Floral Album Fitambaran'akanjo lamaody nataon'i Xinyu Zheng

Ny endrika Floral Album Fitambaran'akanjo lamaody nataon'i Xinyu Zheng dia mpandresy sarobidy amin'ny 2026 A' Design Award Vy amin'ny Sokajin'ny Fifanintsanana Famolavolana Lamaody, Fitafiana ary Akanjo.

VyLamaody· 2026

Floral Album Fitambaran'akanjo lamaody

nataon'i Xinyu Zheng

Mpanjifa: Tulip 'n room

Mpandresy A' Design Award Vy amin'ny Sokajy Lamaody

11,611

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #177958

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Floral Album Fitambaran'akanjo lamaody

Ny Floral Album dia fitambaran'akanjo lamaody nahazo aingam-panahy avy amin'ny sarim-pianakaviana tamin'ny taona 1980. Ny fitambarana dia vita amin'ny lamba tavela tsy lafo (deadstock) natambatra tamin'ny teknika asa-tanana maromaro. Ny amboradara vita tanana, ny crochet, ny fametahana vakana, ny fanenomana ary ny zaitra mifanapaka (cross stitch) dia ampiharina amin'ny lamba volory sy amin'ny lamba tantera-pahazavana mifanindry. Ny sisin-damba vita crochet sy ny singa notenomina dia ahitana singa sequin izay mamerina ny hazavana rehefa mihetsika ilay mpanao azy. Ny akanjo tsirairay dia amboarina manokana, ka tsy misy singa miverimberina. Ny singa rehetra dia mifanaraka amin'ny habe rehetra. Mampifandray ny asa-tanana amin'ny antsipiriany sy ny fampiasana indray ireo akora tsy voamarika ity fitambarana ity.

Ny Fankasitrahana

Momba ny A' Design Award Vy

Nandresy ny A' Design Award Vy ny famolavolana Floral Album Fitambaran'akanjo lamaody, fankasitrahana malaza omena ny famolavolana tsara izay mahafeno ny fepetra ara-barotra sy ara-indostria andrasana amin'ny famoronana natao tsara. Ny mpandresy Vy dia mampiseho fahaiza-manao lehibe, fahaizana manokana ambony, fahatakarana manam-pahaizana ary fahaizana mamorona an'ireo mpamorona azy. Andrasana ho famoronana ankasitrahana be, ankafizina ary tiana izay azo ampiharina sady vaovao ny famolavolana Floral Album Fitambaran'akanjo lamaody. Ity famolavolana nandresy ny A' Design Award Vy ity dia mampiray ny fomba fanao tsara indrindra amin'ny indostria ary manana toetra ara-teknika mahomby mifandray amin'ny fahalalana sy ny talenta. Ny famolavolana Floral Album Fitambaran'akanjo lamaody dia hajaina noho ny fitandremany ary natao hanome fanatsarana ny kalitaon'ny fiainana izay manampy hahatonga ny tontolo ho toerana tsara kokoa.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Refy & Fonosana: All the pieces are free size.
Marika: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Teknolojia Famokarana: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Fanamby Endrika: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
Fikarohana: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Aingam-panahy: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Faharetan'ny Tetikasa: This project was initiated in April 2023 and completed in September 2024 in New York.
Fizotr'asa: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Patanta: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Mpikambana ao amin'ny Ekipa: /
Loharanon-tsary: Stefy Lin, 2024.