Ko te hoahoa Raw Hoahoa Roto Whare Noho nā Erian Yen he kaitoa whakahirahira o te 2023 A' Design Award Rino i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

RinoRoto Whare· 2023

Raw Hoahoa Roto Whare Noho

nā Erian Yen

Kiritaki: Triple men design studio

Kaitoa o te A' Design Award Rino i te Wāhanga Roto Whare

8,049

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #145040

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Raw Hoahoa Roto Whare Noho

Ko Raw te hoahoa roto o tētahi whare wā-whā i Taiwana. Ka whakamahia e te hoahoa te whakaaro wabi-sabi mā ngā rārangi ngāwari, ngā tae māmā me te iti rawa o ngā whakapaipai. E hipoki ana te peita kōhatu he ānō kōreretanga ki ngā pakitara piko me te tuanui, ā, e whakatakotoria ana te papa rākau tae taketake i runga i ngā tauira kōpekepeke, matapōkere hoki. Ko ngā papa tuwhera me ngā kāpata huna e whakaiti ana i te āhua nui o ngā mata o waho. Kei te papa tuatahi te wāhi noho me te wāhi kai, ā, kei ngā papa runga ngā ruma moe, ngā wāhi rokiroki me tētahi ruma ako. Ka horahia rite tonu te māramatanga taiao kia mau tonu ai tētahi tawhiti humārie i waenga i ngā mea.

Te Whakamihi

Mō te A' Design Award Rino

Ko Raw Hoahoa Roto Whare Noho te toa o te A' Design Award Rino, he whakaaetanga whai mana e hoatu ana ki ngā hoahoa pai e whakatutuki ana i ngā hiahia ngaio me te ahumahi e tūmanakohia ana mai i ngā mahi kua hoahoatia pai. Ko ngā toa Rino e whakaatu ana i te pukenga nui, te tohungatanga teitei, te māramatanga mātanga me te kaha auaha o ō rātou kaihanga. E tūmanakohia ana ko Raw Hoahoa Roto Whare Noho he mahi whakanuia, whakamīharotia, aroha nui, he whaihua, he auaha hoki. Ko tēnei hoahoa i toa i te Rino e whakakotahi ana i ngā tikanga pai rawa o te ahumahi, ā, he āhuatanga hangarau pūkenga tōna e hono ana ki te mōhio me te pūmanawa. E whakahonoretia ana a Raw Hoahoa Roto Whare Noho mō tōna tōtika, ā, i hoahoatia hei whakapai ake i te kounga o te oranga me te āwhina i te ao kia pai ake.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: The images of 'wabi-sabi' and 'raw' are fully expressed. The 'wabi-sabi' is embodied in the inlay of open bar shelving and hidden cabinets, which weaken the volume of the space. In this way, the blank space between objects creates a sense of solitude, revealing the concepts of minimalism, low profile, and plainness. The arc design with mineral paint at the turning point presents a natural visual, and the irregular texture of the mineral lacquer is a metaphor for the imperfect aesthetics of Japanese life. As for the ceiling, it is designed with a curved shape.
Inenga & Pēketanga: The project is a four-story newly completed house. The first floor is the public area, including the garage, balcony, and 46 square meters of living and dining space. The second floor is the private area, which includes a toilet, terrace, bathroom, and 28 square meters of bedroom. The third floor contains the second bedroom and storage space. The fourth floor is a multi-functional space with a toilet, balcony, terrace, staircase, and a 21-square-meter study room.
Tūtohu: Wabi-sabi, raw, arc elements, mineral paint, light color.
Hangarau Whakanao: Building materials: mineral paint, original color wood floor, grille, mirror, iron parts, white honeycomb blinds, etc. The building materials used in a large area of the space are pure. Because of the minimalist design of the space, the design team took the textures of the materials and added delicate details at the same time. For example, the flooring is made of wood grain with 1/2 tile, staggered tile, and random tile, and the natural lines have an extended visual effect.
Wero Hoahoa: The challenge of this project is the constricted layout, which is a common problem in single-family houses in Taiwan. The rectangular shape of the space limits the route and the planning of the area, so the design team focused on maximizing the light in the light-facing area to allow natural light to fall evenly in the room and leave a wabi-sabi distance between objects. In the end, the design team used the texture of the building materials to present the design in a standardized pattern and used distance planning to mitigate the disadvantages of the site.
Rangahau: The design team used a single color to present the whole space and created details to make the space fit both the empty feeling of wabi-sabi and the pure sense of rawness. The project is presented with a minimum of decoration in terms of materials, layout, and design techniques. The natural texture of the mineral paint is like washed-out skin, and its natural pores are the most beautiful highlight through the reflection of light and material. On the other hand, the warm texture of the wood flooring adds vitality to the light-colored space. The facades are designed with hidden cabinets to eliminate the bulkiness of the volume.
Whakaaweawe: The design team used mineral paint and wood to bring the silent beauty of wabi-sabi into the space, while the arcs allow people to feel the beauty of nature and roundness together. The light color reflects the texture of the mineral paint, and the original wood color retains the purest appearance. The raw texture of the material brings a different look to the space. The design team eliminated the complicated design to present raw imagery and finally used simple lines and layouts to form a pure wabi-sabi impression.
Roanga o te Kaupapa: The project finished in August 2022 in Taiwan.
Rerenga Mahi: Compared with nothingness, wabi-sabi leaves the purest impression in space. The function is clear at a glance, the facade is not overly decorated, the cabinetry is not complicated, and there is a clear theme in each area. Everywhere one looks, there is a unique beauty, and one can enjoy the quiet beauty of the space away from the hustle and bustle.
Whakamana Whakaahua: Triple men design studio