Madonna Kohinga Taera nā Nataliya Naymark

Ko te hoahoa Madonna Kohinga Taera nā Nataliya Naymark he kaitoa whakahirahira o te 2026 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Rauemi Hanga me ngā Wāhanga Hanganga.

ParahiRauemi Hanga· 2026

Madonna Kohinga Taera

nā Nataliya Naymark

Kiritaki: NNaymark.design

Kaitoa o te A' Design Award Parahi i te Wāhanga Rauemi Hanga

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Kaitoa Tohu Manatokohia

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Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Madonna Kohinga Taera

Ka whakawhiti te kohinga taera Madonna i ngā hanganga kākahu o ngā peita whakapakoko o te rautau 15 ki tētahi pūnaha whakaahua uku papatono. Mā te āhuahanga whakahaeretia me te whakapaparanga tae kua whakaritea, ka hurihia ngā koni kākahu kua peitatia hei mata āhua-toru me te hōhonutanga pā. Ka taea ia taera te huri me te whakakotahi hei whakaputa i ngā titonga rerekē, kore-tārua puta noa i ngā pakitara, papa, tuanui rānei. Ka whakauru te tāruarua kanapa whakarewa me ngā pānga karaihe urupare i te taonui tae, ka āhei te reo ataata o mua ki te mahi i roto i ngā horopaki hoahoanga o nāianei.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Madonna Kohinga Taera te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Madonna Kohinga Taera he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Madonna Kohinga Taera i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Madonna is a modular ceramic tile collection translating 15th-century Madonna drapery into calibrated relief. Symbolic painted folds become structured physical depth. The rotational geometry enables controlled non-repetition across small and large surfaces, functioning as architectural structure rather than ornament. The system creates directional movement and allows scalable application across interiors.
Inenga & Pēketanga: 300 x 300 mm
Tūtohu: tile, pattern, Ornament, Ceramic, Renaissance
Hangarau Whakanao: Production combines high-pressure press-molding to generate calibrated 3D relief replicating drapery folds, followed by HD digital inkjet printing for chromatic fidelity to 15th-century iconography. Select areas receive third-fire luster application (or PVD metallization) for permanent metallic gold accents. Reactive glaze layering creates controlled oxidation effects, producing an aged patina with depth and surface tactility.
Wero Hoahoa: The main challenge was translating sacred iconography into contemporary ceramic without losing its dignity or becoming decorative imitation. Historically, folds in icons are symbolic, not naturalistic. Converting this painted illusion into structural relief required balancing authenticity with manufacturability. Limited glaze behavior, metallic firing constraints, and repeat-pattern logic demanded constant recalibration between art history and industrial feasibility.
Rangahau: Historical visual research. Objective: translate 15th-century Madonna icon drapery into a modular ceramic system adaptable to modern interiors. Methodology: comparative analysis of icon paintings focusing on color layers, fold geometry, and compositional rhythm. Tools: archival study, chromatic mapping, 3D modeling. Experiments tested fold positioning and rotation. Result: a non-repetitive surface system. Insight: sacred color logic can inform contemporary design. Impact: bridges heritage and scalable interior production.
Whakaaweawe: The project was developed after extensive visual research of 15th-century Madonna icon paintings, focusing on the way drapery, color gradients, and layered folds were rendered. I studied multiple variations of fabric depiction to understand their geometric logic and chromatic structure. The tile design translates these historical folding patterns into a contemporary ceramic surface, preserving the rhythm and tonal depth characteristic of early Renaissance garments.
Roanga o te Kaupapa: September 2025
Rerenga Mahi: Each tile is designed to be rotated and combined in multiple positions, allowing endless pattern variations. One module can create a subtle surface, while a full set produces complex, flowing compositions. This system prevents visual repetition, so a space can feel different from every angle. The same pattern logic extends to wallpaper, textiles, and upholstery, creating a cohesive yet dynamic interior language.
Ngā Mema o te Rōpū: Nataliya Naymark
Whakamana Whakaahua: Nataliya Naymark