Ko te hoahoa Blue Ants Kohinga Kākahu nā Yi Yin he kaitoa whakahirahira o te 2023 A' Design Award Koura i te Wāhanga Whakataetae Hoahoa Kākahu, Āhua me te Kākahu.

KouraKākahu· 2023

Blue Ants Kohinga Kākahu

nā Yi Yin

Kaitoa o te A' Design Award Koura i te Wāhanga Kākahu

2,227,415

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #147789

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Blue Ants Kohinga Kākahu

Ko Blue Ants he kohinga kākahu i hangaia mai i ngā kākahu tawhito kua whakahoutia. Ko ngā papanga kikorangi pōuri i tangohia mai i ngā kākahu mahi kikorangi, ā, ko ngā tauira whakapaipai e ahu mai ana i ngā pane kai o mua. Ka mahia ngā tā ki te whakaahua cyanotype, ko te hihi o te rā hei whakakapi i te mīhini tā. Mā te tapahi rēhita ka whai āhua ahu-rua, ahu-toru hoki te papanga e whai ana i ngā kōpiko o te tinana. Kua whiria, kua herea hoki te āhua matua o te kākahu mahi. Ka whakaratohia te kohinga i roto i ngā rahi rerekē.

Te Whakamihi

Mō te A' Design Award Koura

Ko Blue Ants Kohinga Kākahu te toa o te A' Design Award Koura, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke tuatahi, whakamīharo me te hiranga. Ko ngā toa Koura he mahi tino auaha, he tirohanga mamao, he kanapa ahi, e whakaatu ana i te pūmanawa, te mātauranga me te tohungatanga o ā rātou kaihoahoa. E tūmanakohia ana ko Blue Ants Kohinga Kākahu he hanganga tūnga e whakatū ana i ngā ia, he whakanuia rawa, e kawe mai ana i te uara kāore anō kia kitea. Ko tēnei hoahoa i toa i te Koura he kaupapa whakamīharo, whakahonoretia e whakawhānui ana i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ka whakaara a Blue Ants Kohinga Kākahu i te hiahia nui, ka whakaoho i te kaingākau, ka whakatenatena i te auaha, ā, ka whakamīharo i a tātou.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: This project focuses on fashion and textile design using old clothes transformation, cyanotype photography and laser cutting. The designer hopes to connect the unique political function of clothing and break the stereotypes of the old times. In terms of materials, the designer has tried a variety of interdisciplinary textile design methods, striving to design clothing that is both environmentally friendly and fashionable.
Inenga & Pēketanga: Variable sizes
Tūtohu: Fashion, Textile, Sustainable, Cyanotype, Design
Hangarau Whakanao: All the redesigned dark blue fabrics in this project come from the old blue overalls during the Cultural Revolution. In addition, this project also used food stamps that were exclusive during the Cultural Revolution period to develop my design because the patterns and curves on them to be quite beautiful and attractive. Moreover,the laser-cut fabric has both a two-dimensional and three-dimensional transformation effect that follows the undulations and curves of the body.
In addition, in order to restore the sense of time during the Cultural Revolution and maintain the concept of sustainability, the prints in the Blue ants are all done using cyanotype photography. The traditional printing machine is replaced by sunlight to produce a unique printing and dyeing effect.
Wero Hoahoa: Laser cutting was the hardest part of this project as it is challenging to find a suitable fabric. Because some fabrics are too soft to reveal the cut graphics, while others are too hard to make clothes.
Rangahau: This project was integrated the printing methods of visual communication design, cyanotype photography, and other techniques to complete my fabrics. The project also used a projector to assist me in the design of the silhouette. The designer intended to twist and bind the classic silhouette of blue overallsto disrupt the Cultural Revolution when everyone wore the same clothing.
Whakaaweawe: Blue ants, was inspired by the famous historical event in China, the "Cultural Revolution". During this decade, people regardless of gender and age, completely spontaneously wore uniform blue overalls, so they were called “blue ants” by people in other countries. During this decade, clothing no longer only has the function of keeping warm, but has completely become a political tools of fanaticism and blind obedience.
Roanga o te Kaupapa: The project started in January 2022 in Jinan,China and finished in November 2022 in Jinan,China.
Rerenga Mahi: The laser-cut fabric has both a two-dimensional and three-dimensional translation effect that follows the undulations and curves of the body.
Whakamana Whakaahua: Copyright by Yi Yin,
Image #1: Photographer Yihao Huang，2022
Image #2: Photographer Yihao Huang，2022
Image #3: Photographer Yihao Huang，2022
Image #4: Photographer Yihao Huang，2022
Image #5: Photographer Yihao Huang，2022
Model: Wenxue Meng，2022