Ko te hoahoa Ivy Te Kawhe nā Neda Mirani he kaitoa whakahirahira o te 2021 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

HiriwaRoto Whare· 2021

Ivy Te Kawhe

nā Neda Mirani

Kiritaki: Neda Mirani

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Roto Whare

25,961

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #116401

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Ivy Te Kawhe

Ko nga paearu penei i te kakama ohaoha, te tere whakatinana, me te hanga i te hau hou i roto i te taone he tino wero hoahoa hei whakaaro, no reira ko te arotahi ki nga rauemi e waatea ana i te waahi kaupapa i tohua hei huarahi whakaoti rapanga. Ko nga rawa ka taea te whakatutuki i nga hiahia o runga ake nei me te whakapai ake hoki i te kounga o te hoahoa. He maha nga wheketere paraka sima i tenei takiwa. He rauemi tauira ka taea te hanga i te kaupapa me nga paearu katoa. I te taha o te kakano parakore me te tae kore o te poraka, i whiriwhiria he taapiri penei i a Ivy e whai waahi nui ana ki te oranga o te waahi.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Ivy Te Kawhe te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Ivy Te Kawhe he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Ivy Te Kawhe he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: There are many factories in Mazandaran region that provide cement blocks for construction projects of more than any similar material. This led to the selection of cement blocks, due to the abundance, reasonable price, modularity and pure texture it brings to the project. Also, by choosing this material, the different arrangement of the blocks can help a lot in creating different functions.
Choosing a material with a different texture and a neutral color, such as a block, required a reverse complement. Choosing a plant texture next to it, in addition to creating a colorful touch, also greatly contributed to the vitality of the space. Therefore, according to the conditions of indoor spaces, a plant called miniature ivy was selected, which is basically suitable for indoor spaces, and in case of favorable conditions, it grows a lot. This complement played such an important role that even The name of the cafe was chosen from it.
Inenga & Pēketanga: Total area is: 80 Sq. M.
Tūtohu: cement block, ivy, cafe, Iran
Hangarau Whakanao: It can be said that the main part of this project is through the presence of a pure material called cement block. It is complemented by other materials such as metal in combination with a living plant tissue.
Wero Hoahoa: The spark of creativity in this project was created through the application of initial constraints. And it made us practice how to turn constraints into opportunities.
Rangahau: In this project, paying attention to the limitations, proper operation of the available facilities and adding a touch of creativity is the main design criteria.
Whakaaweawe: What was required to start the project included: economic efficiency, fast implementation and create a distinctive atmosphere in the city. Providing all of these together posed an important challenge. To solve this challenge, the question that came to mind was: What this area have? Assets that can both meet these demands and enhance design appeal. For this purpose, there was a need to know the material that alone can form the overall body of the project and even play an important role in the components and furniture of the space. This removed the multiplicity of materials from the project and instead shifted the focus to creating diverse functions through the emergence of one material. Therefore, several important factors should be considered in the selection of this material, such as: 1- Abundance (because it should be available in large numbers due to the high level of coverage) 2- Low costs(the overall level of costs by choosing it should be cost-effective.) 3- Being structured (in order to act as a module in design) and in all these cases, the type of use should be different.
Roanga o te Kaupapa: The project started in February 2020 and finished in July 2020 in Iran
Rerenga Mahi: This design is an exercise in reviewing the use of materials and understanding their high capability in creating space.
Ngā Mema o te Rōpū: Mohammadreza kohzadi
Whakamana Whakaahua: Photographer: Deed studio