Plus 81 Bara, Toeram-pandihizana alina nataon'i Takahiro Todoroki

Ny endrika Plus 81 Bara, Toeram-pandihizana alina nataon'i Takahiro Todoroki dia mpandresy sarobidy amin'ny 2026 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Habaka Anatiny ary Fampisehoana.

VarahinaAnatiny· 2026

Plus 81 Bara, Toeram-pandihizana alina

nataon'i Takahiro Todoroki

Mpanjifa: Engine, Inc

Mpandresy A' Design Award Varahina amin'ny Sokajy Anatiny

6,585

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #183476

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Plus 81 Bara, Toeram-pandihizana alina

Ny Plus 81 dia atitany bara sy toeram-pandihizana alina napetraka ao anaty tsena fivarotana efa antitra. Ny tavan-trano dia mitovy endrika amin'ny toeram-panorenana vonjimaika voarakotra gazety japoney, ary ny fidirana dia miafina ao ambadiky ny fivarotana sarivongana kely, ka miteraka fifindrana miandalana mankao anatiny. Bara afovoany no mifototra amin'ny fandaminana, raha ny faritra manodidina kosa dia natokana ho an'ny fisakafoana, ny toerana fipetrahana milamina, ny karaoke ary ny fivoriana manokana. Valindrihana misy makarakara miaraka amin'ny jiro RGB no mamaly ny haavon'ny valindrihana iva sady manampy gadona ara-maso. Ny akora ampiasaina dia ahitana vy voarakotra zinc, fitaratra voasokitra ary gorodona resin misy soratra sary kanto.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Plus 81 Bara, Toeram-pandihizana alina, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Plus 81 Bara, Toeram-pandihizana alina. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Plus 81 Bara, Toeram-pandihizana alina dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: This project introduces a Neo Tokyo Speakeasy hidden within an aging mall, blending into its surroundings with a facade resembling a temporary construction site clad in Japanese newspapers. A concealed entrance through a figure shop creates a narrative transition into a vibrant interior. The design contrasts secrecy and spectacle, revealing a dynamic nightlife space. A grid ceiling with RGB lighting compensates for low height while generating visual rhythm, transforming spatial limitations into an immersive experience.
Refy & Fonosana: Total area: 240 sqm. Ceiling height: 2355 mm. Structure: steel frame. Materials: wood panels, plaster with aggregates, etched mirrors, zinc-galvanized steel, resin, LED neon. Ceiling: timber frame with paint and random zinc panel cladding. Floor: pigmented mortar with urethane coating and kanji graphics. Walls: wood panels, plaster, mirrors, printed wallpaper. Lighting: 50 lux ambient, 2700K. Equipment includes projection mapping floor, digital display columns, and Void Acoustics sound system.
Marika: Club, Bar, Lounge, Speakeasy, Japanese, Philippines, Anime, Manga
Teknolojia Famokarana: The spatial design integrates club, bar, dining, and karaoke functions through strategic zoning and circulation planning. A central bar anchors the layout, while surrounding areas enable continuous movement. Acoustic performance was optimized by avoiding flat surfaces and applying geometric wall patterns. Materials include zinc-galvanized steel with exposed rivets, etched mirrors with integrated RGB lighting, and resin-coated flooring with graphic typography. Construction methods were systematized to match local skill levels, supported by detailed drawings and modular fabrication techniques.
Fanamby Endrika: The main challenge was designing a high-impact nightlife space within the constraints of a low ceiling and limited footprint in an aging commercial building. Additionally, the complexity of the design led many contractors to decline participation, and initial costs exceeded the budget. These issues were addressed by simplifying construction systems and clearly communicating design intent through detailed drawings. Continuous adjustments and rework were required to achieve the intended quality under inconsistent construction conditions and scheduling delays.
Fikarohana: This is an applied interior and experience design research. The objective was to create a multifunctional nightlife venue within a low ceiling and limited footprint by reinterpreting Japanese subculture. The methodology integrated zoning, atmospheric design, acoustic control, and narrative sequencing over a 3-month design and 7-month construction period. Data were gathered through user scenarios, site constraints, and mock-ups using drawings, 3D models, lighting tests, and material studies. The result enhanced user engagement and commercial performance.
Aingam-panahy: The design is inspired by Japan 1980s and 1990s subculture and bubble era nightlife, reinterpreted in a contemporary context. It draws from manga, neon, and retro materials to evoke nostalgia and energy. The concept also reflects the idea of multifunctional entertainment spaces, similar to karaoke culture in Japan. Given the limited scale, the project aims to maximize usage beyond nightlife by creating zones adaptable for dining, socializing, and private gatherings, merging cultural memory with modern urban lifestyles.
Faharetan'ny Tetikasa: This project began its design phase in Japan in 2023 and opened in Manila, Philippines, in May 2025.
Fizotr'asa: The venue operates as a lounge bar and restaurant on weekdays and transforms into a nightclub on weekends. It accommodates diverse user needs, including dancing, dining, drinking, and karaoke. Guests enter through a hidden route, gradually building anticipation before reaching the main space. The layout encourages exploration, allowing users to move freely between zones such as bar counter, lounge seating, and private rooms. This layered experience creates excitement and discovery, making each visit unique and engaging.
Loharanon-tsary: Photographer : Katsumi Hirabayashi