The Japanese Forest Sary nataon'i Masaru Eguchi

Ny endrika The Japanese Forest Sary nataon'i Masaru Eguchi dia mpandresy sarobidy amin'ny 2020 A' Design Award Volafotsy amin'ny Sokajin'ny Fifanintsanana Famolavolana Fakana Sary sy Fanovana Sary.

VolafotsyFakana Sary· 2020

The Japanese Forest Sary

nataon'i Masaru Eguchi

Mpanjifa: Sunpono

Mpandresy A' Design Award Volafotsy amin'ny Sokajy Fakana Sary

52,557

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #95058

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny The Japanese Forest Sary

Ny ala japoney dia nalaina avy amin'ny fomba fijery japoney. Iray amin'ireo fivavahana japoney taloha ny Animism. Ny Animism dia mino fa tsy olombelona, zavamananaina, minifika, artifika sns ... ary zavatra tsy hita maso manana finiavana. Ny sary dia mitovy amin'izany. Masaru Eguchi dia mitifitra zavatra izay mahatonga fahatsapana ao amin'ilay lohahevitra. Mahatsiaro ny sitrapon'ny fiainana ny hazo, ahitra ary mineraly. Ary na ny zavakanto toy ny tohatra izay navelany nandritra ny fotoana ela aza dia mahatsapa ny sitrapony. Tahaka ny hitanao ny toetra tsy voarindra, ny ho avy dia hahita ny fisehoana ankehitriny.

Ny Fankasitrahana

Momba ny A' Design Award Volafotsy

Nandresy ny A' Design Award Volafotsy ny famolavolana The Japanese Forest Sary, fankasitrahana malaza be omena ny famolavolana ambaratonga ambony, tsara tarehy ary mahavariana. Ny mpandresy Volafotsy dia asa mamirapiratra dia mamirapiratra ary mamorona dia mamorona izay maneho ny fahaizana, ny talenta ary ny fahamaotinan-tsain'ny mpamolavola azy. Andrasana ho asa mahagaga, ohatra tsara, mahay amin'ny asa ary vaovao amin'ny halalin-tsaina ny famolavolana The Japanese Forest Sary. Ity famolavolana nandresy ny A' Design Award Volafotsy ity dia fikarohana miavaka be ary ankafizina izay mahasoa ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana The Japanese Forest Sary dia famoronana mahazo fitaka be izay mamaly ny faniriana, mitondra fihetseham-po tsara ary mamelona fahagagana sy fahatalanjonana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Refy & Fonosana: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Marika: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Teknolojia Famokarana: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Fanamby Endrika: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Fikarohana: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Aingam-panahy: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Faharetan'ny Tetikasa: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Fizotr'asa: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Patanta: Copyright: Masaru Eguchi
Loharanon-tsary: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.