Zhijun Zhong - Xiangxin Huzhou Songyuanli Орон сууцны интерьер дизайн

Zhijun Zhong бүтээсэн Xiangxin Huzhou Songyuanli Орон сууцны интерьер дизайн бол Дотоод орон зай ба үзэсгэлэнгийн дизайн уралдааны ангиллын 2023 A' Design Award Мөнгөн шагнал шагналын өндөр үнэлгээтэй ялагч юм.

МөнгөнИнтерьер· 2023

Xiangxin Huzhou Songyuanli Орон сууцны интерьер дизайн

зохиогч: Zhijun Zhong

Захиалагч: Herabenna

Интерьер ангиллын A' Design Award Мөнгөн шагнал шагналтан

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Xiangxin Huzhou Songyuanli Орон сууцны интерьер дизайн тухай

Сянсинь Хужоу Сунюаньли нь олон нийтэд үзүүлэх загвар байшингийн үүрэг гүйцэтгэдэг орон сууцны интерьер дизайн юм. Уг төсөл нь Хятадын Жэжян мужийн Хужоу хотод 696 ам метр талбайг хамардаг. Архитектур нь цагаан хана, хар ваар бүхий уламжлалт Хуэйжоу барилгын хэв маягаас санаа авчээ. Дотор талд болор болон металлыг хослуулж, алт мөнгөн эдлэл, эртний уран зургууд өрөөнүүдийг бүрэн төгс болгодог. Тавилгад Хужоугийн нутгийн торго ашигласан. Уламжлалт сийлбэр, хатгамал, цэцэрлэгжүүлэлтийн арга барилыг орчин үеийн амьдралын хэв маягтай хослуулснаар энэхүү орон сууц нь эзэн болон зочдын хэрэгцээг бүрэн хангадаг.

Хүлээн зөвшөөрөлт

A' Design Award Мөнгөн шагнал тухай

Xiangxin Huzhou Songyuanli Орон сууцны интерьер дизайн нь A' Design Award Мөнгөн шагналын ялагч бөгөөд дээд зэргийн, гайхамшигтай, сэтгэл хөдөлгөм загварт олгодог онцгой нэр хүндтэй хүлээн зөвшөөрөлт юм. Мөнгөн ялагчид бол маш гялалзсан, маш бүтээлч ажил бөгөөд зохион бүтээгчдийн гарамгай мэдлэг, авьяас, нарийн мэдрэмжийг харуулдаг. Xiangxin Huzhou Songyuanli Орон сууцны интерьер дизайн нь гайхалтай, үлгэр жишээ, маш мэргэжлийн, гүнзгий шинэлэг бүтээл болно гэж хүлээгддэг. Мөнгөн шагнал хүртсэн энэ загвар бол урлаг, шинжлэх ухаан, загвар, технологийн хил хязгаарыг тэлэхэд хувь нэмэр оруулдаг анхаарал татахуйц, биширсэн шинэ бүтээл юм. Xiangxin Huzhou Songyuanli Орон сууцны интерьер дизайн бол олон хүний атаархал татдаг бүтээл бөгөөд хүслийг сэргээж, эерэг мэдрэмж авчирч, гайхшрал, биширлийг төрүүлдэг.

Дизайны цаад тал

Хэвлэлийн багц

Зохиогчийн өгсөн кредит, багийн гишүүд болон техникийн дэлгэрэнгүй мэдээлэл.

Өвөрмөц шинж чанарууд: The project is located in Huzhou, Zhejiang Province, and its architecture draws on the traditional "huizhou architecture" with its white wall and black tile, recreating the highlight of "Aesthetics of China". It intends to respect tradition, review history with contemporary aesthetic taste, open up the lifestyle of modern aristocrats, reorganize the elements of the new era, and write new "story chapters ",which can be traced back to the Chinese modern era.
Хэмжээ & Савлагаа: 696 square meters
Шошго: Mansion, luxury, classical, golden age, aristocratic circle, Modern Times of China
Үйлдвэрлэлийн технологи: Under the contemporary background, the design shows the aesthetics of China, incorporating classical British expressions into the design, and enhancing the space with soft furnishings such as gold and silver wares and antique paintings.

In terms of material selection, c crystal and metal are perfectly integrated, showing the prosperity of the industrial age and reappearing the golden years of the Oriental Modern. The interior furniture uses local silk products from Huzhou as raw materials, and the joint design with BIZZOTTO, the world leading furniture brand. This reflects the quality and craftsmanship, and conveys the essence of high quality spirit.

The design carries forward the excellence of Chinese culture by inheriting traditional Chinese dark engraving techniques, traditional handicraft embroidery techniques, Jiangnan gardening techniques and an inclusive human attitude.
Дизайны сорилт: "Fusion is a better reservation"

In an era of rapid development of science and technology, the inheritance of handicrafts and excellent traditional culture has always been facing great difficulties. The design of the large space draws inspiration from modern 'Shanghai', applying the 'cross-border fusion' model once again to the design, integrating traditional culture with contemporary lifestyles and fusing Chinese and Western design features. The multifunctional parlour in the basement will lead the design to trendy movies and video games, and then disassemble and reorganize them to create a boy's ultimate dream playground. In the future design, standards and styles are constantly being broken. We prefer to try to constantly integrate and cross boundaries, challenging more and more interesting fields, and conveying a design concept that is constantly breaking through.
Судалгаа: n the 1930s and 1940s, the area around the Yangtze River Basin, headed by Shiliyangchang (Shanghai), was gradually westernized. The aristocratic circle's recognition of "Ambilight" decoration has reached the peak of the times, and the classical and luxurious temperament of the space given by the luxury materials such as crystal, metal and leather is generally accepted by people in the circle, which has formed a unique interior decorative style such as naval style and Hong Kong style by integrating with the traditional implicit, class distinct interior layout style. As we all know, gold and silver utensils are the symbol of luxury and the belief of excellent craftsmanship and quality, and also reflect the attitude of noble circles pursuing quality of life. Promoting high quality of life is also the most desired quality concept to be conveyed by the design itself.
Урам зориг: When we think back to China in 1930s, the lifestyle of the upper aristocracy has always been regarded as a classic of the times. Chinese people's aesthetic appreciation began to go from traditional classical subtlety to international modernity. Interior decoration styles began to show the characteristics of the industrial era, not only modern and stylish but also retaining the traditional subtle and elegant temperament.
Төслийн хугацаа: This project is located at No. 58 Meiquan Road, Wuxing District, Huzhou City, Zhejiang Province, China, and was completed in May 2022.
Үйл ажиллагааны урсгал: This project is the private residence of the project developer, and also needs to be shown to the public as a prototype house. Therefore, we are faced with a paradox: our works should conform to both the owner's preferences and the audience's design preferences, which means that our design works should be both "relatively universal" and "exclusively pertinence". In the first stage, from the perspective of the audience circle, we mainly researched design preferences. In the second stage, we conducted a more detailed investigation on the design details for the owners, thus achieving both the exhibition purpose and meeting the exclusive needs of the owners.