Peke ki te ihirangi
Porous Manifold Te Rūma Tea Japanese nā Ryumei Fujiki and Yukiko Sato

Ko te hoahoa Porous Manifold Te Rūma Tea Japanese nā Ryumei Fujiki and Yukiko Sato he kaitoa whakahirahira o te 2019 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Toi me te Whakaaturanga Toi.


HiriwaToi· 2019

Porous Manifold Te Rūma Tea Japanese

nā Ryumei Fujiki and Yukiko Sato

Kiritaki: F.A.D.S + Fujiki Studio, KOU::ARC

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Toi

41,472

Ngā Tae

Te Hoahoa

Mō Porous Manifold Te Rūma Tea Japanese

He rūma tea Hapanihi rangitahi tenei e whakaatuhia ana i te Echigo-tsumari Art Triennale 2018 me te hanga kohanga me te waahi tatami e rua kua mau ki te tapawha tekau waewae. I roto i tenei whakaaturanga, i tonohia nga kaitoi ki te whakautu i te kaupapa me pehea te wikitoria i te kaupapa o te waahi riterite i tino rangatira i te rau tau 1900. I hangaia te anga kōiwi ma te whakamahi i te tauira matapōkere i kiia ko Voronoi Division hei whakakorikori i te mokowā kotahi. Na ka whakaarohia ko te hoahoanga me te maha o nga rua ka taea te whakatuwhera me te kati i te mea e hiahiatia ana ki te korero ki waho ano he mea ora.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Porous Manifold Te Rūma Tea Japanese te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Porous Manifold Te Rūma Tea Japanese he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Porous Manifold Te Rūma Tea Japanese he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake
This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Inenga & Pēketanga
Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Tūtohu
Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Hangarau Whakanao
It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Wero Hoahoa
Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Rangahau
Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Whakaaweawe
Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Roanga o te Kaupapa
This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Rerenga Mahi
As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Pātene
F.A.D.S + Fujiki Studio, KOU::ARC
Ngā Mema o te Rōpū
ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Whakamana Whakaahua
Masahiro Hoshida, Fujiki Studio, KOU::ARC

Kaitautoko

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