Obsessive Love Ko Te Paetukutuku Hakari Kiriata nā Min Huei Lu

Ko te hoahoa Obsessive Love Ko Te Paetukutuku Hakari Kiriata nā Min Huei Lu he kaitoa whakahirahira o te 2021 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Paetukutuku me te Tukutuku.

ParahiTukutuku· 2021

Obsessive Love Ko Te Paetukutuku Hakari Kiriata

nā Min Huei Lu

Kiritaki: Academy of Art University

Kaitoa o te A' Design Award Parahi i te Wāhanga Tukutuku

16,003

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #120536

Tūhura Ināianei Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Obsessive Love Ko Te Paetukutuku Hakari Kiriata

I hangaia e te Kaihoahoa he kaupapa hui hakari kiriata whakapae hei whakanui i nga kiriata a Alfred Hitchcock e mau tonu ana te aro ki te voyeurism. Ko te hoahoa e whai ana i te miro e whai ana nga tangata kaore ano kia tutuki i a ratou nga patunga, ka whai mana ratou, i te mutunga, ko te mana pouri e akiaki ana i te kaihoe ki te kohuru. Ko nga huānga ataata, te atanga kaiwhakamahi, me te wheako kaiwhakamahi i hangaia katoa mai i te tirohanga voyeur. I te mea he kaihoe, ka uru te hunga whakarongo ki nga kaupapa kei runga mata.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Obsessive Love Ko Te Paetukutuku Hakari Kiriata te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Obsessive Love Ko Te Paetukutuku Hakari Kiriata he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Obsessive Love Ko Te Paetukutuku Hakari Kiriata i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: The hypothetical film festival project to celebrate the films of Alfred Hitchcock. The objective is to coordinate a complex set of materials that must function together as a whole. The idea is also to marry multiple messages with divergent formats—all with a unified and holistic aesthetic. This aesthetic has to contain the essence of the directors and their storytelling style.
Inenga & Pēketanga: Website Dimensions:1920px X 1080px
Tūtohu: Film Festival
Hangarau Whakanao: Camera
Adobe XD
Adobe Photoshop
Wero Hoahoa: The biggest challenge upon embarking on this project was to explore and understand Albert Hitchcock’s work on a 5 series of films. The film’s theme mainly revolves around the perspective of a voyeur. The essence of Hitchcock’s work seeks to introduce the details that the character embraced and it showcases; a pocket knife, a pair of binoculars, the victim’s photos as well as the fragrance of the target. In order to achieve the same level of depth that the film was trying to portray, part of my process was to focus on the physical attributes of the voyeur’s tools to be incorporated into my design process and innovation.
Rangahau: The design follows a thread which is unfulfilled characters stalk victims, giving them a sense of ownership, in the end, dark empowerment motivates the voyeur to murder. The visual elements, user interface, and user experience are all designed from a voyeur perspective. As voyeurs, audiences somehow feel complicit in the events onscreen.
Whakaaweawe: There is a prevailing obsession with voyeurism running throughout Hitchcock’s oeuvre. He knew that human beings have a fascination with watching. We are naturally nosy, curious, intrusive in our daily existence. As voyeur, audiences somehow feel complicit in the events onscreen. This project attempts to incorporate the artistic expression of Alfred Hitchcock and five chosen films in two ways–through consistent visual language and design deliverables that mesh together as an integrated system.
Roanga o te Kaupapa: The project started in March 2019 and finished in Jun 2019 in San Francisco.
Rerenga Mahi: This project requires extensive research, prototype testing for user’s ease as well as a lot of trial and errors. All this is to achieve a well-organized user interface for a pleasant user experience
Ngā Mema o te Rōpū: Min Huei Lu
Whakamana Whakaahua: Image #1: Photographer/Creator Min Huei Lu
Image #2: Photographer/Creator Min Huei Lu
Image #3: Photographer/Creator Min Huei Lu
Image #4: Photographer/Creator Min Huei Lu
Image #5: Photographer/Creator Min Huei Lu