Haragana Ycpalli Sehuiloni ītēchcopa Tobias Kappeler

Tlanāhuatīlli Haragana Ycpalli Sehuiloni ītēchcopa Tobias Kappeler cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Bronse īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCaltlapechtli· 2022

Haragana Ycpalli Sehuiloni

īpal Tobias Kappeler

Tlanāhuatīlli: Tobias Kappeler Design

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Caltlapechtli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #127610

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Haragana Ycpalli Sehuiloni

Haragana se ycpalli sehuiloni tlachihchiuhtli ica tepoztli coyoctic tlacuecuelpachotli huan corcho tetlapetztli. In ycpalli motlatemachi zan ipan itlanexyo huel monequi, yehica ahmo tlaquentli nozo tlapechtli ic mopatlaz. In inezca mihmati ce ycpalli tlanacazyoh, masqui ahmo onca canin momantia in nomatzitzi. In tlatlaliloyan tzitzicuiltic ipan cempoalli huan chicueyi centimetros quinnotza tlacah ma mopachihuican huan ma quittacan intlayohuayampa huehcauh tonalli. In tepoztlatzacualli tlapohuiloni quihuapahua in ycpalli ma ahmo etic itta huan ic huelihui motlaliz ipan calihtic ahmo miec tlanextli ic quicui. In tetlapetztli corcho yolic mopatlani ihuan in coyoctic malintoc tepoztlacuecuelpacholiztli. Sehsen ycpalli momalina, motlapialia huan mochichihua ica maitl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Haragana Ycpalli Sehuiloni ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Haragana Ycpalli Sehuiloni ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Haragana Ycpalli Sehuiloni quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The Haragana is a lounge chair made from bent steel tubes and cork disks for seating. The outline of the chair resembles and reminds of an armchair however there are no cushions or upholstery. The chair is reduced to the essential structure, giving it a light and airy design, which fits perfectly in interior spaces without taking up too much space visually. The simple graphical cork seating disks provide contrast to the more complex underlying tubular structures.
Huēyiliztli īhuān Tlacualtepēhualli: The chair has a width of 75cm, a length of 65cm and a height of 65cm. To add additional support to the legs, a thin stainless steel rod was welded in between the legs. The seating position is purposely low 28cm to ensure people stay seated for longer and enjoy the experience, their surroundings and thoughts that come when taking a break.
Tōcāitl: Furniture Design, Chair Design, Lounge Chair, Tubular Design, Observation.
Tlachīhualiztli Māchiyōtl: The chair was made from 19 and 16mm steel tubes and cork. After an extensive study on the design territory “observation” small scale prototyping and sketching the chair was produced fully by hand without any automated machines. Steel tubes were bent by hand and welded together, piece by piece. First the outline, then the inside structure, then the legs and lastly the seating of the chair. After welding it together, the chair was sanded down and spray painted. The cork was sanded and then added.
Tlanāhuatīlli Nētēcahuilīztli: The challenge was to produce a chair with a complex curved shape that was still symmetrical. This required several attempts and an in-depth observation from several angles. As tubular systems for furniture design have been explored before, the challenge was to come up with a design that is new and still interesting. To keep the light feel of the chair, the structure needed to be strong and stable.
Tlatēmōliztli: The project started with an exploration into the theme of observation and how to create a seating experience that could last for a longer period. A strong driver of the project was prototyping on a scale of 1:10 with steel rods that were spot-welded together. This allowed for quick iterations on different shapes and to explore different curves and their relation with each other. The tools used to produce the chair were very simple, a tube bending machine, a welding machine and a sanding machine.
Tēyōllālīliztli: We live in a fast-paced world where everything must happen instantly and thus, we often forget to take a break, lean back and just observe our surroundings. The aim was to create a chair in which you stay and remain seated for a while.
Studying the territory of observation the design invites and resembles this as well. What you see, is actually not what you see. Perceived is an armchair due to the emphasized outline which resembles an armchair, however, there are no armrests.
Tēquitl Cāhuitl: The project started in January 2020 and was developed by myself as part of my MA/MSc Innovation Design Engineering degree. The project duration was 4 weeks and was exhibited at the Royal College of Art in February 2020.
Tēquitl Ōhuitl: Due to its low and comfortable seating point, it invites people to stay seated for longer. In addition, having only the essential structures and the seating of the chair, its light and open design smoothly integrates into the interior without claiming too much attention but still allowing for a more complex shape to be present.
Calpolli Tlācah: Tobias Kappeler