The Inhabited Roccolo Calli Pinauhcan ītēchcopa Edoardo Milesi - Archos srl

Tlanāhuatīlli The Inhabited Roccolo Calli Pinauhcan ītēchcopa Edoardo Milesi - Archos srl cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Iztacteocuitlatl īpan Calchihualiztli, Calmanaliztli ihuan Tlatecpanaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCalchihualiztli· 2021

The Inhabited Roccolo Calli Pinauhcan

īpal Edoardo Milesi - Archos srl

Tlanāhuatīlli: Edoardo Milesi - Archos srl

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Calchihualiztli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #122778

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa The Inhabited Roccolo Calli Pinauhcan

In Roccolo Chanchiuhqui ca ce calli pinauhcan tlen motlalia ipan tlalnepantli in Lombardía Alpes tepetl. In tlachichihualiztli oc ceppa kimatilia in roccolo, ce huehuetlacayotl kaltzintli campa kimpehpenaya in totomeh, ipan ce yancuic tlachihualiztli. In calli kixtia 112.32 metros cuadrados ipan tlalli ihuan kitemaca 332.13 metros cuadrados campa nemoa ipan nahui tlanapanoliztli. In tlachichihualli mochihua ica tepoztlaltetl chicahuac ihuan cuahuitl, in tlaquentli kitequitiltia yancuahuitl, corten tepoztli ihuan titanio zinc. In ixquich kicehtilia in tlacantoc tlamantli ihuan tlapiazolli tlen mopatla ica cececni tlamantli. In yamancatlachihualiztli ihuan yolcatlamantli kipia in tlachixtli ipan in yolcatlaltzintli tlen kiyahualoa.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

The Inhabited Roccolo Calli Pinauhcan ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in The Inhabited Roccolo Calli Pinauhcan ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. The Inhabited Roccolo Calli Pinauhcan quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The Inhabited Roccolo is a fascinating contemporary reinterpretation of a typical building of the Lombard landscape, designed to escape the stress of the urban world, where aesthetic ideals are sublimated in the modesty of simple forms and natural materials, while leaving complexity to nature around us. A vertical place that connects the earth and the cosmos through our souls.
Huēyiliztli īhuān Tlacualtepēhualli: The new building uses only 332.13 square meters of the 425.69 of the existing building: it occupies a coverage area of 112.32 square meters with a total residential area of 332.13 square meters distributed over 4 levels (ground floor 119.40 square meters; first floor 87.99 square meters; second floor 78.67 square meters; third floor attic 46.07 square meters). The remaining 93.56 square meters are used for the reconstruction of the ruin for use as a shelter for agricultural tools and for the maintenance of the lot.
Tōcāitl: home, clusone, italy, edoardo milesi, roccolo, clusone, home design
Tlachīhualiztli Māchiyōtl: Reinforced concrete and wood for the structures, natural wood, corten steel and titanium zinc for the coatings.
Tlanāhuatīlli Nētēcahuilīztli: A contemporary reinterpretation of a typical building of the Lombard landscape, designed to escape the stress of the urban world, where aesthetic ideals are sublimated in the modesty of simple forms and natural materials, while leaving complexity to nature around us. The project does not represent a simple mimetic operation, but a refined integration between the Roccolo and the surrounding territory.
Tlatēmōliztli: The project starts from the impossibility, for geological reasons, to preserve the existing building and from the awareness of the importance of maintaining the necessary human protection: we are in fact in the presence of a place where the landscape value is the result of a long work and constant in the application of the traditional art of gardening aimed at fowling.
The new construction is inspired by the "roccolo" typology, and is reinterpreted in a contemporary key: a typological reworking of the mountain bird catcher translated into home of holidays, which maintains the spatial setting at the center of the tree plant, created and modeled for fowling, but moved a few meters away from the existing block.
The new building appears as a fundamental part of the landscape recovery and a rural culture typical of the Lombard Alps and pre-Alps.
The project restores the physiognomic characteristic of the roccolo: a semicircle of hornbeams in a double row with a central corridor covered by the intertwining of the branches, which forms the supporting framework of the walls and roof. Inside the semicircle there is the so-called thrown, that is the set of plants on which the birds perch, to descend even lower attracted by the berries of the grove, formed by shrubs producing berries.
Clinging to the tower building that slightly overlooks the trees, is the toll booth, an overhanging volume, containing the various functions, where the winder houses and hides: on the ground floor the semi-dark shelter for decoy birds, just above the kitchen and bedrooms, at the top the windows from which to throw the bogies.
The toll booth, a construction of masonry and wood, is camouflaged by mixed climbers and ground coverings, ivy, wisteria and vines. The cracks in the toll booth, from which the movements of the birds are scrutinized, alternate with wider openings with different openings functional for hunting and birding.
The main feature of the toll booth is the morphological discontinuity of the fronts, made up of heterogeneous merged and projecting volumes, padded with different materials: concrete, larch wood left to natural oxidation, short steel and opaque and pre-oxidized zinc-titanium sheet.
The facades have different openings depending on the type of material with which they were made: horizontal cracks on the wooden ones, small square openings, partly glazed and partly closed by wooden anchors / stakes for climbing plants, on the exposed concrete, glass panes in the metal walls. All the glazed parts are suitably set back and shielded to avoid glare and reflections in the landscape and the fixtures are all positioned on the internal line of the perimeter walls with a retractable frame.
Tēyōllālīliztli: To live in a bird catcher hut means to know how to be amazed at nature, to love it and to learn to know it through the concept of emptiness. A formidable source of inspiration that combines tradition with a contemporary look to the future and reminds us of the transience of life.
Tēquitl Cāhuitl: The design project started in January 2015 and finished in June 2016 with the start of construction, which is finished in December 2017.
Tēquitl Ōhuitl: A place designed to escape the stress of the urban world, where aesthetic ideals are sublimated in the modesty of simple forms and natural materials, while leaving complexity to nature around us.
Patentēmeh: Copyrights belong to Studio Edoardo Milesi & Archos S.r.l.
Calpolli Tlācah: Arch. Edoardo Milesi - Design Director
Ing. Paolo Abbadini - Concept Design
Ing. Sebastiano Moioli - structures
Ing. Alessandro Nani - mechanical systems design
Marlegno s.r.l. - wooden structures
Īxiptla Tlanēxtīlli: Image #1: Photographer Ezio Manciucca, East Elevation, 2018.
Optional image #2: Photographer Ezio Manciucca, Entrance and Dining room, 2018.
Optional image #3: Photographer Ezio Manciucca, Master Room, 2018.
Optional image #4: Photographer Ezio Manciucca, Kitchen, 2018.
Optional image #5: Photographer Ezio Manciucca, Attic Living, 2018