One Thousand and One Nights Bastiment minn Mohamadali Vadood and Shadi Habib

Id-disinn One Thousand and One Nights Bastiment minn Mohamadali Vadood and Shadi Habib huwa rebbieħ stmat ħafna tal-prestiġjuż 2021 Premju A' Design Award tal-Bronż fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Arti Fini u Installazzjonijiet Artistiċi.

BronżArti Fini· 2021

One Thousand and One Nights Bastiment

minn Mohamadali Vadood and Shadi Habib

Klijent: Vadood Wood Arts Institute

Rebbieħ tal-Premju A' Design Award tal-Bronż fil-Kategorija ta' Arti Fini

15,573

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #86839

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar One Thousand and One Nights Bastiment

Elf Lejl wieħed hija l-idea li jsiru utensili u strutturi tal-injam billi jintużaw ruttam minn żgħar għal kbar minn diversi siġar li għandhom kuluri naturali sbieħ u mudelli li jġibu l-għajn. Kuluri sħan ta’ boskijiet u eluf ta’ biċċiet b’forom differenti jfakkru lit-telespettatur tiegħu l-atmosfera ta’ pitturi Orjentalisti u l-istejjer tal-Elf Lejl Wieħed. F'dan id-disinn, biċċiet ta 'injam minn mijiet ta' siġar differenti li darba flimkien iffurmaw pjanta ħajja jerġgħu jingħaqdu biex jibnu korp simboliku, li jġorr id-diversità ta 'speċi ta' siġar f'foresta.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Bronż

One Thousand and One Nights Bastiment huwa rebbieħ tal-Premju A' Design Award tal-Bronż, rikonoxximent prestiġjuż ħafna mogħti lil disinji eċċellenti ddistingwuti mill-kreattività, l-ingenwità u l-għaqal. Ir-rebbieħa tal-Bronż huma xogħlijiet bi ħila biżżejjed u kreattivi b'mod impressjonanti li jawtentikaw l-esperjenza vasta, l-immaġinazzjoni u l-ħila ta' riżorsi tad-disinjaturi tagħhom. Huwa mistenni li One Thousand and One Nights Bastiment ikun oġġett imqabbar ħafna, mammirat u maħbub, notevolment professjonali u innovattiv. Dan id-disinn rebbieħ tal-Bronż jinkorporaw l-aħjar prattiki fl-arti, ix-xjenza, id-disinn u t-teknoloġija u huwa eċċellenti fl-attenzjoni għad-dettalji. One Thousand and One Nights Bastiment jissodisfa l-ħtiġijiet b'mod eċċellenti, imiss ix-xewqat, jinċanta s-sentimenti u jattira l-kurżità.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: Segmenting is a wood-work technique which is in two aspects: art-wise and production-wise. While both use motifs and cut trimmed lumbers and planks into angled and regular shapes, the former makes up marquetry pictures, and the latter produces objects. The method used here, calling it Irregular Segmenting, has roots in the second aspect but is inspired by the idea of putting irregular segments together accidently with various sizes and shapes. So, it has different procedures of segmenting and pressing with no needs to trim wood or use motifs, technically speaking, and means a random assemblage of colors and else, regarding aesthetics.
Dimensjonijiet u Ippakkjar: The vessel is 40 cm in height and 20 cm in diameter, and it weighs 200 grams. The bigger cup is 30 cm in height and 15 cm in diameter, and it weighs 100 grams. The smaller cup is 25 cm in height and 8 cm in diameter, and it weighs 40 grams.
Tikketti: Recycle Wood, Reuse Wood, Save Natural Resources, Save Forests, Save Green Lives, Save Trees, Tree Huggers, Anti Deforestation, Stop Deforestation, One Thousand and One Nights, Ali Baba and the Forty Thieves, Wood Vessel
Teknoloġija tal-Produzzjoni: To begin with the Irregular Segmenting work, first, left-over cuts of wood with different shapes are sorted out according to their complementary colors. After that small sheets are made up this way, they are arranged to build up bigger sheets. In order to produce this design One Thousand and One Nights, discs of desired diameter were cut out of the sheets and were glued and fixed to shape up like a vessel. Finally, the whole volume was wood-turned.
Sfida tad-Disinn: The fundamental challenge is to technically find a way to connect pieces of different sizes and various shapes so they could regain a fine form. Applying effective techniques to put the right pieces next to each other and under the press, without having them slipped or displaced, led to an algorithm defined based on the parallel sides of each piece. This method can fulfill the random presence of colors and shapes in each sheet and also provide better opportunities for creativity.
Riċerka: Three research types are needed to do Irregular Segmenting. First, Mechanics of Wood, the mechanical behavior of wood like expansion and contraction so that wood pieces with similar mechanics can sit next to each other and build up a stronger structure. Second, Chemistry of Wood, the chemical behavior of wood such as its reactions to light. It is suggested to gain information about yellowing to place pieces with a correct color contrast so they are more likely to be preserved against aging. Third is studying aesthetics of the sheet before making a design. As in this work, it is based on circular forms.
Ispirazzjoni: Using wood while producing a design, artists usually finish up with a pile of scraps which mostly end up in trash bins, garden incinerators, or barbeques. Even if they may look impracticable due to their inappropriate size or unwanted shape, there are colors, textures, or else among them that cannot be simply ignored. Sounding like the tales of 'One Thousand and One Nights', a world full of magic and possibilities that comes right out of impossibilities, this idea occurred to me to first design a technique for making a sheet of wood out of those cuts, and then to design a vessel like Ali Baba and the Forty Thieves'.
Tul tal-Proġett: The whole project, Irregular Segmenting and designing One Thousand and One Nights started and finished in Tehran, Iran, in 2015. It has not been exhibited so far, except for online shares via social medias.
Fluss tal-Operazzjoni: The vessel and the cups could be used as decorative objects. The Irregular Segmenting technique, however, can be applied to almost every artistic or industrial process which uses wood as its main material.
Membri tat-Tim: Mohammad-ali Vadood
Shadi Habib