Peke ki te ihirangi
Erganzung des Originals Toi nā Andre Quirinus Zurbriggen

Ko te hoahoa Erganzung des Originals Toi nā Andre Quirinus Zurbriggen he kaitoa whakahirahira o te 2021 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Toi me te Whakaaturanga Toi.


HiriwaToi· 2021

Erganzung des Originals Toi

nā Andre Quirinus Zurbriggen

Kiritaki: Andre Quirinus Zurbriggen

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Toi

40,988

Ngā Tae

Te Hoahoa

Mō Erganzung des Originals Toi

Ko nga uaua ma i roto i nga kohatu awa ka arahi ki nga tauira matapōkere i runga i nga mata. Ko te whiriwhiringa o etahi kowhatu awa me o raatau whakaritenga ka huri i enei tauira hei tohu, he reta Latina. Koia nei te hanga o nga kupu me nga rerenga korero i te wa e noho tika ana nga kohatu ki te taha o tetahi. Ka puea ake te reo me te whakawhitiwhiti korero, ka noho ko o raatau tohu hei taapiri atu ki nga mea kua oti.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Erganzung des Originals Toi te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Erganzung des Originals Toi he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Erganzung des Originals Toi he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake
Quirinus observes and identifies the unique artistic potential of natural materials. He rearranges stones and puts them into a new context, a new destiny. Their substance gains a new expression witch becomes a supplement of the original. What differs from other artists is that for him it is not the handicraft that is in the foreground, but the way you look at things.
Inenga & Pēketanga
Single stone, Diameter mm 50, the whole Alphabet, Width mm 1600, or two rows of, mm 800. IPad, Width mm 250 Height mm 200. Metal stand for IPad, Height mm 1000. Stone on head is presented on a white wooden column, Width mm 200 Depth mm 200 Height mm 1600.
Tūtohu
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Hangarau Whakanao
Found stones communicate with the viewer of this work.
The presentation of the stone alphabet consists of two parts. Firstly, the stone alphabet is presented in a glass showcase. As discussed with the Support, there is the possibility to use the showcase from the event. Secondly, an iPad stands in front of the glass showcase and shows a short movie in a loop (See the uploaded video.)

A supplement to the Alphabet is the work, stone on head. Wild and fearful, but calm in this constellation. An extraordinary question that arises when the gaze meets his eye socket: Hello, who are you?
Wero Hoahoa
The hardest part of stone work has always been not to lose confidence to find the last letter for completion. The stone collection includes all upper and lower case letters, all numbers and characters. A search that was necessary to implement the idea of ​​realizing a stone typewriter. A contribution on the subject of communication between nature and culture.
Rangahau
The artistic works revolve around belief, the act of seeing and the gaze. He views art less than the production of something new, but more as an appreciation of the existing, which is not yet consciously noticed. In his view, conscious appreciation means realizing that something is looking at us, even though it is just a small stone. If picked up, it is a stone. If put down, it becomes a sign and, last but not least, word and language. But how is it possible to share this experience with other people? Quirinus released a stone typewriter and published it on his website.
Whakaaweawe
The inspiration is based on a five-year trip around the world. In Indonesia Quirinus lived with indigenous people and was allowed to participate in ritual practices. There he learned to deal with found objects. Objects are not just dead, they come with a little attention to life, even if it's just a small stone. After his return he implemented his experience with natural stones. Quirinus wanted to test if it is possible to find what he believed in and what he is looking for. In the end, he went far and asked himself: Is the stone looking for me?
Roanga o te Kaupapa
Quirinus started exploring stones in 2006 and he is still doing so. In June 2019 he exhibited at arts laboratory Malamegi Lab 12 in Milan. In August 2019 he exhibited his project at Swiss Art Expo in Zürich. In 2020 he exhibited at Schützenlaube in Visp. The original stones with letters and faces were so far never exposed to an audience.
Rerenga Mahi
One of the most impressive works by Andre Quirinus Zurbriggen is the stone alphabet. This work is an experiment in communication and is not only used for writing and exchanging stone messages over the internet. His work is also intended to remind the viewer to look at nature with open eyes in order to see things in a new way. Found objects also reveal information about a past that is not yet complete, but can be rediscovered at any time.
Whakamana Whakaahua
Image #1: Photogrpher and Creator Andre Quirinus Zurbriggen, The Stone Alphabet, 2017.
Image #2: Photogrpher and Creator Andre Quirinus Zurbriggen, Game by the stream, 2021.
Image #3: Photogrpher and Creator Andre Quirinus Zurbriggen, The Alphabet with stone greetings on an iPad, 2021.
Image #4: Photogrpher and Creator Andre Quirinus Zurbriggen, Stone on Head, 2020.
Image #5: Photogrpher and Creator Andre Quirinus Zurbriggen, Game by the stream, 2018.
Videokredite: Creator Andre Quirinus Zurbriggen, Stone Greetings, 2021.

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