Xicpanahuī campa tlahtōlli
Cornnie Tlaicpalli ipan Tlaxomolli ītēchcopa Wen-Hsin Tu

Tlanāhuatīlli Cornnie Tlaicpalli ipan Tlaxomolli ītēchcopa Wen-Hsin Tu cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Cozticteocuitlatl īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.


CozticteocuitlatlCaltlapechtli· 2021

Cornnie Tlaicpalli ipan Tlaxomolli

īpal Wen-Hsin Tu

Tlanāhuatīlli: Wen-Hsin Tu

Mahuizolli A' Design Award Cozticteocuitlatl Tēmacēhualōni īpan Caltlapechtli Tlamantli

47,752

Tlapalli

Tlanēxtilistli

Ītechcopa Cornnie Tlaicpalli ipan Tlaxomolli

Cornnie ce icpalli tlanechicolli tlen omochijchiuh para tlaxomolmej ipan calijtic. Inin tlanechicolli quipia eyi tlamantli tlen quipiaj 1200 ica 700 ica 850 milimetros ijcuac motlaliaj cepan. Cada icpalli mochijchiua ica cuauhtlapechtli tlen huelis mocuecueloa, tlen mozaloa huan mopachoa ipan ce molde tlen oquichijchiuh ce CNC tepoztlatequitl. In icxitl tlen cuecueltic quizaloa cada icpalli ihuan tlaxomolli huan quinextia yancuic tlamantli quenin motequihuiz nopa espacio. Cornnie quincahuilia in tlacamej ma mosehuican ipan tlaxomolmej huan ma quichihuacan ompa ce espacio tlen achi inaxca, ihuan amo monequi quichihuazqueh ce tepamitl intzalan. In tlanemililli quitemaca ce yolcehui campa huelis mocehuizqueh ijtic hueyi espacios campa nochi tlacamej mosentiliaj.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Cozticteocuitlatl

Cornnie Tlaicpalli ipan Tlaxomolli ca in quicuic in Mahuizolli A' Design Award Cozticteocuitlatl, huel mahuiztic tlamahuizoliztli tlen momaca in achtopa, huel cualli ihuan mahuiztic tlachihualli. In quicuicah Cozticteocuitlatl ca cenca yancuic, tlachiyani ihuan tlanextic tlachihualli in quinextia in tlamatiliztli ihuan toltecayotl. Ca quinequi in Cornnie Tlaicpalli ipan Tlaxomolli quitlalizque yancuic tlamantli ihuan quimacazque tlazohtli. Ni dizayno in quicuic Cozticteocuitlatl ca mahuiztic tlamantli in quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Cornnie Tlaicpalli ipan Tlaxomolli quiyolchicahua ihuan quipaquiltia in tlacah.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa
A seating series designed for corner spaces, presenting a solitary moment that conveys the message, everyone needs space for themselves. Users can find comfortable corner spaces through the use of the seating and can create a relatively personal space there, without building a wall between each other. The furniture also shows that we don‘t always need to be proactive in seeking interaction, but can take a step back and make ourselves comfortable.
Huēyiliztli īhuān Tlacualtepēhualli
1200mm*700mm*850mm
(all three pieces putting together)
Tōcāitl
Stool, Seating, Corner, Stair, Windowsill, Retreat, Solitary, Seclusion, Interaction, Get Along With
Tlachīhualiztli Māchiyōtl
bendable plywoods were being glued and pressed on the mould that milled by CNC
Tlanāhuatīlli Nētēcahuilīztli
To figure out how to connect people and the corner spaces is the hardest part. There aremanyways that wecould sit in the corner spaces. But what’s the connection between people, object (seating) and space? And then, I come up with the ideas, the curved legs of the chairs. This relationship between object and space create dialogue between themselves, and leads to the specific characters of the objects. These characteristics also seem to hint to the user how they can use the space in a novel way. The process empowers the users to experience their environment with a new perspective.
Tlatēmōliztli
I tried to sit in every corner space that I could find to experience how we could see and feel a room with different perspectives. And then I made some miniatures of spaces and objects to find out which element I can extract from the spaces to connect the design strongly with the corners. After the connection between object and space is bounded, I made some 1:1 prototypes of stools with curved legs and put them in certain positions to observe how people interact with them. A clear concept of the relationship between people, objects and spaces is then developed.
Tēyōllālīliztli
The spaces between public and private are becoming more open as time goes on. The people who use these in-between spaces are diverse. The interactions in these spaces enrich our everyday lives and provides inspiration, but also lead to stressful situations due to the lack of places to retreat. CORNNIE builds on these observations. Users can feel comfortable in corner spaces through the use of the seating and create a relatively personal space there without building a wall between each other.
Tēquitl Cāhuitl
The project started in October 2018 in Berlin and finished in October 2019 in Berlin, and was exhibited in the Berlin University of the Arts Design Master Graduation Show
Tēquitl Ōhuitl
The seatings play an important role, they create an interface between people and space. This interrelationship leads to the specific characters of the objects, and these characteristics also seem to hint to the user how they can use the space in a novel way. The process empowers the users to experience their environment with a new perspective.
Patentēmeh
Design © Wen-Hsin Tu
Calpolli Tlācah
Wen-Hsin Tu
Īxiptla Tlanēxtīlli
Fotos © Shih-Hsien Chan, Wen-Hsin Tu
Video Music © Shih-Hsien Chan

Tlacōhualli

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A' Design Award cē cemānāhuac tēmacēhualli ītēchcopa cualli tlanāhuatīlli. Xicnēmili īpan A' Design Award ic ticpīāz tlanāhuatīlli tēixpantīliztli, mahuizzōtl, cuallōtl īhuān tēixpantīliztli ītēchcopa motēquitl. Xictlāli motēquitl ītēchcopa A' Design Award īhuān xicnēhuili ītēchcopa huēyi A' Design Prize.

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