Changes Cycles and Shapes Toi Matihiko nā Yuko Suzuki

Ko te hoahoa Changes Cycles and Shapes Toi Matihiko nā Yuko Suzuki he kaitoa whakahirahira o te 2025 A' Design Award Koura i te Wāhanga Whakataetae Hoahoa Hanga, Hātepe, Tawhā me te AI-Āwhina.

KouraHoahoa Hanga· 2025

Changes Cycles and Shapes Toi Matihiko

nā Yuko Suzuki

Kiritaki: Feral File

Kaitoa o te A' Design Award Koura i te Wāhanga Hoahoa Hanga

210,079

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #170864

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Changes Cycles and Shapes Toi Matihiko

Ka tūhura tēnei mahi i te pātai, 'He aha te peita?' mā te whakaputa i te takaroatanga o ngā whakaaturanga ataata. I whakaohohia e ngā whitinga i roto i ngā peita a Mondrian, ka pū mai i tētahi mahere waehanga o te peita, kei reira ka neke te āhua i waenga i te whakaahua me te rāwaho, i waenga hoki i te haruru me te raupapa raina - he ariā i whakamahia ki te tae. Ka whakaoho tēnei mahi i te āhuatanga nekeneke o te āhua matihiko, e tohu ana ko ngā āhua i waenga i ngā panoni te ia matua. Mā te whakauru i ngā whāranu kua tāngia ki te baren, ka whakaata i te tuakiri o te kaihanga hei kaitā i roto i te āhua matihiko.

Te Whakamihi

Mō te A' Design Award Koura

Ko Changes Cycles and Shapes Toi Matihiko te toa o te A' Design Award Koura, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke tuatahi, whakamīharo me te hiranga. Ko ngā toa Koura he mahi tino auaha, he tirohanga mamao, he kanapa ahi, e whakaatu ana i te pūmanawa, te mātauranga me te tohungatanga o ā rātou kaihoahoa. E tūmanakohia ana ko Changes Cycles and Shapes Toi Matihiko he hanganga tūnga e whakatū ana i ngā ia, he whakanuia rawa, e kawe mai ana i te uara kāore anō kia kitea. Ko tēnei hoahoa i toa i te Koura he kaupapa whakamīharo, whakahonoretia e whakawhānui ana i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ka whakaara a Changes Cycles and Shapes Toi Matihiko i te hiahia nui, ka whakaoho i te kaingākau, ka whakatenatena i te auaha, ā, ka whakamīharo i a tātou.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Inenga & Pēketanga: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Tūtohu: Generative Art, Coding
Hangarau Whakanao: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Wero Hoahoa: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Rangahau: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Whakaaweawe: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Roanga o te Kaupapa: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Rerenga Mahi: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Whakamana Whakaahua: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.