Vitrine Delumini Asehon-javatra nataon'i Thiago Mondini

Ny endrika Vitrine Delumini Asehon-javatra nataon'i Thiago Mondini dia mpandresy sarobidy amin'ny 2026 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Habaka Anatiny ary Fampisehoana.

VarahinaAnatiny· 2026

Vitrine Delumini Asehon-javatra

nataon'i Thiago Mondini

Mpanjifa: Thiago Mondini Arquitetura

Mpandresy A' Design Award Varahina amin'ny Sokajy Anatiny

6,946

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #180516

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Vitrine Delumini Asehon-javatra

Ity dia fampirantiana fanaka ao amin'ny fivarotana lehibe iray any Brezila. Nisy sehatra samihafa noforonina mba hanamafisana ny fahatsapana ny vokatra tsirairay, na miloko na tsotra. Ny vokatra manokana dia aseho ao amin'ny faritra volon-divay mena amin'ny fivarotana, fa ny vokatra tsotra sy mora ampiasaina kokoa kosa dia aseho ao amin'ny faritra fotsy amin'ny fivarotana. Misy ihany koa sehatra fahatelo, amin'ny loko maizina kokoa, izay hanehoana fanaka sy vokatra manana loko lalina kokoa.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Vitrine Delumini Asehon-javatra, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Vitrine Delumini Asehon-javatra. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Vitrine Delumini Asehon-javatra dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: This exhibition presents furniture within a large-scale store in Brazil, organized to enhance the perception of each product. Distinct zones were created to emphasize their character: the burgundy area showcases special, standout pieces; the white section features neutral, versatile products; and a third, darker-toned space highlights furniture and items with deeper hues, providing a carefully curated and visually coherent presentation.
Refy & Fonosana: 585 square meters
Marika: interior, interior design, store, commercial, furniture, brazil, brazilian, brasil, contemporary, color, burgundy, ecletic
Teknolojia Famokarana: The design focused on highlighting each product through distinct spatial environments. Rich burgundy walls were chosen to intensify colors and create striking contrasts, while white walls provide a neutral backdrop that emphasizes the form and details of the furniture. The process combined careful color studies, material selection, and spatial composition to ensure each piece stands out without visual conflict, creating a balanced and immersive exhibition experience.
Fanamby Endrika: The greatest challenge was the limited time available to complete the project, which demanded rapid yet careful decision-making. Equally complex was working with the existing product stock while creating a visually coherent and engaging exhibition. Internally, the design had to respect aesthetic and social expectations for a modern retail experience, while externally, constraints included production limitations, material availability, and the need to adapt to the store’s physical layout and technical possibilities.
Fikarohana: Research was design-focused, exploring how spatial environments affect product perception. Objectives were to highlight furniture through color and context while creating an engaging visitor experience. Methodology included spatial analysis, color studies, and material testing. Data was collected via mock-ups, material samples, and staff/visitor feedback. Participants included store staff and visitors. Results showed distinct zones improved product visibility and appreciation. Insights revealed that environmental contrast enhances perception, impacting retail display strategies, visitor engagement, and design thinking in commercial spaces.
Aingam-panahy: A vibrant furniture display, intentionally departing from the typical white and minimal commercial interiors, designed to engage and inspire both clients and industry professionals.
Faharetan'ny Tetikasa: The project started in July 2025 and finished in August 2025, in Balneario Camboriu, Brazil.
Fizotr'asa: Interaction is guided by the store’s spatial layout. Visitors naturally move through four distinct zones: the burgundy area highlights vibrant pieces, the white zone emphasizes neutral forms, the rear space showcases lighting, and the upper dark area presents deeper-toned furniture. Each transition frames products in contrast-rich environments, enhancing perception and engagement, allowing visitors to appreciate color, form, and material more clearly than in a conventional display.
Mpikambana ao amin'ny Ekipa: Architect: Thiago Mondini
Loharanon-tsary: Image #1: Photographer ArqVerso
Image #2: Photographer ArqVerso
Image #3: Photographer ArqVerso
Image #4: Photographer ArqVerso
Image #5: Photographer ArqVerso