Seylan Sett ta' Sufan minn Nastaran Khanzade

Id-disinn Seylan Sett ta' Sufan minn Nastaran Khanzade huwa rebbieħ stmat ħafna tal-prestiġjuż 2026 Premju A' Design Award tal-Fidda fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Għamara.

FiddaGħamara· 2026

Seylan Sett ta' Sufan

minn Nastaran Khanzade

Klijent: Rendi

Rebbieħ tal-Premju A' Design Award tal-Fidda fil-Kategorija ta' Għamara

29,104

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #174865

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Seylan Sett ta' Sufan

Seylan huwa sett ta' sufan iddisinjat għal spazji ta' għajxien kontemporanji. Il-forma hija ispirata mill-kurvi fluwidi tal-kaligrafija Persjana Nastaliq. Linji kontinwi u kurvi rotob jieħdu post l-angoli mqaxxrin, biex b'hekk is-sett ta' sufan jidher skulturali minn kull naħa. L-istruttura hija magħmula minn injam solidu, iffurmat bi qtugħ CNC u mbagħad imnaqqax, illixxat u rfinut bl-idejn. Is-seduta hija mibnija minn saffi ta' fowm ta' densità għolja b'tapizzerija tad-drapp, u l-kurvi jiggwidaw pożizzjoni komda tal-ġisem. Is-sett jinkludi sufan ta' persuna waħda u sufan ta' tliet persuni. L-intenzjoni hija li snajja' tradizzjonali tiddaħħal f'interni moderni.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Fidda

Seylan Sett ta' Sufan huwa rebbieħ tal-Premju A' Design Award tal-Fidda, rikonoxximent prestiġjuż straordinarjament mogħti lil disinji tal-ogħla livell, sbieħ u impressjonanti. Ir-rebbieħa tal-Fidda huma xogħlijiet brillanti ħafna u kreattivi ħafna li juru l-għarfien espert, it-talent u l-aċċuratezza tad-disinjaturi tagħhom. Huwa mistenni li Seylan Sett ta' Sufan ikun xogħol mill-isbaħ, eżemplari, professjonali ħafna u innovattiv bil-fond. Dan id-disinn rebbieħ tal-Fidda huwa invenzjoni notevoli u mammirata li tikkontribwixxi biex jitwessgħu l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Seylan Sett ta' Sufan huwa ħolqien li ħafna jinvidjawh, li jqajjem ix-xewqat, iġib sentimenti pożittivi u joħloq tgħaġġib u mistagħġib.

Wara d-Disinn

Kit għall-Istampa

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Proprjetajiet Uniċi: What sets this design apart is its ability to translate intangible rhythm into physical design. Unlike conventional modular or geometric sofas, this piece is born of movement; an uninterrupted gesture that echoes the energy of writing. It is not only functional but also emotionally resonant, rooted in Iranian visual culture yet universal in elegance.
Dimensjonijiet u Ippakkjar: Single Seater Dimensions:
W 85 cm × D 75 cm × H 75 cm

Three Seater Dimensions:
W 210 cm × D 80 cm × H 75 cm

Materials:
Solid Wood Structure, High-Density Foam, Fabric Upholstery

Production Technique:
CNC Machining Combined With Hand Carving And Finishing

Packaging:
Protective Wrapping With Padded Corners, Suitable For International Shipping
Tikketti: Furniture Design, Modern Sofa, Sculptural Furniture, Fluid Form, Ergonomic Seating, CNC Woodwork, Handmade Finish, Minimal Form, Contemporary Design, Iranian Design, Artistic Furniture, Flowing Lines, Organic Shape, Calligraphy Inspired, One-Piece Form, Seamless Design
Teknoloġija tal-Produzzjoni: The structure of the sofa set is crafted through a combination of CNC precision cutting and traditional hand-carving techniques. Solid wood is sculpted to achieve the flowing, calligraphy-inspired curves, then meticulously sanded and finished by hand to enhance its tactile and visual elegance. The seating is constructed using high-density foam layered for ergonomic comfort, upholstered with carefully selected fabric to complement the organic form. This blend of digital accuracy and artisanal craftsmanship allows the piece to maintain both structural integrity and sculptural fluidity.
Sfida tad-Disinn: One of the key challenges was creating a unified and continuous form that feels both sculptural and inviting. The design process involved extensive studies to develop a shape that maintains visual fluidity from every angle while also functioning as ergonomic seating. Preserving the harmony between curves, ensuring structural integrity, and integrating all parts into a seamless whole required a careful balance between digital precision and handcrafted sensitivity. Achieving this unity while working within material and production limitations was a central creative and technical effort.
Riċerka: This design explores the integration of traditional Persian calligraphy, specifically the fluid curves of the Nasta'liq script, into contemporary furniture design. The form is characterized by a seamless, organic flow without sharp angles, reflecting the graceful and harmonious movement of the Nasta'liq lines. The absence of rigid structures emphasizes comfort, fluidity, and elegance, creating a unified form that adapts to both functional and aesthetic needs. The design aims to bring cultural heritage into the modern living space, bridging the gap between timeless artistry and modern design principles. Through this project, I seek to create a piece of furniture that not only serves as a functional object but also as a work of art that carries the essence of Persian craftsmanship into contemporary contexts.
Ispirazzjoni: The core inspiration for this design is “Seylan” (the fluid, continuous motion that defines the elegance of Persian Nastaliq calligraphy). In Nastaliq, letters do not simply sit beside each other; they flow with grace, as if carried by a silent internal rhythm. This flowing quality is not just visual; it is deeply emotional, creating a sense of calm movement.
This sofa seeks to capture that motion in space. Its seamless form, soft curves, and uninterrupted structure reflect the essence of Seylan.
Tul tal-Proġett: The project began in January 2025 and was completed in April 2025. The prototype was designed and built in Mashhad, Iran, at the Rendi Furniture Factory.
Fluss tal-Operazzjoni: The user engages with the sofa through intuitive physical interaction; by sitting, leaning, or resting. The flowing curves naturally guide the posture, offering comfort without requiring adjustment. The tactile quality of the carved wood and the softness of the fabric enhance the sensory experience. Beyond seating, the piece invites visual interaction, encouraging users to move around it, observe its lines, and feel its sculptural presence in the space.