Tibetan Thangka Art Museum dek AND Studio adolah pamenang nan sangaik tahormat dari A' Design Award Perak 2024 nan sangaik prestigius dalam Kategori Kompetisi Arsitektur.
PerakArsitektur· 2024
Tibetan Thangka Art Museum
dek AND Studio
Klien: And Studio
Pamenang A' Design Award Perak dalam Kategori Arsitektur
Pamenang Pangharogaan Taverifikasi
Verifikasi Status Pangharogaan untuak #152344Desain
Tantang Tibetan Thangka Art Museum
Lhasa Thangka Museum adolah sabuah museum untuak seni Thangka nan talatak di kaki gunuang di Lhasa. Bangunan ko disusun manuruik caro biara Tibet dan mambantuak dialog jo gunuang sarato langik. Sabuah jalan di lua mandaki di antaro volume-volume bangunan dan manuju ka sabuah lapangan tinggi, samantaro jalan di dalam maatur ruang-ruang pameran. Dindiang batu tradisional ditafsirkan baliak manjadi dindiang beton badinding ganda nan bavantilasi, nan mampaelok insulasi dan mangurangi pamakaian energi. Bahan lokal jo tanago karajo lokal dipagunoan. Museum ko mampromosikan seni Thangka jo budayo Tibet.
Pangakuan
Tantang A' Design Award Perak
Tibetan Thangka Art Museum adolah pamenang A' Design Award Perak, sabuah pangakuan nan luar biaso bapresti nan dibarikan ka rancangan tingkaik tatinggi, elok jo mangesankan. Pamenang Perak adolah karya nan sangaik cemerlang jo sangaik kreatif nan mamparlihatkan kapakaran, bakaik jo katajaman pikiran parancangnyo. Tibetan Thangka Art Museum dipaokan manjadi karya nan mangaguikan, contoh tauladan, sangaik profesional jo inovatif sacaro dalam. Rancangan nan manang Perak iko adolah panemuan nan nampak jo dikagumi nan mambari sumbangan untuak maluaskan batas seni, ilimu, rancangan jo teknologi. Tibetan Thangka Art Museum adolah ciptaan nan dicamburui banyak urang, nan mambangkikkan karinduan, mambaok parasaan positif jo malahiakan karagumon jo kakaguman.
Di Baliak Desain
Kit Pers
Kredit, anggota tim jo rincian teknis nan disadioan dek perancang.
- Sifat Unik
- Set against the foothills of the mountains, the Lhasa Thangka Museum is organized in the manner of a Tibetan monastery, with an emphasis on dialogue with the mountain and the sky. The detail design respects the heritage of the local culture and reproduces the traditional artistic features with a modern architectural language.The museum aims to be a window for the dissemination of Thangka art, it will treasure and promote Thangka culture and Tibetan culture.
- Dimensi & Kemasan
- The main tower is used as an exhibition space, as a vantage point to admire the landscape and at the same time acts as a "wind tower": it creates natural ventilation and cools the building during the very hot summers. The double wall structure guarantees the insulation of the building, the reduction energy consumption for heating and cooling by 30%, and the integration of the technical equipment.
- Tag
- museum, thangka art, concrete, brass, glass curtain wall
- Teknologi Produksi
- The project is organized in two paths: the external one, which takes up the path of the Tibetan monastery, a climb between the different volumes, which recalls the ascent of the mountain, to lead to the high square, where During the “Sho Dun” festival, you can admire a large Thangka suspended against the tower; the other interior, which organizes the exhibition spaces and the objects on display following the path of the believer in search of enlightenment. In order to get as close as possible to the zero carbon objective, quite a lot of work has been done on the search for local materials and producers and reducing CO2 production and energy consumption. We convinced our Client not to import materials from elsewhere, avoiding long supply transportation, favoring local manpower and materials. To protect the environment, quarries are now banned in the region. We therefore chose to reinterpret the traditional stone walls with double ventilated concrete walls. We used pressed clay, a local ancestral technique, to create the floor of the exhibition spaces.
- Tantangan Desain
- At first we wanted to use the local stone, following the vernacular architecture. However quarrying is now prohibited in this region in order to protect the environment. We have therefore chosen to reinterpret the traditional stone walls with double walls in concrete.
We chose concrete instead of steel and metal cladding in order to avoid any importation of materials. - Penelitian
- At the genesis of this project, a great collector contacted us to promote and exhibit this art from the Buddhist religion; a cultural and secular approach unprecedented in Tibet. Exploring Lhasa guided by a monk and by the client allowed us to immerse ourselves in this ancestral culture. For us, it was a question here of conceiving a poetic, spiritual project, intimately linked to this context. Through our architect's eyes, we have transcribed our learning of Buddhist culture to create a museum deeply rooted in the local reality; a secular place where the boundaries between art and spirituality merge.
- Inspirasi
- Two years ago we were approached by the largest holder of Thangka art collection in the world to study for a museum project in Tibet. We have the ambition to reconcile modernity and tradition. For this we took an initiatory journey to learn Thangka art, local culture, in its expressions of volumetric and architectural composition. The progression through the Potala Palace inspires the journey around the volumes of our project.
- Durasi Proyek
- The project started in February 2019 and finished in May 2022 in Lhasa, China
- Alua Operasi
- We designed this museum to promote learning and meditation. The light work and scenography are designed to sublimate the centuries-old paintings, which will serve as inspiration and testimony for future generations.
The museum itinerary was designed in collaboration with the curator and a local monk. The use of natural light as an architectural component has guided the design of the spaces. Zenithal light, claustra and fissures occasionally pierce the walls and roofs of the exhibition halls. - Paten
- Design: AND Studio
Consultant: CSCEC AECOM Consultants Co., LTD - Anggota Tim
- Lead Architect: Ning Wang
Lead Architect: Duccio Cardelli
Architect: Tomasso di Francia
Architect: Yutong Ma
Architect: Qinyi Li
Architect: Luca Amighetti
Architect: Dominika Kowalczyk - Kredit Gambar
- Photo and Video by: Arch-Exist Photography
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