Peke ki te ihirangi
Line and Structure Hoahoa Roto Nohonga nā San.O Interior Design

Ko te hoahoa Line and Structure Hoahoa Roto Nohonga nā San.O Interior Design he kaitoa whakahirahira o te 2023 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.


ParahiRoto Whare· 2023

Line and Structure Hoahoa Roto Nohonga

nā San.O Interior Design

Kiritaki: San.o Interior Design

Kaitoa o te A' Design Award Parahi i te Wāhanga Roto Whare

9,605

Ngā Tae

Te Hoahoa

Mō Line and Structure Hoahoa Roto Nohonga

Ko Rārangi me te Hanganga he hoahoa roto mō tētahi whare tokorima papa mō tētahi whānau i Taiwan. I whakamahereheretia te kāinga mō tētahi whānau tekau tāngata, e toru whakatupuranga. Ko ngā rārangi poutū me ngā rārangi whakawhāiti e ārahi ana i te tirohanga, e hono ana hoki i ngā wāhi tūmatanui o ngā papa raro ki ngā rūma tūmataiti o ngā papa runga. Ko ngā tae iti te kaha me ngā taipitopito whakarewa konganuku e hanga ana i tētahi ariā marino. Ko te pakitara matua kua oti i te Neolith, he rawa kōhatu angiangi, hangaia anō hoki, ā, ko ngā pakitara kua peitatia ki te peita kohu Itari. Ko te mārama me te atarangi e whakawhānui ana i te horopaki roa, whāiti hoki, kia kitea ai he whānui ake.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Line and Structure Hoahoa Roto Nohonga te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Line and Structure Hoahoa Roto Nohonga he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Line and Structure Hoahoa Roto Nohonga i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake
The design team connects different materials and changes of light and shadow to create a majestic and smooth design. The low saturation colors reveal a calm and quiet atmosphere, complemented by various metal embellishments, which gently lay out the texture and atmosphere. The space is designed with vertical and horizontal lines to explore the connection between family members. In the open plan, the vertical and horizontal lines can lead the visual extension, invoke natural light upward, converge downward to connect the public area on the second floor and connect the private area on each floor horizontally to make the home warmer.
Inenga & Pēketanga
The project has 991.7 square meters, with 5 floors and a single floor area of 198.3 square meters. There are 8 rooms, a dining room, a living room, and 4 social halls. In terms of function, the 1st and 2nd floors are public areas, the 1st floor has a garage and a social hall, and the 2nd floor has a living room, a restaurant, a cooking area, and a light meal area. The 3rd to 5th floors are private areas, the 3rd and 4th floors have a social hall, a study room, a master bedroom, and two childrens rooms, the 5th floor has a Buddhist hall, a parents' room, and a guest bedroom.
Tūtohu
Patio, large area, single-family house, light and shadow, lines.
Hangarau Whakanao
The client prefers the natural texture of stone, and therefore the design team adopts imported Neolith to replace marble in the main wall. When it comes to Neolith, it has three characteristics: first, it is made of 100% natural materials and can be recycled, second, its thickness is only 3mm, which has the same texture as stone with its thinness, third, the porosity of the material is less than 0.08%, which can effectively prevent the accumulation of bacteria and allergens. As for the paint, the project adopts Italian eco-friendly mineral paint.
Wero Hoahoa
The project has five floors and a large space, so there are many beams and columns. In particular, the large beams on the first floor are the most noticeable. To solve the problem, the design team used dark stone veneer to cover the beams and columns and added wood panels to weaken the beam visually and increase lighting. To avoid the visual pressure caused by the uneven beams, the design team deliberately lowered the ceiling. However, to maintain a transparent view, the design team through the patio and lighting to guide the light, creating a harmonious and unobtrusive space.
Rangahau
The interplay of light between the vertical and horizontal axes allows for the visual extension of the long and narrow layout. The low saturation of color blocks outlines the refinement of the environment. The changes in light and shadow enrich the interior yet create an artistic expression. The design team uses light, shadows, and, lines to construct the visual in the space thus named this project 'Between line and structure.' The whole space preserves the privacy of each family in the private area while maximizing the interaction of each family member in the public area.
Whakaaweawe
The clients family consists of ten members from three generations. Inspired by the warm atmosphere of this large family, the design team used the three elements of light, shadow, and line according to the characteristics of the building to create independency for the public and private areas. In the end, the design team created a separate space for each person, while connecting the close living and interaction between family members to build the ideal home.
Roanga o te Kaupapa
The project finished in January 2022 in Taiwan.
Rerenga Mahi
The long and narrow layout affects the vision and feeling. To avoid the feeling of oppression, the design team used light, shadow, and lines in the space. Especially in the study areas on the 3rd and 4th floors, the diffuse light and shadow stretch the vertical axis of the space, invisibly leading the visual extension upward. The design team used precise lines to decorate the environment so that clients can feel the varied elements of the design no matter where they are.
Ngā Mema o te Rōpū
CHIUNG-YING CHIU, KENG-YAO CHANG
Whakamana Whakaahua
SAN.O INTERIOR DESIGN

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