Tomeo Tepoztli Icpalli Calitic ītēchcopa Hugo Charlet Berguerand

Tlanāhuatīlli Tomeo Tepoztli Icpalli Calitic ītēchcopa Hugo Charlet Berguerand cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Iztacteocuitlatl īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCaltlapechtli· 2020

Tomeo Tepoztli Icpalli Calitic

īpal Hugo Charlet Berguerand

Tlanāhuatīlli: Hugo Charlet Design Studio

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Caltlapechtli Tlamantli

57,892

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #101890

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Tomeo Tepoztli Icpalli Calitic

Ipan 1960s, tlachihchiuhqueh quintlalihqueh achto plástico icpaltin. In tlachihchiuhqueh inyollohtlatquitl ihuan in plástico itlaneltoquiliztli quinchihchihqueh tlamahuizol. Mochimeh, in tlachihchiuhqueh ihuan in tlacohuanih quizahuaqueh ipan plástico. Axcan, tiquixmatih in itlatlacoliztli ipan tlalticpactli. Zan ye, restaurante caltenampan mocentlaliah plástico icpaltin. Ini pampa in tiyanquiztli tepitzin quinamaca occequi. In tlachihchiuhtli tlalticpactli amo miyec quipiyah tepoztli icpalli chichiuhqueh, cequintin occepa quintemohtihui tlachihchiuhtli ipan 1800-1900... Nican omotlacatili Tomeo: ce yancuic, amo tlamahuiztic ihuan mohuehuetzaloah tepoztli icpalli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Tomeo Tepoztli Icpalli Calitic ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Tomeo Tepoztli Icpalli Calitic ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Tomeo Tepoztli Icpalli Calitic quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Tomeo’s structure has a surprising and innovative geometry which clearly differentiates it from other products on the market. It is as if the skeleton of the chair has come out of its body, the seat is narrower than the backrest at the rear and the chair legs jut out towards the sides. The armrests protrude from the backrest at a forty-five-degree angle to meet the front chair legs. The feet of which are directly below the front edge of the seat giving the impression that the seat and the backrest are suspended inside the structure.
Huēyiliztli īhuān Tlacualtepēhualli: 510 x 560 x 820 without armrests
590 x 550 x 820 with armrests
Tōcāitl: chair, furniture, design, outdoor, metal, elegant, outdoor furniture, decoration, chairs, armchair.
Tlachīhualiztli Māchiyōtl: The above photos show Tomeo’s prototypes made from plastic tubes and 3D printed pieces assembled together. The seat is made from rubber and from plastic rods for the second version. The real chair will be made from bended steel pipes welded together and the seat will be made from metallic rods or plastic rubber.
Tlanāhuatīlli Nētēcahuilīztli: The challenge was to give Tomeo a shape that would clearly differentiate it from existing products but that would still not be beyond what the consumer would accept in terms of innovation. In addition, I worked to make this innovative structure equally as robust as that of traditional chairs and to build the 1:1 prototypes.
Tlatēmōliztli: My design process strongly relied on my intuition coupled with a great knowledge and understanding of the history of furniture design. Everyday life, society, my imagination, my history and my dreams are all ingredients for my subconscious soup. If my designs reveal indisputably a part of myself they are also a reflection of the world we are living in.
Tēyōllālīliztli: This design takes its inspiration from the meticulous and exhaustive observation of contemporary furniture market, as well as from trends and aesthetic language evolution. The initial goal wasn't only to achieve an appealing appearance but also to propose a unique geometry that will differentiate Tomeo from all other chairs of its category.
Tēquitl Cāhuitl: This project started in 2019 and was finished in 2020 in Milan.
Tēquitl Ōhuitl: Tomeo’s uniqueness comes from its original structure. Considerable attention was dedicated to the look, which had to be simple but contemporary. Many pieces of metallic furniture on the market are strongly inspired from older designs from the 20th century. Tomeo is truly different from what already exists because the design itself questions the traditional chair structure. It was also designed to be light and stackable to meet essential consumer needs.
Īxiptla Tlanēxtīlli: image #1: Photographer Hugo Charlet berguerand, tomeo, 2020.
image #2: Photographer Hugo Charlet berguerand, tomeo, 2020.
image #3: Photographer Hugo Charlet berguerand, tomeo, 2020.
image #4: Photographer Hugo Charlet berguerand, tomeo, 2020.
image #5: Photographer Hugo Charlet berguerand, tomeo, 2020.