Golden City Уметничка инсталација од Arlene Sun

Дизајнот Golden City Уметничка инсталација од дизајнерот Arlene Sun е високо ценет добитник на престижната 2020 Железна награда A' Design Award во натпреварувачката категорија Ликовна уметност и уметнички инсталации.

ЖелезнаЛиковна уметност· 2020

Golden City Уметничка инсталација

од Arlene Sun

Клиент: Spdl Design Lab

Добитник на Железна награда A' Design Award во категоријата Ликовна уметност

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Верифициран добитник на награда

Верифицирај го статусот на наградата за #96191

Посетете ја страницата Погледнете на A' Design Award Соопштение за печат Значка за награда

Бои

Дизајнот

За Golden City Уметничка инсталација

Golden City е мешовита медиумска уметничка инсталација изработена од отфрлени компјутерски делови. Делото е со димензии 30 на 30 инчи и комбинира апстрактна акрилна боја на платно со електронски отпад, метални премази, осветлување и Arduino контролер. Оштетените компоненти беа собрани од купишта отпад и поставени во нов контекст наместо да бидат поправени. Златните површини им даваат втор живот на деловите и ги претвораат во предмети на внимание. Целта е да се подигне свеста за електронскиот отпад и да се преиспита начинот на кој се придава вредност на нештата.

Признанието

За Железна награда A' Design Award

Golden City Уметничка инсталација е добитник на Железната награда A' Design Award, престижно признание што се доделува на добри дизајни што ги исполнуваат професионалните и индустриските барања очекувани од добро дизајнирани творби. Железните добитници ја покажуваат големата вештина, високата специјализација, стручното разбирање и креативниот капацитет на нивните творци. Се очекува Golden City Уметничка инсталација да биде високо ценета, восхитувана и сакана творба што е практична и иновативна. Овој дизајн со Железна награда ги интегрира најдобрите индустриски практики и има компетентни технички карактеристики поврзани со знаење и талент. Golden City Уметничка инсталација е почитуван за својата темелност и е дизајниран да го подобри квалитетот на животот и да помогне светот да стане подобро место.

Зад дизајнот

Прес-комплет

Заслуги, членови на тимот и технички детали обезбедени од дизајнерот.

Уникатни својства: When new technology comes out we purchase the new and discard the old. What is the the value of those discarded technologies? Is it garbage? And should be buried in the landfill. Or does it still have value ? What is the environmental cost of land-filling those devices? These question inspired me to create Golden City with used land-filled computer parts. I want ignite people's environmental consciousness by given a new life to those discarded parts. The Golden Life.
Димензии и пакување: Abstract acrylic and mixed media on canvas 30'' × 30''
Ознаки: Abstract Acrylic, Mixed Media, Installation Art, Exhibition, Sustainable Design, Electronic Wastes, Green Design, Golden City
Производствена технологија: Acrylic, Electronic Waste, Metallic Coatings, Arduino, Lighting
Дизајн предизвик: How can I use it to catch up all the attention from my audience? Is the project unique, creative and imaginative? Does it offer a new and ground-breaking value proposition in the social impact sector?
Истражување: In this era of digitally, filled with virtual objects and digital models, we still hold the old commitment to things. This commitment is reflected in, for example, our preference for materializing concepts – whether it is an abstract theory, a comic character, or a digital image, we want to turn the abstract doctrine into a metal breast-pin on the chest, materializing the comic character into a doll, printing digital images into files or photos. In any case, we hope that we can turn non-objects into objects - those that can be grasped with and touchable by our hands. We believe that only the objected things are real - after all, from various aspects, we are also things – in one way or another, our attachments and detachments toward each other and the world will end up with things. Thus comes our pathological roots of fetishism.

In a world of things, people have long believed that the shape of things has a deeper meaning. This conviction gave birth to the so-called Metaphysics – just as in the long Neolithic era, people once had a superstitious obsession with the metal buried in the ground: people treated metal as another form of human being, and excavating them from the ground would interrupt the process of cocooning in the earth. A vast body of knowledge is built upon this belief - Alchemy. The alchemists' mission is not to extract gold from the metal, but to eventually combine the metal with the flesh, and to achieving the final refinement of Philosopher's Stone—the object that allows everything freely transforming its form through it.

Would art be the Philosopher’s Stone? Or would our computers and smartphones be? While there seems to be no conclusive answer for this pursuit, every device around us is transforming the form of some things in its way. This pursuit has expanded into a series of questions under the hands of the artist Arlene Sun: How to turn a panel painting into a sculpture- into a devise that phonate – into a device that interacts – into a device that acts. As she chooses to scavenge the damaged electronic components from the waste pile, these 'problematic' electronic components were fixed in her hands, not by repairing but shifting into a different context than they used to be located. The devices are transformed from e-wastes into vital parts of works. The value of these devices has grown a thousand folds simply because of relocating into a different context – isn't this a way of forging gold from metal?

At this moment, these electronic components are framed into the frame, turning into the target of our vision in this space. Their another layer of meaning has been excavated in such away. Doesn't our own meaning usually come from the things around us? When we talk about meaning, don’t things always be the strongest bonds between us and our destiny? So What is our commitment to things? What do we mean when we intervene the fate of things? Who is the strong definer of whose fate? Is there a deep oriental gesture embedded in this cherished of things? Artist Arlene Sun responds to these questions via the works exhibiting here.
Инспирација: How to understand Value? I thought the value generate only when you care about it. The thought related me to started to think about the Value between technology and ecology. Nowadays, AI already into our life everywhere, but we still need to evoke much more attentions on solution of the environment. In the future the smart life is not just wear a VR glasses to escape from the reality. We are not able to live in a virtual world with environmental pollution, electronic wastes, abandoned resource.How do we determine value?
Траење на проектот: The project started in December 2017 in New York and finished in April 2019 in New York, and was exhibited in Novado Gallery in April-May 2019.
Оперативен тек: Curator: Dandi Gu, Academic Advisor: Zi
Патенти: Arlenesun Solo Mixed Media Art Exhibition
Членови на тимот: Curator: Dandi Gu Academic Advisor: Zi
Кредити за слики: Image / Photo: Echo, Dylan