Jinglan Bay Art Pusat Jualan oleh Nic Lee

Reka bentuk Jinglan Bay Art Pusat Jualan oleh Nic Lee ialah pemenang yang sangat dihormati bagi 2024 A' Design Award Perak yang amat berprestij dalam Kategori Pertandingan Reka Bentuk Ruang Dalaman dan Pameran.

PerakDalaman· 2024

Jinglan Bay Art Pusat Jualan

oleh Nic Lee

Klien: China Resources Land South China Guangxi Co.

Pemenang A' Design Award Perak dalam Kategori Dalaman

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Warna

Reka Bentuk

Mengenai Jinglan Bay Art Pusat Jualan

Jinglan Bay Art ialah reka bentuk dalaman pusat jualan yang terletak di Liuzhou, sebuah kawasan pergunungan dengan aliran air yang berliku-liku. Ruang dalaman ini meliputi 1705 meter persegi dan merangkumi kawasan penyambut tetamu, jualan, pameran, media digital dan VIP. Daripada meniru landskap melalui bentuk, cahaya dan bayang digunakan untuk membayangkan gunung yang tinggi dan air yang dalam. Terrazzo hitam digilap hingga kilat seperti cermin, supaya pemandangan luar dan pergerakan pengunjung terpantul padanya. Batu mentah di pintu masuk mewujudkan kedalaman sebuah lembah. Bahan-bahan lain termasuk marmar berpahat, cat mineral, kayu hitam dan kayu oak.

Pengiktirafan

Mengenai A' Design Award Perak

Jinglan Bay Art Pusat Jualan ialah pemenang A' Design Award Perak, pengiktirafan yang sangat berprestij yang dianugerahkan kepada reka bentuk bertaraf tinggi, indah dan mengagumkan. Pemenang Perak ialah karya yang amat cemerlang dan sangat kreatif yang menggambarkan kepakaran, bakat dan ketajaman fikiran yang luar biasa pereka bentuknya. Jinglan Bay Art Pusat Jualan diharapkan menjadi karya yang menakjubkan, contoh teladan, sangat profesional dan sangat inovatif. Reka bentuk pemenang A' Design Award Perak ini ialah ciptaan yang sangat ketara dan dikagumi yang memberi manfaat kepada dan memajukan batas seni, sains, reka bentuk dan teknologi. Jinglan Bay Art Pusat Jualan ialah ciptaan yang sangat dicemburui yang membangkitkan keinginan, membawa perasaan positif dan mencetuskan rasa hairan serta kagum.

Di Sebalik Reka Bentuk

Kit Akhbar

Kredit, ahli pasukan dan butiran teknikal yang disediakan oleh pereka.

Ciri-Ciri Unik: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Dimensi & Pembungkusan: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Tag: sales center, landscape, museum, indoor architecture, interior design
Teknologi Pengeluaran: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Cabaran Reka Bentuk: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Penyelidikan: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Inspirasi: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Tempoh Projek: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Aliran Operasi: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Kredit Imej: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.