Yatsugatake Villa Calnemactli ītēchcopa Kiyotoshi Mori and Natsuko Kawamura

Tlanāhuatīlli Yatsugatake Villa Calnemactli ītēchcopa Kiyotoshi Mori and Natsuko Kawamura cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Bronse īpan Calchihualiztli, Calmanaliztli ihuan Tlatecpanaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCalchihualiztli· 2022

Yatsugatake Villa Calnemactli

īpal Kiyotoshi Mori and Natsuko Kawamura

Tlanāhuatīlli: MDS Co., Ltd.

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Calchihualiztli Tlamantli

11,775

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #129187

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Yatsugatake Villa Calnemactli

Yatsugatake Calnemactli ce tonalcalli in oncan Hokuto-Altepetl, Yamanashi, Japan. In calli mochihua ika yeyi tlapatztli tlacoyoctli iuhqui trapezoide, tlatecpanalli iuhqui mahmatlapalli ihuan tlapoyahua ika tonatiuhicalaquiampa. In huei tlapohualli tonatiuhicalaquiampa quicelia tonaltzintli ihcuac cehualo xopantla, ihuan in tlacoyoctli ihuan in caxitl tenamitl quitzacua in chicahuac tonatiuh xopantla. In tlanexillotl itech tonatiuhiquizayan ihuan tonatiuhicalaquiampa quicahua in ehecatl calihtic panoc. Motequitiltia in huehcauh Japon quauhchihualiztli, ika oyametl, tenextli, ihuan shoji tlapechtli. In tzacuhtoc shoji tlapechtli quitemaca yamanqui tlanextli, ihuan in tlapohtoc tlapechtli quitlalilia in tepetl tlaixyehyecoliztli in nohuian.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Yatsugatake Villa Calnemactli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Yatsugatake Villa Calnemactli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Yatsugatake Villa Calnemactli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The exterior is characterized by three modern trapezoid tubes, deforming the traditional Japanese space under deep eaves to frame the landscape in four directions. The form was derived from meticulous calculation of precipitation, the sun's movement in summer and winter, and the thermal environment. Shoji paper screens offer a space filled with soft light iconic of Japanese culture when closed, and switch to the majestic scenery framed by the walls when opened, providing two alternating scenes.
Huēyiliztli īhuān Tlacualtepēhualli: Site Area 691.00m2
Total Floor Area 110.01 m2 (1F 71.65 m2, 2F 38.36 m2)
W17,400mm x D12,300mm x H6,139mm
Tōcāitl: Villa, Sun light, Wind, Fan-shape, Wooden, Mountain, Three adjacent shells, Sho-ji, Eaves, Farming
Tlachīhualiztli Māchiyōtl: Contrary to the contemporary style guided by precipitation, sun rays and the surrounding environment, the construction of the house incorporates traditional Japanese wooden construction methods, with earthquake-resistant walls and large openings. Traditional Japanese techniques and components are used throughout, including plastering on the curved openings and fittings such as shoji and ranma (partition with ventilation and daylighting functions), creating a vernacular architecture.
Tlanāhuatīlli Nētēcahuilīztli: In Japan, especially in rural areas, the number of carpenters capable of building elaborate wooden houses is decreasing, and it was difficult to find a builder who could construct a building with a unique (challenging) design. In spite of the modern design, Japanese cedar and plastering materials are used, and shoji screens as well as other traditional materials handed down from generation to generation are fit in by the indigenous module method, enabling the definition of a Japanese space.
Tlatēmōliztli: Three trapezoid tubes with north-south openings sit wide open towards the south to maximize winter daylight. Glass surfaces are set back from the roof edge to avoid direct south sun rays in summer. Side walls are arranged to block the west sun. The footprint is set back from the roof edge, partly to reduce soil excavation (deep foundation below the frost line is required), creating a sitting area free from rain dripping from the roof. It is a modern version of traditional Japanese engawa space.
Tēyōllālīliztli: With exterior walls arranged to resemble a fan, the house provides framing for the landscape, maximizing the location on a plateau surrounded by fields and trees with panoramic view of mountain ranges in the distance. It is a summer resort, slightly cooler than humid summers in Tokyo, and yet the sun rays are strong and the winters are cold. The roof was extended to block direct sunlight in the summer and side walls to keep the western sun out, resulting in a series of tubular forms.
Tēquitl Cāhuitl: The project was completed in Hokuto-City, Yamanashi, Japan in 2012
Tēquitl Ōhuitl: Considering the cold winter, the building is built in a fan shape, open to the south, in order to maximize the sunlight while the sun moves. On the other hand, in summer, the roofs and walls of the trapezoid tubes block the strong sun rays, creating shadows inside, and windows at the north and south let the breeze through to cool the airy space. The layout, guided by the thermal environment, provides various interior scenes of varying depths as seen through the openings that connect the spaces.
Calpolli Tlācah: Kiyotoshi Mori
Natsuko Kawamura
Īxiptla Tlanēxtīlli: Photography: Toshiyuki Yano