Yinyun Tlachīhualli īhuīcpa Zoquitl Tlamahuizōlli ītēchcopa Fabcraft Design Lab

Tlanāhuatīlli Yinyun Tlachīhualli īhuīcpa Zoquitl Tlamahuizōlli ītēchcopa Fabcraft Design Lab cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Bronse īpan Yexcan Tepoztlacuilolli Tlachihualli ihuan Tlachihualli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseYexcan Tepoztlacuilolli· 2020

Yinyun Tlachīhualli īhuīcpa Zoquitl Tlamahuizōlli

īpal Fabcraft Design Lab

Tlanāhuatīlli: Fabcraft Design Lab

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Yexcan Tepoztlacuilolli Tlamantli

35,827

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #101663

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Yinyun Tlachīhualli īhuīcpa Zoquitl Tlamahuizōlli

Yinyun in tlamahuizōlli tlachīuhtli īca zoquitl, motēcpāna īpan 85 tlamantli, cecen huel yancuīc, tlachīuhtli īca "3D" tlamachtli. Motequitiltihqueh algoritmoh in mochīhuah īca tlamatiliztli, inic quicuīlīzqueh ēlektrik tlaīxmatīliztli īhuān inic quiteititīzqueh in tlaīxmatīliztli īpan cecen tlamantli, quinemilīhqueh nēzcayōtl yancuīc ītōcā "gradient" tlaneci. In tlamantli tlachīuhtli ītech zoquitl "3D" tlamachtli, motequitiltihqueh ītech iztac porcelāna īhuān tlecuahuitl-nextli, tlacuīltīlōni tlecōcalli īhuīc. Zan yehhuātl in tlamachtīliztli quichīhua nēzcayōtl tlazohtōc īpan cecen tlamantli. Ahmo ōme tlamantli mocenpōhua. In tlamahuizōlli mopiya nochipa īpan nēxtīlōyān ītech Taipei, Taiwan.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Yinyun Tlachīhualli īhuīcpa Zoquitl Tlamahuizōlli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Yinyun Tlachīhualli īhuīcpa Zoquitl Tlamahuizōlli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Yinyun Tlachīhualli īhuīcpa Zoquitl Tlamahuizōlli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
Huēyiliztli īhuān Tlacualtepēhualli: Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
Tōcāitl: ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
Tlachīhualiztli Māchiyōtl: The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
Tlanāhuatīlli Nētēcahuilīztli: In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
Tlatēmōliztli: The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
Tēyōllālīliztli: The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
Tēquitl Cāhuitl: The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
Tēquitl Ōhuitl: The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
Calpolli Tlācah: Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen
Īxiptla Tlanēxtīlli: Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab