Fab Primary Function: Hoahoa Rototanga Whare Kiriata nā Xiang Li

Ko te hoahoa Fab Primary Function: Hoahoa Rototanga Whare Kiriata nā Xiang Li he kaitoa whakahirahira o te 2021 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

HiriwaRoto Whare· 2021

Fab Primary Function: Hoahoa Rototanga Whare Kiriata

nā Xiang Li

Kiritaki: X+Living

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Roto Whare

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Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #111752

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Fab Primary Function: Hoahoa Rototanga Whare Kiriata

Book Text: Ko Fab he rototanga whare kiriata kei Xi'an, Haina, e 1150 mita pūrua te horahanga papa. E neke ana te hoahoa i tētahi tirohanga hopu kiriata ki roto i te wharenui matua, nō reira ka noho ngā manuhiri hei hunga mātakitaki i te ao pono me te kaiuru whakaaro noa i tētahi hanga kiriata. He taputapu ritenga hei tautoko i te kaupapa, tae atu ki tētahi hōari kaukau, ngā nohonga okiokinga āhua kaiwhakahaere, me tētahi papa tīkiti he pēnei te āhua i tētahi pouaka whakaritenga. He pae okiokinga me ngā āhuatanga whakangahau pēnei i te mīhini matimati e whakakotahitia ana ki ngā wharenui mātakitaki e whā. I whai whakaaro ki ngā whakaritenga oro me te whakamārie o ngā nohonga puta noa.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Fab Primary Function: Hoahoa Rototanga Whare Kiriata te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Fab Primary Function: Hoahoa Rototanga Whare Kiriata he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Fab Primary Function: Hoahoa Rototanga Whare Kiriata he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: The design of the theater is different from traditional theaters. The project is not only rendering the film sense with different forms, but also giving the audiences dual identities, both an audience in the reality and a participant of the movie-shooting in the imagination. They are connected and laid down to enter the film world step by step. And instead of waiting boringly, they will enter an active participation sparticipation state through the mobilization of the atmosphere.
Inenga & Pēketanga: The floor area of this project is 1150 sqm.
Tūtohu: Li Xiang, retail, cinema, interior design, xliving, China
Hangarau Whakanao: Through some interesting customized furniture, we have taken the theme of the entire space to the extreme. Bathtub sofa, director's rest seat, as well as the ticket counter that imitates the set box, etc, all satisfy the function while cooperating with the creation of the theme, allowing consumers to experience the charm of the movie in an immersive atmosphere.
Wero Hoahoa: The biggest challenge is how to break the trditional pattern. It is easily to be misunderstood that the design ignores functions while completing the aesthetics, but in fact, all the specific requirements of the acoustics environment and the comfort of the audience are all under our consideration at the beginning. We believe that the cinema should undergo a transformation of spatial attributes. It should meet the increasingly vigorous social needs of young people. Simply relying on the sale of movie tickets cannot allow it to maximize the value of a commercial space. So we broke through this situation and completed this design.
Rangahau: Traditional theaters pay more attention on panoramic sound effects and the viewing experience on the screen while they lack creativity. The single business model of selling tickets and snacks, it weakens the experience and expectations that the venue can give the audienceThrough the design of this project, we have found a possibility that may be able to answer the problem of the future development of the theater.
Whakaaweawe: The inspiration for the project comes from the movie itself. We moved the shooting scene of film production to the main hall of the theater. We hope that the audience will be immediately impressed by the dramatic scene the moment they enter the theater. At the same time, through the integration of different entertainment facilities, the interaction between the audience and the cinema is not limited to watching the movie itself, which increases the possiblity of their consumption.
Roanga o te Kaupapa: The project finished in January 2020 in Xi'an, China.
Rerenga Mahi: According to the original plane, we can only build four relatively square video halls. Since this space pattern is difficult to provide rich viewing, instead of focusing on decoration, we integrated the space with other formats with similar entertainment attributes to build an avant-garde new cinema space. We moved the lounge bar into the theater space. It is not only an independently operable space, but also symbiotic and mutually beneficial with the cinema. The experiential claw machine and other entertainments also stimulates consumers to extend their stay in the theater, maximizes the value of the space.
Ngā Mema o te Rōpū: Lead Designer: Li Xiang
Project Director: Ren Lijiao
Project Director: Wu Feng
Whakamana Whakaahua: Image#1: Photographer Shao Feng, FAB Cinema, 2019.
Image#2: Photographer Shao Feng, FAB Cinema, 2019.
Image#3: Photographer Shao Feng, FAB Cinema, 2019.
Image#4: Photographer Shao Feng, FAB Cinema, 2019.
Image#5: Photographer Shao Feng, FAB Cinema, 2019.