Peke ki te ihirangi
Chair of Soul Tūru nā Wen Jenq Cherng

Ko te hoahoa Chair of Soul Tūru nā Wen Jenq Cherng he kaitoa whakahirahira o te 2020 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Taputapu.


ParahiTaputapu· 2020

Chair of Soul Tūru

nā Wen Jenq Cherng

Kiritaki: Cherng's Work

Kaitoa o te A' Design Award Parahi i te Wāhanga Taputapu

12,937

Ngā Tae

Te Hoahoa

Mō Chair of Soul Tūru

He tūru a Chair of Soul i hangaia hei tautoko i te tinana kia noho ū, humarie te tū. Ko te teitei o te nohoanga, te tuara i te hope me ngā okiokinga ringa e mau ana i te taumaha o te tinana runga. Ko te tuara piko iti e whai ana i te āhua o te tinana, e whakangāwari ana i te ngau o ngā pokohiwi, te kakī, te hope me ngā waewae. Ko ngā taonga rākau o te Whakatipuranga Ming o mua te tauira mō ngā ine ngāwari. Ko te rākau ebony nō Sulawesi te anga matua, kua tuia ki ngā waewae ngongo konumohe me te nohoanga hiako Nappa waiporoporo. He hononga mortise me te tenon e hono ana i ngā wāhanga, ā, he hanganga ripa e hono ana i ngā waewae ki te nohoanga.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Chair of Soul Tūru te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Chair of Soul Tūru he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Chair of Soul Tūru i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake
Chair of Soul is my entry point of use as a starting point for design thinking. Since I have long been practicing meditation for destressing and calming my body and mind, I am hoping the design of the chair could reflect a completely relaxed condition for the body. Overall design is thereby focused on its function, where the user would sit upright on the chair and his or her upper-body weight be perfectly supported through the height of the chair, the backrest at the waist, and the armrests.
Inenga & Pēketanga
When producing a hereditary chair, what is more important than ensuring its functions is finding ways to incorporate visual aesthetics. I am using Chinese traditional Ming Dynasty style furniture as my blueprint, borrowing its elegant and simple exterior design and principles on proportion. And through enhancement of overall structural system, a unique arc structure is used as the support that connects the legs and the seat of the chair.
Tūtohu
Product, Chair, Health, Oriental, Furniture
Hangarau Whakanao
The curvature of the slightly bulging backrest embraces the body; this waist-supporting chair design offers supports for the human body, so that tensions around user’s shoulders, neck, waist, and limbs would all be relieved–user would be welcomed with a comforting sensation similar to a hug.
Wero Hoahoa
Pairing the material with the metallic copper tube of the legs and the purple cow Nappa leather seat, harmony, elegance, stability, and sustainability are incorporated altogether to bring forth a chair that user could converse with, the chair I dub – Chair of Soul.
Rangahau
A chair that is aimed to improve the users health would need to value the choice of material as equally important as the design that would fit precisely to human body proportions. I have especially chosen the ebony produced in Sulawesi, Indonesia as the chair’s main structure element; its fine material and deep-black colored lines flawlessly interpret the sophistication that the chair should exhibit.
Whakaaweawe
We have always had different thoughts in regards to chairs. This piece of furniture with a long history of evolution has always been deemed irreplaceable in home interior. How should a classic chair, which one hopes to pass down for generations and stay eternally quintessential, be presented?
Roanga o te Kaupapa
The project started in December 2016 and finished in December 2018.
Rerenga Mahi
The design is further complemented by the mortice and tenon joint as the reinforcing linkage between parts, bringing betterment to the complex composition found in old-fashioned traditional furniture. In addition to strengthening the chair’s mechanics system, a simplistic and spiritual appearance is thereby created for the chair.
Ngā Mema o te Rōpū
Designer: Wen-Jenq Cherng

Kaitautoko

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