Guanshan Identità tal-Marka minn Hong Jia Min

Id-disinn Guanshan Identità tal-Marka minn Hong Jia Min huwa rebbieħ stmat ħafna tal-prestiġjuż 2025 Premju A' Design Award tal-Ħadid fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Grafika, Illustrazzjoni u Komunikazzjoni Viżwali.

ĦadidGrafika· 2025

Guanshan Identità tal-Marka

minn Hong Jia Min

Klijent: Jijia Brand Creative Studio

Rebbieħ tal-Premju A' Design Award tal-Ħadid fil-Kategorija ta' Grafika

2,022

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #172951

Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Guanshan Identità tal-Marka

Guanshan hija identità tal-marka maħluqa għal ħanut tat-tè bil-ħalib. Id-disinn juża l-karattri Ċiniżi bħala l-pedament tiegħu u jimmodernizza l-istruttura tal-kitba klerikali tradizzjonali filwaqt li jżomm l-ispirtu klassiku tagħha. Ibbażata fl-estetika tal-oġġetti Orjentali, l-identità tgħaqqad l-immaġini ta' mrewħiet bil-linka u għodda tat-tè. Il-motiv ċentrali juri mrewħa u tazza tè f'kompożizzjoni sovrapposta, li toħloq simboliżmu doppju. Id-daqqiet tal-pinzell tal-linka jissuġġerixxu l-qafas tal-madum tal-mrewħa tonda tradizzjonali, filwaqt li s-siluwetta tat-tazza tiġbed ispirazzjoni mill-boWls tat-tè Jianzhan.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Ħadid

Guanshan Identità tal-Marka huwa rebbieħ tal-Premju A' Design Award tal-Ħadid, rikonoxximent prestiġjuż mogħti lil disinji tajbin li jissodisfaw ir-rekwiżiti professjonali u industrijali mistennija minn ħolqien imfassal tajjeb. Ir-rebbieħa tal-Ħadid juru l-ħila kbira, l-ispeċjalizzazzjoni għolja, il-fehim espert u l-kapaċità kreattiva tal-ħallieqa tagħhom. Huwa mistenni li Guanshan Identità tal-Marka ikun ħolqien imqabbar ħafna, mammirat u maħbub li huwa prattiku u innovattiv. Dan id-disinn rebbieħ tal-Ħadid jintegra l-aħjar prattiki tal-industrija u għandu karatteristiċi tekniċi kompetenti marbuta mal-għarfien u t-talent. Guanshan Identità tal-Marka huwa rispettat għall-eżattezza tiegħu u mfassal biex itejjeb il-kwalità tal-ħajja u jgħin jagħmel id-dinja post aħjar.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Dimensjonijiet u Ippakkjar: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Tikketti: Oriental, Creativity, Tea , Ink Painting, Chinese
Teknoloġija tal-Produzzjoni: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Sfida tad-Disinn: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Riċerka: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Ispirazzjoni: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Tul tal-Proġett: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Fluss tal-Operazzjoni: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Privattivi: Copyrights belong to Hong Jia Min, 2024.
Membri tat-Tim: Hong Jia Min
Krediti tal-Immaġni: Hong Jia Min