Orbit A Collection Kollezzjoni ta' Gawwiegel minn Suyu Chen

Id-disinn Orbit A Collection Kollezzjoni ta' Gawwiegel minn Suyu Chen huwa rebbieħ stmat ħafna tal-prestiġjuż 2022 Premju A' Design Award tal-Ħadid fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Ġojjellerija.

ĦadidĠojjellerija· 2022

Orbit A Collection Kollezzjoni ta' Gawwiegel

minn Suyu Chen

Klijent: Suyu Chen

Rebbieħ tal-Premju A' Design Award tal-Ħadid fil-Kategorija ta' Ġojjellerija

15,518

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #131168

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Orbit A Collection Kollezzjoni ta' Gawwiegel

Orbit A Collection hija sensiela ta' ġawhar maħdum bl-idejn li tinkludi labra u żewġ katini tal-għonq. Kull biċċa hija unika u tgħaqqad il-fidda sterlina ma' tubi tal-plastik, tafal tar-reżina u l-pittura. L-istess komponent tal-plastik jiġi repetut bħala modulu bażiku biex jinħolqu forom varji li jistgħu jintlibsu u forom skulturali. Jintużaw metodi tradizzjonali tal-ħaddieda tal-metall bħall-issaldjar, l-iffurmar u l-għamil tal-katini, flimkien mal-issaldjar tal-plastik, is-sanding u l-ikkulurit. Il-kollezzjoni tirrifletti r-relazzjoni bejn is-sengħa tradizzjonali u l-produzzjoni moderna bl-ingrossa.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Ħadid

Orbit A Collection Kollezzjoni ta' Gawwiegel huwa rebbieħ tal-Premju A' Design Award tal-Ħadid, rikonoxximent prestiġjuż mogħti lil disinji tajbin li jissodisfaw ir-rekwiżiti professjonali u industrijali mistennija minn ħolqien imfassal tajjeb. Ir-rebbieħa tal-Ħadid juru l-ħila kbira, l-ispeċjalizzazzjoni għolja, il-fehim espert u l-kapaċità kreattiva tal-ħallieqa tagħhom. Huwa mistenni li Orbit A Collection Kollezzjoni ta' Gawwiegel ikun ħolqien imqabbar ħafna, mammirat u maħbub li huwa prattiku u innovattiv. Dan id-disinn rebbieħ tal-Ħadid jintegra l-aħjar prattiki tal-industrija u għandu karatteristiċi tekniċi kompetenti marbuta mal-għarfien u t-talent. Orbit A Collection Kollezzjoni ta' Gawwiegel huwa rispettat għall-eżattezza tiegħu u mfassal biex itejjeb il-kwalità tal-ħajja u jgħin jagħmel id-dinja post aħjar.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: Each piece in this collection is handcrafted and one-of-a-kind, featuring a combination of precious metals and mixed materials, such as plastic tubes and resin. By composing jewelry works that relate to subtle forms and marks, the works embody the relationships between practices and artificial objects in traditional arts and modern mass production. Through random separating, texturing, and coloring the plastic tubes, the jewelry pieces present unique consequences with an emphasis on minimalism and elegant forms.
Dimensjonijiet u Ippakkjar: Brooch: 35*35*145mm
Double-tube necklace:127*40*50mm
Chain link statement necklace: 250*250*30mm
Tikketti: jewelry, necklace, brooch, craft, mixed material, art jewelry
Teknoloġija tal-Produzzjoni: The metal structure utilized traditional metalsmithing techniques, such as soldering, forming, and chain-making. For the alternative medium parts, plastic-welding and various paints combination were applied, including enamel paints, gesso, and acrylic.

Material: sterling silver(925 silver), plastic tube, resin clay, enamel paints, gesso, acrylic, stainless steel(for the brooch pin)
Sfida tad-Disinn: Methods to assemble and secure the parts were the most essential and challenging throughout the whole process, while various experimentation had been performed in preparation. Although the tubes were manufactured within the same standard, they were however not entirely equivalent. The slight form difference requires a more precise structure design in order to assemble all parts together perfectly. Especially for the metal part, multiple models need to be done and tested before the final outcome.
Riċerka: By studying the history of craft-making, traditional apprenticeship culture both in China and western society, and the idea of modularity in the art fields through books, articles, and interviews, this project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. Making art using a certain strict component or principle is not uncommon in art history. The occurrence not only happened in the craft fields, but also in fine arts and even literary creation. The nature of human activities and artifacts becomes a part of the artwork concept.
Ispirazzjoni: By exploring the Chinese cultural background, and the idea of modularity in the traditional art fields, the project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. The aim of the work is not simply to compose forms or examine functions of jewelry within one simple material, but also to memorialize and symbolize mixed thoughts related to the experience of nostalgia and self-identity that arise from being away from home.
Tul tal-Proġett: The project started in January 2019 in Rochester, New York, United States, and was completed in December 2020. The collection works had been exhibited internationally, including in New York City Jewelry Week 2019(NYC, US), JOYA 2020(Barcelona, Spain), Gioielli in Fermento 20|21(Milan, Italy), Art in Media 2021 (Burchfield Penny Art Center, Buffalo, US) and Beijing International Jewellery Exhibition(Beijing, China).
Fluss tal-Operazzjoni: This collection focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining.
Membri tat-Tim: Suyu Chen
Krediti tal-Immaġni: Image #1, #2, #3 and #4 Photographer Suyu Chen, Orbit A Collection, 2019
Image #5, Photographer Jiageng Lin, Orbit A Collection, 2020