Art in the Soul Te Hoahoa Roto Tari nā Sema Yazici

Ko te hoahoa Art in the Soul Te Hoahoa Roto Tari nā Sema Yazici he kaitoa whakahirahira o te 2025 A' Design Award Rino i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

RinoRoto Whare· 2025

Art in the Soul Te Hoahoa Roto Tari

nā Sema Yazici

Kiritaki: Sakura Architecture

Kaitoa o te A' Design Award Rino i te Wāhanga Roto Whare

8,932

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #168623

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Art in the Soul Te Hoahoa Roto Tari

Ko Art in the Soul he roto tari kei Istanbul. Kei te papa iwa o tētahi pokapū pakihi te tari nei, ā, kei te 250 mita pūrua te horahanga whai take. Kei roto i te mahere he wāhi whakatau manuhiri, he rūma hui, he tari mō ngā rangatira, he wāhi mahi noa, he kīhini iti, he wāhi whakatā me tētahi mahau. E whakamahia ana te mapere hina whai rīaka, te papa rākau, te parakete tauira me te whāriki puta noa i ngā wāhi. Ka kawea te māramatanga o te rā ki roto i te ara haere mā ngā wehewehenga karaehe. I tāpirihia he mahi toi, he whakapakoko me ngā tipu hei hanga i tētahi taiao mahi ata noho, whakaohooho hoki.

Te Whakamihi

Mō te A' Design Award Rino

Ko Art in the Soul Te Hoahoa Roto Tari te toa o te A' Design Award Rino, he whakaaetanga whai mana e hoatu ana ki ngā hoahoa pai e whakatutuki ana i ngā hiahia ngaio me te ahumahi e tūmanakohia ana mai i ngā mahi kua hoahoatia pai. Ko ngā toa Rino e whakaatu ana i te pukenga nui, te tohungatanga teitei, te māramatanga mātanga me te kaha auaha o ō rātou kaihanga. E tūmanakohia ana ko Art in the Soul Te Hoahoa Roto Tari he mahi whakanuia, whakamīharotia, aroha nui, he whaihua, he auaha hoki. Ko tēnei hoahoa i toa i te Rino e whakakotahi ana i ngā tikanga pai rawa o te ahumahi, ā, he āhuatanga hangarau pūkenga tōna e hono ana ki te mōhio me te pūmanawa. E whakahonoretia ana a Art in the Soul Te Hoahoa Roto Tari mō tōna tōtika, ā, i hoahoatia hei whakapai ake i te kounga o te oranga me te āwhina i te ao kia pai ake.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: This business center project in Istanbul extended its modern, minimalist design to the ninth floor office, which features an open layout, a spacious balcony, and a glass facade. Maximizing natural daylight was a key focus in workspace planning. What started as a basic shell was transformed into a fully functional and aesthetically refined office, incorporating artwork, sculptures, a coffee machine, and greenery to create a cohesive and inspiring environment.
Inenga & Pēketanga: This office is characterized by a net usable area of 250 square meters. In the entrance section, a reception area, a meeting room for 15 persons, and a CEO office are provided. In the adjacent area, a common working space, a kitchenette, a lounge, and a balcony are incorporated. The third section is comprised of a meeting room for 6 persons, two executive offices, separate WC facilities for men and women, and a technical room.
Tūtohu: Office project, artistic details, design office, art in the office, plaza office, employee motivation, pleasant working space
Hangarau Whakanao: At the entrance, the floors of the reception and meeting room were covered with veined grey marble, whose natural patterns and shimmering sand inclusions created an elegant atmosphere. The meeting room was separated by a glass partition system, allowing the two spaces to be perceived as a unified whole. The entrance walls and reception counter were clad in wood veneer, which imparted warmth to the space. By extending the marble flooring to the reception counter, a sculptural bust effect was achieved, thereby breaking the static appearance of the wood. The sculpture on the counter and the vibrantly colored painting in the meeting room created a striking impact, ensuring that visitors were immediately greeted by art and design.
In the executive office, fish-scale patterned parquet was used for the flooring and decorative paint was applied to the walls. The work desk was designed to function as both a meeting and work area, while the cabinet area behind it was finished with a marquetry veneer and brass details on the shelves, adding an element of sophistication. A special painting and strategically placed plants in front of the glass completed the decor.
In the common working areas, carpet was chosen for its sound-insulating properties, with its colors carried over into the desk partitions to achieve a cohesive color scheme. Light grey tones were generally preferred in the furniture to create a minimalist and non-distracting environment.
Decorative hanging birds from the ceiling, flowers in the library, and brass accents were employed to establish a warm working atmosphere. In the rooms, glass partitions with a transparent and modern appearance were utilized, thereby allowing daylight to be extended to other areas of the corridor.
Wero Hoahoa: In this project, each section was designed with a distinct approach. The entrance needed to exude elegance and sophistication, while a warm and inviting atmosphere was created for employees. Common areas were designed to be functional while maintaining a cohesive spatial perception. Various materials were carefully balanced and integrated to ensure aesthetic harmony without disrupting the overall design unity.
Rangahau: The goal of this project was to ensure that both employees and clients felt they were in a well-designed and artfully curated office from the moment they entered. The spaces were designed to be functionally efficient while remaining distinct through special details without obstructing one another. The dynamic presence of the sculpture at the entrance, the vibrant colors of the paintings, and the use of transparent surfaces played a significant role in achieving this vision.
Whakaaweawe: Primary aim is that offices reflect one’s soul rather than one’s strength. Regardless of scale, business sector, or management style, the sense of belonging and motivation among employees is prioritized in the designs. In this project, which was executed in accordance with this philosophy, art and timeless designs were regarded as the main sources of inspiration.
Roanga o te Kaupapa: This project was completed in Istanbul in 2018.
Rerenga Mahi: In the office, the main entrance facade was designed as a solid wall, while the fully glazed front facade served the work areas. Natural daylight was harnessed to maintain a connection with the outside. The entrance area featured a reception and meeting room to discreetly guide guests, and an executive office was established behind the reception for the firm owner. A seamless transition between the reception, workspace, and kitchenette was achieved- with a bar counter, stools, library, and seating forming a compact social area. Additionally, a mini meeting room, enclosed executive offices, WC areas, and technical spaces were arranged to optimize space utilization.
Ngā Mema o te Rōpū: Sema Yazici, Yadigar Tanriverdi
Whakamana Whakaahua: Ali Bekman