ary Fampisehoana.

VolamenaAnatiny· 2025

Clay Moulded Famolavolana Atitrano ho an'ny Teatra

nataon'i Marius Mateika

Mpanjifa: Mama architects

Mpandresy A' Design Award Volamena amin'ny Sokajy Anatiny

68,756

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #171457

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Clay Moulded Famolavolana Atitrano ho an'ny Teatra

Clay Moulded dia famolavolana atitrano ho an'ny teatra mozikaly iray any Klaipeda, Litoania. Tanimanga no mandrakotra ny rindrina sy ny valindrihana, ary maherin'ny 30 taonina amin'io akora io no napetaka tamin'ny tanana. Ny lamina eo amin'ny efitrano lehibe dia mitohy ary mandeha avy amin'ny faran'ny toerana iray ka hatramin'ny farany ilany. Fizotra fandrakofana misy dingana fito no novolavolaina ho an'ity tetikasa ity, anisan'izany ny fanafahana, ny fametrahana lamina, ny fanamainana, ny fikosehana, ny fandokoana mamirapiratra ary ny fiarovana. Afaka misokatra sy mikatona ny rindrina sy ny valindrihana mba hifehezana ny fitarainan'ny feo, ka mifanaraka amin'ny konseritra, ny tantara an-tsehatra ary ny fivoriana ny toerana. Mahazaka olona 700 ny efitrano fitsinjovana.

Ny Fankasitrahana

Momba ny A' Design Award Volamena

Nandresy ny A' Design Award Volamena ny famolavolana Clay Moulded Famolavolana Atitrano ho an'ny Teatra, fankasitrahana malaza indrindra tsy refesi-mandidy omena ny famolavolana kilasy voalohany, mahagaga ary miavaka. Ny mpandresy Volamena dia famoronana vaovao indrindra, mahay mijery lavitra ary mamirapiratra mahafinaritra izay maneho ny fahamoramoran-tsaina, ny fahendrena ary ny fahaizan'ny mpamolavola azy. Andrasana ho fikarohana mahazo ankasitrahana indrindra, mitarika ny fironana ary tsangambato ny famolavolana Clay Moulded Famolavolana Atitrano ho an'ny Teatra izay mamatsy sanda tsy mbola nisy toy izany. Ity famolavolana nandresy ny A' Design Award Volamena ity dia tetikasa mahavariana sy hajaina izay mahasoa be ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Clay Moulded Famolavolana Atitrano ho an'ny Teatra dia mamorona fihetseham-po mafy momba ny faniriana, mamelona ny ahiahy, mamporisika ny fahaiza-mamorona ary mahasarika antsika.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Refy & Fonosana: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Marika: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Teknolojia Famokarana: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Fanamby Endrika: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Fikarohana: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Aingam-panahy: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Faharetan'ny Tetikasa: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Fizotr'asa: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Mpikambana ao amin'ny Ekipa: Architects: Marius Mateika
Loharanon-tsary: Photographer: Leonas Garbačauskas