Kaei Ryusui Fametrahana Zavakanto nataon'i Noriko Kinouchi

Ny endrika Kaei Ryusui Fametrahana Zavakanto nataon'i Noriko Kinouchi dia mpandresy sarobidy amin'ny 2026 A' Design Award Vy amin'ny Sokajin'ny Fifanintsanana Famolavolana Zavakanto sy Fampisehoana Zavakanto.

VyZavakanto· 2026

Kaei Ryusui Fametrahana Zavakanto

nataon'i Noriko Kinouchi

Mpandresy A' Design Award Vy amin'ny Sokajy Zavakanto

4,618

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #176020

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Kaei Ryusui Fametrahana Zavakanto

Kaei Ryusui dia fametrahana zavakanto natao manokana ho an'ny efitrano fisakafoanana lehibe ao anaty sambo fitsangatsanganana mihaja. Ity asa ity dia manambatra sary an-tsoratra lehibe valo miaraka amin'ny filaharan-tsary nomerika mitohy amin'ny fahitana 4K. Ny sary tsirairay dia mirefy 1456 amin'ny 762 milimetatra ary vita pirinty inkjet amin'ny taratasy washi vita tanana, avy eo apetraka amin'ny fanamboarana mifanaraka amin'ny tontolo an-dranomasina. Ny sarin'ny voninkazo ara-potoana, rantsan-kazo ary rano mikoriana dia miova moramora, mifototra amin'ny fankasitrahan'ny Japoney ny tsy fahamaharitan-javatra. Ny asa tsirairay dia voasoratra ao amin'ny rejisitra blockchain mba hirakitra ny fiaviany.

Ny Fankasitrahana

Momba ny A' Design Award Vy

Nandresy ny A' Design Award Vy ny famolavolana Kaei Ryusui Fametrahana Zavakanto, fankasitrahana malaza omena ny famolavolana tsara izay mahafeno ny fepetra ara-barotra sy ara-indostria andrasana amin'ny famoronana natao tsara. Ny mpandresy Vy dia mampiseho fahaiza-manao lehibe, fahaizana manokana ambony, fahatakarana manam-pahaizana ary fahaizana mamorona an'ireo mpamorona azy. Andrasana ho famoronana ankasitrahana be, ankafizina ary tiana izay azo ampiharina sady vaovao ny famolavolana Kaei Ryusui Fametrahana Zavakanto. Ity famolavolana nandresy ny A' Design Award Vy ity dia mampiray ny fomba fanao tsara indrindra amin'ny indostria ary manana toetra ara-teknika mahomby mifandray amin'ny fahalalana sy ny talenta. Ny famolavolana Kaei Ryusui Fametrahana Zavakanto dia hajaina noho ny fitandremany ary natao hanome fanatsarana ny kalitaon'ny fiainana izay manampy hahatonga ny tontolo ho toerana tsara kokoa.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: Kaei Ryusui-tan is a site-specific installation comprising eight large-scale graphic works and a fluid visual sequence that transforms the environment into a moving painting. Inspired by the Japanese aesthetic of impermanence, the motifs of seasonal flora and flowing water shift continuously. To ensure the integrity of this collection, each work is registered on the Startrail Registry Record (SRR) blockchain. This digital provenance secures the design's originality and protects the intellectual property rights of both the creator and the client within the maritime setting.
Refy & Fonosana: Each graphic print measures 1456 x 762 mm, inkjet-printed on handmade washi paper and mounted in frames optimized for durability at sea. The installation consists of eight prints and a central digital sequence rendered in 4K resolution (3840 x 2160 px). As a key technical property, the work is integrated with the Startrail Registry Record (SRR) blockchain to secure its digital identity and provenance.
Marika: digital art, art installation, site-specific, fine art prints, ambient animation, Japanese aesthetics, cruise ship, meditative space, contemporary art, luxury design
Teknolojia Famokarana: The graphics were produced as high-resolution digital compositions using Adobe software. Each piece was inkjet-printed onto custom-sized handmade washi paper, measuring 1456 x 762 mm, and mounted in specialized frames for the maritime environment. The fluid imagery was developed in 4K resolution using After Effects, layering motion and light. To manage these assets, the project integrates the Startrail Registry Record (SRR) blockchain infrastructure, assigning a unique digital identity to each piece for permanent provenance tracking and authenticity verification.
Fanamby Endrika: The primary challenge was integrating a digital work into the ship's architecture without it appearing as a conventional screen display. To solve this, motifs were scaled and paced to feel like a living landscape. Another difficulty was preserving the subtlety of traditional Japanese aesthetics while using contemporary media; this was resolved by softening visual transitions to allow the imagery to merge naturally with the washi texture. Additionally, using SRR blockchain solved the challenge of securing the long-term value and provenance of art within a complex maritime management system.
Fikarohana: This research explored reinterpreting the Japanese sense of impermanence through contemporary digital media. Objectives focused on translating traditional motifs—blossoms and flowing water—into a moving environment. Methods included iterative graphic studies and material experiments with washi paper. Results demonstrated that expanding traditional imagery into a luminous, evolving landscape evokes a renewed perception of time. Furthermore, the integration of SRR blockchain establishes a framework for managing digital provenance, ensuring authenticity for high-value corporate art collections.
Aingam-panahy: The inspiration for Kaei Ryusui-tan stems from the Japanese aesthetic of "mono no aware," finding profound beauty in impermanence and seasonal transitions. Traditional motifs of blossoms, branches, and flowing water are reimagined not as static depictions, but as an evolving luminous landscape. By bridging cultural memory with contemporary digital expression, the project establishes a poetic presence on board the luxury liner Asuka III, where the art unfolds as a continuous living environment that resonates with timeless sensibilities.
Faharetan'ny Tetikasa: The project was produced in 2025 in Tokyo and permanently installed within the main dining room of the luxury cruise ship Asuka III.
Fizotr'asa: The work functions as an immersive environment rather than a static display. Eight seasonal graphics are paired with a digital sequence that continuously shifts in tone and rhythm across the dining space. As observers move through the room, their perception of the space evolves with the flow of light and imagery, mirroring the experience of observing a natural landscape through passing seasons. This gentle transformation encourages a state of contemplation and emotional resonance, allowing the art to breathe within the architectural volume.
Patanta: Copyrights belong to Noriko Kinouchi
Mpikambana ao amin'ny Ekipa: Noriko Kinouchi
Loharanon-tsary: #1: Nacasa & Partners,Ka-ei Ryusui tan,2025
#2: Art front gallery, Ka-ei Ryusui tan,2025
#3: Art front gallery, Ka-ei Ryusui tan,2025
#4: Art front gallery, Ka-ei Ryusui tan,2025
#5: Art Front Gallery, Ka-ei Ryusui tan,2025