Spark Ohtlatzotzonaloni Electrictli Tlanamacoyan ītēchcopa Maxwell Brazo

Tlanāhuatīlli Spark Ohtlatzotzonaloni Electrictli Tlanamacoyan ītēchcopa Maxwell Brazo cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Bronse īpan Tlapitzalli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseTlapitzalli· 2022

Spark Ohtlatzotzonaloni Electrictli Tlanamacoyan

īpal Maxwell Brazo

Tlanāhuatīlli: Maxwell Brazo

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Tlapitzalli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #126635

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Spark Ohtlatzotzonaloni Electrictli Tlanamacoyan

Spark ye ohtlatzotzonaloni electrictli tlanamacoyan tlachihchiuhtli inic huel monehnemitiz ihuan mochihuaz ipan chantli. In itlac, iquechtlan, ihuan icxitlapechtlan mochihua ica “fused filament fabrication” tlein tequitiltia cuahuitl tlapatlaxtli ihuan aramid tlanechicoltin, ayic mocuih cuauhtlazintli chicahuac. In electrictli ihuan tepoztlatquitl inon tlein achi ixquich mocahuah, ihuan itlacencuiliz tequitiltia tlanechicoliztli ica ayic teposchipiniliztli. Spark motzimpahtia ica huehcauhcayotl neneminaliztli, in ihcuac motequitiltiah tlaxamania, tlalpiaya frets, ihuan tlacecehuiliztli nitrocelulosa. Se “headless” tlapechtli tlein mopiya tlaonoc, quipiya nochi in scale huehcauh melahuac ihuan tepiton icopalochtli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Spark Ohtlatzotzonaloni Electrictli Tlanamacoyan ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Spark Ohtlatzotzonaloni Electrictli Tlanamacoyan ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Spark Ohtlatzotzonaloni Electrictli Tlanamacoyan quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Focuses on sustainability, accessibility, and adaptability through use of computer aided design software and at-home manufacturing. Fully printed guitar body, neck, and fret board using alternatives to hardwoods. Recycled plastic and wood fiber composites used are able to be fully finished and assembled using simple and standard methods. All electrical and mechanical components are domestically sourced and widely available.
Huēyiliztli īhuān Tlacualtepēhualli: Product Dimensions: Width 133.35mm (5.25in) x Depth 57.15mm (2.25in) x Height 768.35mm (30.25in), Scale Length: 25.5in, Fret-Board Radius: 9.5 - Modern C Neck Profile - Single Coil & Humbucker Passive Pickups
- Body/Neck/Fretboard (Timber-fill/Nylon AF80 Aramid)
- Headless Fixed Bridge and Double-Ball End Combo Headpiece
- Angled Switch Tele Titanium Control Plate
- Neck Plate (Bolt-On Style)
- Electrosocket Jack Mount
- Low Profile Truss Rod
- Stainless-Steel Hardware and Threaded Inserts
- Solderless Wiring System
Tōcāitl: Guitar, Electric, Travel, 3D Printed, Sustainablity, Instrument, Music, Design
Tlachīhualiztli Māchiyōtl: Realized through Computer-Aided Design and Fused Filament Fabrication technologies. Domestically sourced electrical and mechanical components. Finished using traditional methods (sanding, seating frets, binding, nitrocellulose lacquer finish, etc.).
Tlanāhuatīlli Nētēcahuilīztli: Bio-composite filaments used, while recyclable and or compostable, do not provide adequate structural support for full-scale stringed instruments under tension. Complications with recycled wood-fiber composite filaments required research and testing of additional materials with more effective mechanical properties. Key attributes considered were creep resistance (resistance against deformation under long-term load), tensile strength, elongation at break, density, and ease of printing.
Tlatēmōliztli: Initial research into fundamental basics and history of electric guitar construction was crucial to ensure a playable end product. Standardized dimensions of classic high-end models helped to provide a familiar aesthetic and a framework to work within, and use of widely available and popular components to inform the overall design. Influenced by concepts such as compact modularity, right to repair, and the future of at-home manufacturing.
Tēyōllālīliztli: An exploration to replicate traditional luthier processes through new-age methods of small scale manufacturing and the pursuit of material alternatives for guitar-making. Informed by the idea that making a guitar should be more accessible and experiential; the vision for a transformative guitar able to be printed and assembled at home, inspired by vintage Fender, Steinberger, La Baye 2x4, and lap steel guitars.
Tēquitl Cāhuitl: The continuation of thesis work while at Rochester Institute of Technology, this project has spent some time in design and development. Prototyping done in 2021 and final working model and process book to be completed in 2022. Based out of Litchfield, Connecticut.
Tēquitl Ōhuitl: Printable and playable, an innovative solution to cost-effectively produce and assemble your own guitar using recyclable materials, encompassed within a compact full-scale travel silhouette.
Īxiptla Tlanēxtīlli: Image #1: Creator Maxwell Brazo, 2022.
Image #2: Creator Maxwell Brazo, 2022.
Image #3: Creator Maxwell Brazo, 2022.
Image #4: Photographer Maxwell Brazo, 2022.
Image #5: Creator Maxwell Brazo, 2022.