MareNostrum Calli tlen Nemachiyoyan ītēchcopa Aaron Leppanen and Gabriela Anker

Tlanāhuatīlli MareNostrum Calli tlen Nemachiyoyan ītēchcopa Aaron Leppanen and Gabriela Anker cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Iztacteocuitlatl īpan Calchihualiztli, Calmanaliztli ihuan Tlatecpanaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCalchihualiztli· 2020

MareNostrum Calli tlen Nemachiyoyan

īpal Aaron Leppanen and Gabriela Anker

Tlanāhuatīlli: Romero & Pazmiño Ingeniería Inmobilaria

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Calchihualiztli Tlamantli

19,773

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #104748

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa MareNostrum Calli tlen Nemachiyoyan

MareNostrum ce chicueyi tlapechtli calli tlen nemachiyoyan itech Quito, Ecuador. Inin tocaitl quinextia tlen latin tlahtolli ipampa tohueyatl, huan in ixcalli oc ceppa quipohua in ollini tlen inhuepal romanos acaltin. In cocoltic ixcalli quichihua hueyi tlaquetzaltin tlen quihueyaquilia in tlahtli itech calihtec hasta calpan. In tlanextilli xomolli motzacua ipan ome tlacauhcayotl, quicahua cehualli tlen tonalli huan quichihua canin in tlanehuan huelis mochantiah. In calli quipia suites, ome tlacochyan huan yeyi tlacochyan chantli huan lofts, ica ce tlacehuiloyan huan xoxoctic tlaltin ipan in tlapan. In ayohui tlanahnahmiquilistli quimaca yolic tlanextli huan ehecatl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

MareNostrum Calli tlen Nemachiyoyan ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in MareNostrum Calli tlen Nemachiyoyan ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. MareNostrum Calli tlen Nemachiyoyan quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Throughout the 8 story residential building, the movement of the facade generates large balconies, which extends the interior space to the exterior. The form has passive sustainability strategies, such as ventilation and natural light. The volume of the building allows different types of apartments, suites, 2 bedrooms, 3 bedrooms and lofts. In addition, social spaces are created inside the building, such as a lounge and green areas on the terrace, to take advantage of the urban context.
Huēyiliztli īhuān Tlacualtepēhualli: The building has 8 stories and 3 underground levels in a 1250 square meters lot. The total construction area is 8,800 square meters. The building has a reinforced concrete structure with steel deck floor plates.
Tōcāitl: Sea , Waves , Urban , Facade , Residential
Tlachīhualiztli Māchiyōtl: The facade and the lobby have the same language in their design. However the facade was constructed with conventional masonry blocks and mortar. The lobby in contrast was built with a combination of digital fabrication and artisan work. The unique lobby forms were made with a cnc cut mdf structure and colorado wood panels cut by hand. The use of complementary digital and artisan construction techniques was key to attain such unconventional forms in a setting like Ecuador.
Tlanāhuatīlli Nētēcahuilīztli: The historical connection that the site of the project had with the sea inspired the form. The local construction technology however gave limitations on how this form would be attained. After evaluating different materials , the conventional masonry blocks and cement materials were used in a sculpted work with the local artisans to build the wave inspired facade. The combination of these curved walls and wooden accents below the cantilevered floor plate extensions created the desired volume.
Tlatēmōliztli: Our office research primarily focuses on form finding through organic efficiencies. Specifically varied repetition is of interest, looking for models of difference through a similar design process. The objective behind this research is to identify potential insights and techniques that can be implemented in our iterative design process. Methods include digital sketching in rhino and grasshopper and physical printed models. In the iterative process, experimentation is the most important aspect in the search for potential architectural solutions. These experiments are tested against the various project parameters, which could include; zoning, context, client preferences, marketing strategies, constructability and other conceptual criteria. The result of this process is constructible yet experimental design that has movement, emotion, repetition and a physical presence in our community.
Tēyōllālīliztli: The site of the project was named Mare Nostrum after an existing restaurant, whose latin meaning is our sea. The ancient Romans baptized what is now the Mediterranean Sea with this name. Inspired in this context, the movement that the oars of the fleets of the Roman Empire used centuries ago to protect their territories is reinterpreted on its facade. Reinforcing this concept an experience of movement is created for the users inside and outside the spaces.
Tēquitl Cāhuitl: The project started in 2016 and was completed in 2019 in Quito, Ecuador.
Tēquitl Ōhuitl: The characteristic cutout corners, spanning over two levels, give the building a softer attitude. They also create spaces and opportunities for neighbors to interact with each other, between the balconies of differing depth.
The cutout corners also provide shade protecting from the hot Andean sun.
Calpolli Tlācah: Aaron Leppanen
Gabriela Anker
Sofía Chávez
Caroline Dieden
José Silva
Gabriela Valdéz Mena
Īxiptla Tlanēxtīlli: BICUBIK