Ko te hoahoa Jinglan Bay Art Pokapū Hoko nā Nic Lee he kaitoa whakahirahira o te 2024 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

HiriwaRoto Whare· 2024

Jinglan Bay Art Pokapū Hoko

nā Nic Lee

Kiritaki: China Resources Land South China Guangxi Co.

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Roto Whare

22,229

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #152974

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Jinglan Bay Art Pokapū Hoko

Ko Jinglan Bay Art he hoahoanga o roto mō tētahi pokapū hoko kei Liuzhou, he rohe maunga me ngā wai kōpikopiko. E 1705 mita pūrua te rahi o te wāhi o roto, kei roto ko ngā wāhi pōwhiri, hoko, whakaatu, pāpāho matihiko me te wāhi VIP. Kaua ko te tārua i te taiao mā ngā āhua, engari ka whakamahia te mārama me te atarangi hei whakaaro ake ki ngā maunga teitei me ngā wai hōhonu. Kua orohia te terrazzo pango kia rite ki te whakaata, nō reira ka whakaatahia te taiao o waho me te nekeneke o ngā manuhiri. Ko te kōhatu taiao kei te tomokanga ka hanga i te hōhonutanga o tētahi awaawa. Ko ētahi atu rauemi ko te māpere kua tāraia, te peita kohuke, te rākau pango me te ōki.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Jinglan Bay Art Pokapū Hoko te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Jinglan Bay Art Pokapū Hoko he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Jinglan Bay Art Pokapū Hoko he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Inenga & Pēketanga: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Tūtohu: sales center, landscape, museum, indoor architecture, interior design
Hangarau Whakanao: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Wero Hoahoa: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Rangahau: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Whakaaweawe: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Roanga o te Kaupapa: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Rerenga Mahi: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Whakamana Whakaahua: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.