Sacred Trees II Tlaixiptlayotl Cualtzin Tlacuiloli ika Tlanexillotl ītēchcopa Yoshimi Sugiyama

Tlanāhuatīlli Sacred Trees II Tlaixiptlayotl Cualtzin Tlacuiloli ika Tlanexillotl ītēchcopa Yoshimi Sugiyama cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Bronse īpan Tlaixcopinaliztli ihuan Tlaixcopinalpatlaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseTlaixcopinaliztli· 2022

Sacred Trees II Tlaixiptlayotl Cualtzin Tlacuiloli ika Tlanexillotl

īpal Yoshimi Sugiyama

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Tlaixcopinaliztli Tlamantli

33,952

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #127884

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Sacred Trees II Tlaixiptlayotl Cualtzin Tlacuiloli ika Tlanexillotl

Teoyotl Cuauhmej II se centlamantli tlaixiptlamej tlen tlachihualo ika tlanexillotl inpan cuauhmej huehcauhqueh. Cecen tlaixiptlayotl omocuic za icuac ocalac tonatiuh noso itlan metztona, ika tonalli tlen ontlantoc macuilli hasta caxtolli huan macuilli minutos. Ipan nochi tonalli tlaixnextilli, cuauhmej omotlacuilohqueh ika miac tlahuilmej tlen quipiaya tlapalgeles. In tlachihualmej cencuiliuhqueh mocahuah ipan amatl tlen quipiaya 24 ihuan 30 pulgadas ipan ihuehueyica, huan tlapalli ihuan tlachializtli cuallamanticate cecen ixquich ipan cecen tlaixiptlayotl. In centlamantli tlaixiptlamej quinextia se huehcauh tlaneltoquiliztli tlen chanejqueh Japón, tlen quihtoznequi ca cuauhmej, tetl ihuan atl cateh inican teteoh nemih, ihuan ica non tlanextilo ma monexti in teoyotl tlen yolqui ipan tlaltipactli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Sacred Trees II Tlaixiptlayotl Cualtzin Tlacuiloli ika Tlanexillotl ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Sacred Trees II Tlaixiptlayotl Cualtzin Tlacuiloli ika Tlanexillotl ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Sacred Trees II Tlaixiptlayotl Cualtzin Tlacuiloli ika Tlanexillotl quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This is an expression of spiritual essence of nature through photographs by illuminating those natural creations which are the oldest living organisms on the planet. The Animism Series is for the audiences to feel the warmth of the nature and exciting world of brightly lit illusion. These works are very unique and different from others because creating them requires one of the most difficult photography techniques, such as painting with several flash lights simultaneously at night in the dark
Huēyiliztli īhuān Tlacualtepēhualli: 24 inch X 30 inch
Tōcāitl: Animism, Sacred Trees, Landscape Photograph, Nature, Tree,
Tlachīhualiztli Māchiyōtl: This series is Light Painting Photography.
These photographs were taken after sunset before total darkness or under the moonlight . I painted by flash lights with some color gels during　exposure for about 5 to 20 minutes.
Tlanāhuatīlli Nētēcahuilīztli: With respect to the technical aspect, it was very difficult to get right exposure and balancing between natural light and artificial light. The challenge was to show the color of light which I wanted to show. I was able to show such vivid color based on my accumulated efforts and repetitive experiments. The color of gels I was able to see with my eyes did not show the same color in the picture, the color in the picture differed depending on the color of the object, surface, light source (such as LED or tungsten). I had to control length of shutter speed, aperture, and artificial light.
Tlatēmōliztli: This requires a research of exposure, which is controlled by ISO, aperture, shutter speed, and intensity of flashlight beam. The 4 elements must be balanced perfectly depending on the external factors. The light of sun, moon, and streetlamps affect all measurements. The color of objects (trees) also affect. Objects absorb the light and change the light reflectance. A few experimental shots will be taken by a digital camera to collect data to find perfect measurements. This hard to achieve perfect measurement creates a one of a kind design which gives an audience a pleasant surprise.
Tēyōllālīliztli: When I learned about my Japanese family roots, I became interested in learning more about my roots, culture and history. I came to learn that people in Japan have, since ancient times, held a belief toward natural creations, such as trees, rocks, and water as the resting place of Gods. The giant trees and ancient trees we see today have survived various natural disasters, and people have worshiped them as extraordinary living things reflecting their appreciation and thoughts in various ways. I
Tēquitl Cāhuitl: The project started in May 2003 in California and finished in July 2019
Tēquitl Ōhuitl: These photographic designs and images of nature are in printed form. The balance and harmonyof each color and object are carefullyarranged in a frame."Apicture tells a thousand words." Thesemysterious images and colors, which do not exist in nature, grab the audience's attention and gain interaction. By looking at the images, the audience will immediately create own storyand meaning of natural wonder and get inspired. The audience will enjoy seeingthe active lifemovement inside the two dimensional world of a color photograph.That is the power of photography.
Patentēmeh: Copyrights belong to Yoshimi Sugiyama, 2021
Īxiptla Tlanēxtīlli: Photographer / Yoshimi Sugiyama