Chair of Soul Seza nataon'i Wen Jenq Cherng

Ny endrika Chair of Soul Seza nataon'i Wen Jenq Cherng dia mpandresy sarobidy amin'ny 2020 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Fanaka.

VarahinaFanaka· 2020

Chair of Soul Seza

nataon'i Wen Jenq Cherng

Mpanjifa: Cherng's Work

Mpandresy A' Design Award Varahina amin'ny Sokajy Fanaka

12,937

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #91651

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Chair of Soul Seza

Ny Seza Fanahy dia seza natao hanohanana ny vatana amin'ny toeran-kitanjaka miandrandra tsotra. Ny hahavon'ny seza, ny sisin-damosina eo amin'ny valahana ary ny tehezan-tanana no mitondra ny lanjan'ny vatana ambony. Ny sisin-damosina somary miolaka dia manaraka ny endriky ny vatana ary manamaivana ny hentitry ny soroka, vozona, valahana ary taovan'ny vatana. Ny fanaka nentim-paharazana tamin'ny Fanjakana Ming no fototra iorenan'ny fizarana famaritra tsotra. Ny ebène avy any Sulawesi no manangana ny rafitra fototra, ampiarahina amin'ny tongotra vy varahina sy seza hoditra Nappa volomparasy. Ny fatorana mortaisy sy tsobo no mampitohy ny ampahany, ary ny rafitra miendrika arka no mampitohy ny tongotra amin'ny seza.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Chair of Soul Seza, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Chair of Soul Seza. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Chair of Soul Seza dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: Chair of Soul is my entry point of use as a starting point for design thinking. Since I have long been practicing meditation for destressing and calming my body and mind, I am hoping the design of the chair could reflect a completely relaxed condition for the body. Overall design is thereby focused on its function, where the user would sit upright on the chair and his or her upper-body weight be perfectly supported through the height of the chair, the backrest at the waist, and the armrests.
Refy & Fonosana: When producing a hereditary chair, what is more important than ensuring its functions is finding ways to incorporate visual aesthetics. I am using Chinese traditional Ming Dynasty style furniture as my blueprint, borrowing its elegant and simple exterior design and principles on proportion. And through enhancement of overall structural system, a unique arc structure is used as the support that connects the legs and the seat of the chair.
Marika: Product, Chair, Health, Oriental, Furniture
Teknolojia Famokarana: The curvature of the slightly bulging backrest embraces the body; this waist-supporting chair design offers supports for the human body, so that tensions around user’s shoulders, neck, waist, and limbs would all be relieved–user would be welcomed with a comforting sensation similar to a hug.
Fanamby Endrika: Pairing the material with the metallic copper tube of the legs and the purple cow Nappa leather seat, harmony, elegance, stability, and sustainability are incorporated altogether to bring forth a chair that user could converse with, the chair I dub – Chair of Soul.
Fikarohana: A chair that is aimed to improve the users health would need to value the choice of material as equally important as the design that would fit precisely to human body proportions. I have especially chosen the ebony produced in Sulawesi, Indonesia as the chair’s main structure element; its fine material and deep-black colored lines flawlessly interpret the sophistication that the chair should exhibit.
Aingam-panahy: We have always had different thoughts in regards to chairs. This piece of furniture with a long history of evolution has always been deemed irreplaceable in home interior. How should a classic chair, which one hopes to pass down for generations and stay eternally quintessential, be presented?
Faharetan'ny Tetikasa: The project started in December 2016 and finished in December 2018.
Fizotr'asa: The design is further complemented by the mortice and tenon joint as the reinforcing linkage between parts, bringing betterment to the complex composition found in old-fashioned traditional furniture. In addition to strengthening the chair’s mechanics system, a simplistic and spiritual appearance is thereby created for the chair.
Mpikambana ao amin'ny Ekipa: Designer: Wen-Jenq Cherng