Absolute Nature Famolavolana Anaty Trano Fonenana nataon'i Li Hsu Tsai

Ny endrika Absolute Nature Famolavolana Anaty Trano Fonenana nataon'i Li Hsu Tsai dia mpandresy sarobidy amin'ny 2020 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Habaka Anatiny ary Fampisehoana.

VarahinaAnatiny· 2020

Absolute Nature Famolavolana Anaty Trano Fonenana

nataon'i Li Hsu Tsai

Mpanjifa: Tsong Yo Interior Design

Mpandresy A' Design Award Varahina amin'ny Sokajy Anatiny

9,631

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #88794

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Absolute Nature Famolavolana Anaty Trano Fonenana

Ny Absolute Nature dia famolavolana anaty trano fonenana ho an'ny trano rihana efatra any an-tanànan'i Pingtung, Taiwan. Ny velaran-tany manontolo dia 245 metatra kianja, ao anatin'izany ny zaridaina eny ivelany. Ny famolavolana dia nahazo aingam-panahy avy amin'ny trano vato tradisionaly sy ny zavakanto sy asatanana avy amin'ny mponina teratany eo an-toerana. Nosoloana rindrina fitaratra ireo varavarankely kely tany am-boalohany, ary nampiana varavarankely tafo sy tafo avo. Nesorina ny tohatra afovoany ary naverina natsangana ho tohatra iray misy singa manohana tokana any amin'ny faran'ny trano mba hamoronana firafitra malalaka. Simenitra, fitaratra, hazo natsika, tavim-bato ary hazo namboarina avy amin'ny fako natao rekycling no nampiasaina.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Absolute Nature Famolavolana Anaty Trano Fonenana, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Absolute Nature Famolavolana Anaty Trano Fonenana. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Absolute Nature Famolavolana Anaty Trano Fonenana dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: The project restores its original beauty, at the same time incorporate recyclable materials to reduce waste and save energy. Open plan layout introduces natural lighting and ventilation, complimented with garden pool landscaping and greeneries to resemble immortality. A wide variety of handicrafts is utilized to reactivate the space and act as a presentation of life style. The project tends to integrate natural ecology with arts and humanities while promoting a healthy lifestyle environment.
Refy & Fonosana: It is a four-story building with a total area of 245 square meters including the outdoor garden. The interior spaces are mainly comprised of living room, dining room and kitchen on the first floor, reading area and multi-purpose room on the second floor, studio and lounge with storeroom on the third floor, and bedroom, washroom, steam room, etc. on the fourth floor.
Marika: Reformation of old building, aboriginal arts, natural habitat, sustainable design, residential design
Teknolojia Famokarana: Cement, Glass, driftwood, Terracotta tiles, Ceramic Tiles, Metal pieces, Wood crafts
Fanamby Endrika: The casting of the cement walls is a major challenge during the construction process. As the overall space has to maintain the original appearance of the cement mortar, the casting needs to be completed in very limited time and parts of the wall surface that contain totem design with lines and uneven corners have all increased the difficulty of the application.
Fikarohana: The facade of the old building is covered with traditional, non porous iron gates and iron windows. Openings on both the front and rear sides of the building are increase ventilation, while introducing greeneries to regulate microclimate. The reconstruction and design have revolved around the existing building structures which reflect local culture and respond to the surrounding context. The use of raw materials for decorations and recycled waste timber made furniture revitalize the old space.
Aingam-panahy: The site is situated in Hengchun Peninsula in Southern Taiwan which is rich in verdant scenery and aboriginal settlement. Since the client is involved in the creation of aboriginal arts and crafts, the initial concept of the spatial characters is hence inspired by the stone slab house and the ecological characteristic, utilized sustainable materials and construction methods to sustain the architecture, while integrating aboriginal cultures and arts elements into the design.
Faharetan'ny Tetikasa: The project is completed in June, 2018 in Pingtung City, Taiwan.
Fizotr'asa: The original windows are too small, and the stairs located in the center of the house leads to poor internal ventilation and insufficient natural lighting. After the transformation, the original windows are replaced with glass walls and high-ceiling design and skylights are introduced. The interior staircase that obstructed the spatial connections and circulations is removed and replaced with a more porous, single stringer staircase at the end of the building to allow an open, unobstructed internal layout.
Mpikambana ao amin'ny Ekipa: Designer: Tsai Li Hsu
Designer: Lin Cheng Chuan
Loharanon-tsary: image #1 : Mei De Advertisement Design Photography, 2019
image #2 : Mei De Advertisement Design Photography, 2019
image #3 : Mei De Advertisement Design Photography, 2019
image #4 : Mei De Advertisement Design Photography, 2019
image #5 : Mei De Advertisement Design Photography, 2019