Ataraxia He Kohinga Whakapaipai Peera nā Yilan Liu

Ko te hoahoa Ataraxia He Kohinga Whakapaipai Peera nā Yilan Liu he kaitoa whakahirahira o te 2020 A' Design Award Koura i te Wāhanga Whakataetae Hoahoa Whakakai.

KouraWhakakai· 2020

Ataraxia He Kohinga Whakapaipai Peera

nā Yilan Liu

Kiritaki: Yilan Jewelry

Kaitoa o te A' Design Award Koura i te Wāhanga Whakakai

89,952

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #90013

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Ataraxia He Kohinga Whakapaipai Peera

Ma te whakakotahi me te maamaa me te hangarau matatau, e whai ana te kaupapa ki te waihanga i nga taonga taikaha hei hanga i nga huahua o Gothic tawhito ki te ahua hou, e korero ana mo te kaupapa o te mea tuku iho i roto i te horopaki o te ao. Na te hiahia ki te huarahi e awe ai a Gothic vibes i te hunga whakarongo, ka ngana te kaupapa ki te whakaihiihi i tetahi wheako takitahi ma te taunekeneke ngahau, te tiro i te hononga i waenga i te hoahoa me nga kaiwhiwhi. Ko nga toka kirikiri, hei taonga iti iho o te kiri-kiri, i tapahia ki nga papa taapiri hei whakaputa i o raatau tae ki te kiri kia pai ake ai te taunekeneke.

Te Whakamihi

Mō te A' Design Award Koura

Ko Ataraxia He Kohinga Whakapaipai Peera te toa o te A' Design Award Koura, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke tuatahi, whakamīharo me te hiranga. Ko ngā toa Koura he mahi tino auaha, he tirohanga mamao, he kanapa ahi, e whakaatu ana i te pūmanawa, te mātauranga me te tohungatanga o ā rātou kaihoahoa. E tūmanakohia ana ko Ataraxia He Kohinga Whakapaipai Peera he hanganga tūnga e whakatū ana i ngā ia, he whakanuia rawa, e kawe mai ana i te uara kāore anō kia kitea. Ko tēnei hoahoa i toa i te Koura he kaupapa whakamīharo, whakahonoretia e whakawhānui ana i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ka whakaara a Ataraxia He Kohinga Whakapaipai Peera i te hiahia nui, ka whakaoho i te kaingākau, ka whakatenatena i te auaha, ā, ka whakamīharo i a tātou.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Inspired by Gothic architecture, the collection encapsulates the sublime internal atmosphere, exploiting Gothic structural details to stimulate the particular feelings and explore emotional experience. Synthetic gemstones, as a lower eco-imprint material, were cut into unusually flat surfaces to cast their colors onto the skin to enhance the vibe. Immersive exploration of the precious culture is encouraged by the collection. The jewelry acts as a media to provoke unique individual experience. The design challenged the production to realize all the details to achieve the final result.
Inenga & Pēketanga: Ring No.1: 41mm x 18mm x 30mm;
Ring No.2: 28mm x 28mm x 36mm;
Bangle: 75mm x 75mm x 22mm;
Earring: 21mm x 59mm x 8mm
Tūtohu: jewelry, ring, bangle, earring, Gothic architecture, culture, emotional experience, eco-friendly, interaction, synthetic gemstones
Hangarau Whakanao: The production lasted about one month including wax curving, casting, stone cutting, model modification, stone setting, metal finishing and gold plating. Some design details were adjusted during this process. The materials are synthetic gemstones including cubic zirconia, synthetic spinel and synthetic ruby which were cut into usually flat surfaces. For the metal part, the material is goldplated silver.
Wero Hoahoa: The challenge was to realize all the design details to achieve the best result. There were many details in the design which made it difficult to well polish all the corners without damaging. After several experiments, I finally chose sand blasting as the main metal finishing which combined with full polish of the top faces of the settings, ensuring all the details as well as giving the collection a feel of flexibility. Also, the stone cutting process went through a lot of experiments to decide the thickness to gain the best effect.
Rangahau: The research concentrated on Gothic culture and the purchasing behavior of customers towards contemporary jewelry from books, journals, online articles and relevant market data. The research showed the potential of making the old into the new in the perspectives of market and technology. Besides, the case studies were given on market, trend and manufacture with online research and interviews, as first-hand investigations underscoring the value of the project. All the research promoted the development of the project and completed the project in the academic way.
Whakaaweawe: The collection was inspired by ancient Gothic architecture. This traditional style is fading with time, but it can be reborn in a new way with jewelry. Combining with fashion and advanced technology, the project aims to create jewelry pieces which can make the old into a new style, discussing the potential of the traditional in the contemporary context. With the interest in the way how the Gothic vibe influences audience and based on the vast research on Gothic culture, the project also tries to provoke unique individual experience through playful interaction, exploring the relationship between design and wearers.
Roanga o te Kaupapa: The project started in October 2017 in London and finished in May 2019 in London, and was exhibited in Central Saint Martins Degree Show in June 2019 and was awarded as Distinction. The production was finished in China.
Rerenga Mahi: The designs were inspired from Gothic architecture. Wearers will be easily attracted by its amazing appearance with elegant details. The pieces combine the old with the new, explaining the traditional culture with contemporary fashion language. When wearing the jewelry, the beautiful lines flow with the body, the bright colors cast onto the skin, creating a poetic experience for individuals. It is jewelry, but more than jewelry. It is a combination of culture, aesthetic, fashion and emotion.
Whakamana Whakaahua: #1, 2, 3, 4, 5: Photographer Xiaowu Yu, 2019