Embrace Прегратка од Supernova Art Embassy

Дизајнот Embrace Прегратка од дизајнерот Supernova Art Embassy е високо ценет добитник на престижната 2021 Железна награда A' Design Award во натпреварувачката категорија Ликовна уметност и уметнички инсталации.

ЖелезнаЛиковна уметност· 2021

Embrace Прегратка

од Supernova Art Embassy

Клиент: Memorandum Project

Добитник на Железна награда A' Design Award во категоријата Ликовна уметност

14,896

Верифициран добитник на награда

Верифицирај го статусот на наградата за #121349

Посетете ја страницата Погледнете на A' Design Award Соопштение за печат Значка за награда

Бои

Дизајнот

За Embrace Прегратка

Текст на книгата: Прегратка е ситно-специфичен ѕиден мурал насликан на фасада на зграда во Стерлитамак. Муралот е висок 27 метри и широк 15 метри, со насликана површина од 405 квадратни метри. Беа користени фасадни бои и валјаци за боење, а фасадните дигалки овозможија сликање на висина. Уметничката работа траеше три недели. Прикажаната приказна ја потсетува на војник од 170-та пешадиска дивизија на Стерлитамак, кој заминал на фронтот со сребрен џебен часовник и ветил дека ќе се врати со него. Неговите посмртни останки и часовникот биле пронајдени во 2015 година и донесени дома кај неговата сопруга.

Признанието

За Железна награда A' Design Award

Embrace Прегратка е добитник на Железната награда A' Design Award, престижно признание што се доделува на добри дизајни што ги исполнуваат професионалните и индустриските барања очекувани од добро дизајнирани творби. Железните добитници ја покажуваат големата вештина, високата специјализација, стручното разбирање и креативниот капацитет на нивните творци. Се очекува Embrace Прегратка да биде високо ценета, восхитувана и сакана творба што е практична и иновативна. Овој дизајн со Железна награда ги интегрира најдобрите индустриски практики и има компетентни технички карактеристики поврзани со знаење и талент. Embrace Прегратка е почитуван за својата темелност и е дизајниран да го подобри квалитетот на животот и да помогне светот да стане подобро место.

Зад дизајнот

Прес-комплет

Заслуги, членови на тимот и технички детали обезбедени од дизајнерот.

Уникатни својства: The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.

Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown.
Димензии и пакување: Height 27 m, width 15 m, total artistic painting square 405 sq.m
Ознаки: mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
Производствена технологија: Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
Дизајн предизвик: 4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
Истражување: Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.

Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners.
Инспирација: The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"

In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him.
Траење на проектот: The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.

There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks.
Оперативен тек: Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.

It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings.
Патенти: Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
Членови на тимот: Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina
Кредити за слики: Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.