Peke ki te ihirangi
Evd Te Hoahoa o Roto o te Tari nā Yang Bing and Hao Liyun

Ko te hoahoa Evd Te Hoahoa o Roto o te Tari nā Yang Bing and Hao Liyun he kaitoa whakahirahira o te 2021 A' Design Award Koura i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.


KouraRoto Whare· 2021

Evd Te Hoahoa o Roto o te Tari

nā Yang Bing and Hao Liyun

Kiritaki: EVD Design

Kaitoa o te A' Design Award Koura i te Wāhanga Roto Whare

23,353

Ngā Tae

Te Hoahoa

Mō Evd Te Hoahoa o Roto o te Tari

Ko EVD he wāhi o roto mō te tari me te whakaaturanga kei Shanghai, Haina. E 300 mita pūrua te rahi o te wāhi. Ko te āhua o te mokowā i hangaia e ngā reo tawhito, ā, ka whakamahia ngā huānga hoahoanga tawhito me ngā huarahi hou hei tāpiri i te āhua pūmau. Ka honoa tētahi wāhi āhua-U ki tētahi taha roa me ngā matapihi nunui e rima, nō reira ka uru mai te māramatanga māori, ka hora noa hoki. Ka tāpirihia ngā āhua porotaka hei whakarangatira i te taiwhanga o roto. Ka tīmata te hoahoa mā te whakatau i ngā here i puta mai i ngā paipa ārai ahi me ngā awa hau makariri. Ko te nuinga o ngā pakitara ka whakamahi i ngā peita toi i hangaia mai i te paura anga me ngā kāpia māori.

Te Whakamihi

Mō te A' Design Award Koura

Ko Evd Te Hoahoa o Roto o te Tari te toa o te A' Design Award Koura, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke tuatahi, whakamīharo me te hiranga. Ko ngā toa Koura he mahi tino auaha, he tirohanga mamao, he kanapa ahi, e whakaatu ana i te pūmanawa, te mātauranga me te tohungatanga o ā rātou kaihoahoa. E tūmanakohia ana ko Evd Te Hoahoa o Roto o te Tari he hanganga tūnga e whakatū ana i ngā ia, he whakanuia rawa, e kawe mai ana i te uara kāore anō kia kitea. Ko tēnei hoahoa i toa i te Koura he kaupapa whakamīharo, whakahonoretia e whakawhānui ana i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ka whakaara a Evd Te Hoahoa o Roto o te Tari i te hiahia nui, ka whakaoho i te kaingākau, ka whakatenatena i te auaha, ā, ka whakamīharo i a tātou.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake
The spatial form of the office is shaped based on classical languages. The design team utilized classical architectural elements with modern approaches, to add a sense of eternity to the space. Besides, sphere -the most beautiful solid figure is brought in, which enhances the spatial aesthetic. The designers elevated the area outside the door opening of the "garden" to create natural height difference of sight line and to endow the space with fun and a sense of mystery.
Inenga & Pēketanga
Type: office and exhibition area
Area: 300 sqm
Tūtohu
Evd, office, workplace, classical aesthetics, Classical spatial languages
Hangarau Whakanao
The design starts from solving with spatial limitations caused by pipes for fire protection and air conditioners in the original space. Such a design method can avoid repeated construction and resource wastes. 95% of walls use sustainable art paints. Those paints are composed of shell powder and natural gums, harmless to the environment and convenient for construction. Open and flexible spatial
Wero Hoahoa
Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall. The challenges are how to allow light from the north naturally into the interior space and offer people a sense of participation and a playful perception.
Rangahau
Located in Shanghai, China, EVD office is conceived based on two design threads that derive from site restrictions. One extends from the entrance to the interior, while the other is folded out vertically in the 5-meter-high space. Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall.
Whakaaweawe
The designers created a U-shaped area that combines with one long side and the five large windows, allowing natural light to filter in and diffuse freely. The entrance protrudes towards the foyer, due to the consideration of fire control regulations. Its position and width for evacuation bring new opportunities for organizing spatial pattern and form. The overall spatial design starts here.
Roanga o te Kaupapa
April 2019-September 2019, Shanghai
Rerenga Mahi
The spatial form is shaped based on classical languages. It absorbs arched elements from Antonello da Messina's masterpiece "St. Jerome in His Study". In the painting, Messina depicted an "eternal" space that combines openness and privacy as well as fluidity and serenity by the use of arches, which can be seen on architectural and interior structures, landscape and furniture. Based on 3D shapes, he t
Ngā Mema o te Rōpū
Design team: Yang Bing, Hao Liyun
Whakamana Whakaahua
Super Yingxiang

Kaitautoko

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E Tika Ana Kia Whakanuia Ngā Hoahoa Pai

Ko te A' Design Award he tohu ā-ao, he tohu whakawā mō te hoahoa pai. Whakaurua ki te A' Design Award kia whiwhi ai koe i te āheinga ki te mana tohu, te rongonui, te mana me te whakatairanga mō āu mahi. Tukuna tō mahi ki te A' Design Award kia whakataetae mō te tohu hirahira o te A' Design Prize.

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