White Forest Kaupapa Matua: Hoahoa Rō Whare Noho nā Po Chuan Kao

Ko te hoahoa White Forest Kaupapa Matua: Hoahoa Rō Whare Noho nā Po Chuan Kao he kaitoa whakahirahira o te 2022 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

ParahiRoto Whare· 2022

White Forest Kaupapa Matua: Hoahoa Rō Whare Noho

nā Po Chuan Kao

Kiritaki: ACG Design International

Kaitoa o te A' Design Award Parahi i te Wāhanga Roto Whare

12,295

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #127343

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō White Forest Kaupapa Matua: Hoahoa Rō Whare Noho

Kupu Pukapuka: Ko White Forest he hoahoa rō whare noho mō tētahi kāinga tata ana ki te 42 ping i Taichung. Kei roto i te mahere he wāhi tomokanga, he kīhini, he rūma kai, he rūma noho me tētahi rūma ako, tāpiri atu ki tētahi rūma moe matua me tōna wharepaku, me tētahi rūma moe tuarua me tōna wharepaku anō. I tangohia ngā pakitara kāore i te tika kia whakatikahia ai te whakatakotoranga tuatahi i piko, i wehewehe rawa. Ko te teraso hina i te wāhi tomokanga e hono ai i te kīhini me te rūma kai. Ko te mābara, ngā whakaata, ngā tairo karaehe me te rākau mātotoru kua peitahia e whakaahua ana i ngā toka, ngā puna wai me ngā puāwai, i te mea ko ngā rīpene rama konumohe e homai ana i te māramatanga ngāwari, ā-tuarā.

Te Whakamihi

Mō te A' Design Award Parahi

Ko White Forest Kaupapa Matua: Hoahoa Rō Whare Noho te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko White Forest Kaupapa Matua: Hoahoa Rō Whare Noho he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a White Forest Kaupapa Matua: Hoahoa Rō Whare Noho i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: After calibrating the design elements exquisitely, the designer applied accurate and coordinated ratio transformations between abstracts and concretes and further delivered a visual depth of field through various methodical features. Meanwhile, the terrazzo base with shades of gray has drawn a parallel towards the odd rocks in forests. Concretes can be seen from the entryway marble facade, artworks of Taiwanese artists that were glaze fired and painted, and the three-stamen furnishing at the vista of the hallway.
Inenga & Pēketanga: The indoor area is around 42 ping; this design included the entryway, the kitchen, the dining room, the living room, and the study of the public space; and the private area including the master bedroom and bathroom, and the secondary bedroom and bathroom.
Tūtohu: flowers blooming, relaxing, silence and pure, pink
Hangarau Whakanao: Special paint, marbles, jet glasses, hardware, aluminum light band, painted solid wood, mirrors, glass tiles, grindstones, stretch cloth.
Wero Hoahoa: To combine all individual design elements into the room, the designer has applied metaphor methods to carefully hold onto the ratio of the part. For example, the light band that expands with areas strips that metaphor classic while visually outlining the sense of technology. Meanwhile, the grains and texture on materials symbolized the imagery of flowers, odd rocks, mountain springs, and others within the space. With the ratio arrangements of abstracts and concretes, a progressive depth of field is elaborated; all elements endued with characteristics, and are placed in each corner harmonically.
Rangahau: To solve the distorted and multi-partitioned original spatial, the designer has remodified the surface. Abstract designing metaphors are used to elaborate the mountain springs, the odd rocks, the flowers, and other natural sights. The designer applied an open-ended method at the public area; a grindstone base is used as the go-between to create the entryway, the dining room, the kitchen, and other public areas. With the placing position of the desk and the sofa, a hidden border is created to divide the living room and the study.
Whakaaweawe: The designer applied Language of Flowers as the central concept and combined it with the touches of that trip to create layers of emotions. The depth of the elements is composed between abstracts and concretes; the language of flowers is shaped with abstracts, comparing humans to stamens. Within the transformations of lights and shadows, different appearances and colors are shown through the changing of time: Eternity shall bloom in the bottom of one heart, a pure flower with beauty and infinity.
Roanga o te Kaupapa: The project finished in Jun 2021 in Taichung.
Rerenga Mahi: Traffic flow arrangements often affect users emotions and the space practicality. The designer removed unnecessary walls to remodify the structure to solve the originally distorting and blocking spatial issue. Using the gray grindstones of the entryway as the go-between, the kitchen and the dining room are connected. At the same time, the open-end method is applied to weaken formal definitions towards space; overmuch decorations are ignored, while the sofa and the study desk are placed in the middle of the room, allowing children to move within the area freely without limitations.
Ngā Mema o te Rōpū: PO-CHUAN KAO
Whakamana Whakaahua: ACG Design International