Black Spruce Te Hoahoa Roto o te Whare Noho nā Yi Hsien Chiang

Ko te hoahoa Black Spruce Te Hoahoa Roto o te Whare Noho nā Yi Hsien Chiang he kaitoa whakahirahira o te 2024 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

ParahiRoto Whare· 2024

Black Spruce Te Hoahoa Roto o te Whare Noho

nā Yi Hsien Chiang

Kiritaki: MI Studio

Kaitoa o te A' Design Award Parahi i te Wāhanga Roto Whare

10,625

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #159153

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Black Spruce Te Hoahoa Roto o te Whare Noho

He hoahoa roto o te whare noho a Black Spruce mō tētahi wharenoho 56.1 mita tapawhā te rahi i Taiwana, e rua ngā rūma, tētahi rūma noho me tētahi rūma kai. I whakahouhia te whakaritenga kia rite ki ngā tikanga o ia rā o ngā tāngata e noho ana, nā reira i nekehia te rūma ako, ā, i whakanohoia ngā ngongo ki runga ake i te tuanui o te huarahi haere. Ko ngā tae pōuri me te raima matte te tūāpapa, e whakamahia ana i ngā papa maha kia whakaiti i te kanapa. Ko te karaihe Moru me ngā tatau kōpaki e wehewehe ana i ngā wāhi, ā, e tuku ana i te māramatanga me ngā tirohanga kia puta. Ko ngā taunga whakapaipai o te konganuku, te hiako me te karaihe e whakarei ake ana i te whare pūmau nei.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Black Spruce Te Hoahoa Roto o te Whare Noho te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Black Spruce Te Hoahoa Roto o te Whare Noho he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Black Spruce Te Hoahoa Roto o te Whare Noho i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Enveloping: The designer has a unique understanding of residence. She categorizes residential design into macro and micro viewpoints. On the macro level, the residence brings a sense of relaxation to the occupants. Warm dark colors, stucco, special paints, and steel veneer textures create a stress-free atmosphere.
Penetration: The designer created a sense of transparency through the layout and choice of materials. The moru glass and folding doors serve as a boundary and allow for interaction between different areas.
Inenga & Pēketanga: The customized project is in a total area of 56.1 square meters apartment with 2 rooms, a living room, and a dining room.
The designer created a sense of openness and comfort in the small space using tactics and spatial planning. Originally a two-bedroom, a living room, and a dining room, it was later adjusted to better suit the client's needs and lifestyle. The designer adjusted the configuration of the study room to a more suitable location, installed the piping and equipment on the ceiling of the walkway, and installed a wall fitting in the center of the layout as the core.
Tūtohu: Dark-colored building materials, industrial style and sophistication, enveloping and penetrating, selection of materials and detailing, sustainability and healthy design, black spruce.
Hangarau Whakanao: Materials: stucco, moru glass, rusty mikado quartz, tiles, special paint, champagne-colored mosaic, steel-brushed wood veneer, etc.
Stucco is a commonly used material in interior design, with delicate texture, diverse colors, and strong plasticity. The designer used a multi-layer coating to create a matte effect to reduce light reflection and achieve an anti-glare effect. This technique is suitable for living rooms, bedrooms, and other spaces that need to create a comfortable atmosphere, and then match with glossy materials to create depth of field.
Wero Hoahoa: The challenge was the space limitation, especially in the kitchen and dining room. Due to the limited space, the designer had to calculate the dimensions of each piece of equipment, such as the width of the walkway and the size of the refrigerator and stereo, to satisfy the client's hobbies, such as coffee, cooking, music, etc. The designer also had to consider the storage space, ergonomics, and circulation. With so little space available, there was a need to rationalize the space to accommodate all the equipment.
Rangahau: The name of the project is 'Black Spruce'. Black spruce is a common tree species in high-latitude forests. With its hard texture and fragrance, it is often used as a Christmas tree or as a symbol of toughness. The designer developed an exquisite house with both 'enveloping' and 'penetrating' senses. Far from pure white and light colors, the main choice is to use matte stucco with delicate texture, embellishing the home with sophistication and taste under the industrial style.
Whakaaweawe: The client prefers dark colors, which bring a sense of security and stability. In response, the designer used dark colors and avoided the use of white and light colors. Matte stucco was preferred as the background material.
In terms of style, the client likes industrial style but prefers a more refined style, especially focusing on daily details and a sense of ritual. The designer took metal, leather, and glass as embellishments to balance the monochrome color system and through the lighting, furniture matching to enhance the sophistication.
Roanga o te Kaupapa: The project finished in February 2024 in Taiwan.
Rerenga Mahi: During the initial communication with the client, the designer realized that the client likes the industrial style. However, in the process, the client's understanding of industrial style did not exactly match the common definition of industrial style. Through communication and guidance, the designer was able to provide more precise choices of materials and styles and ultimately found an atmosphere that matched the client's ideal. The client gave positive feedback on the project.
Ngā Mema o te Rōpū: YI-HSIEN CHIANG
Whakamana Whakaahua: MI Studio