Villa Gilbam Chanyotl Cali ītēchcopa Davood Boroojeni

Tlanāhuatīlli Villa Gilbam Chanyotl Cali ītēchcopa Davood Boroojeni cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Bronse īpan Calchihualiztli, Calmanaliztli ihuan Tlatecpanaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCalchihualiztli· 2022

Villa Gilbam Chanyotl Cali

īpal Davood Boroojeni

Tlanāhuatīlli: Davood Boroojeni Office

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Calchihualiztli Tlamantli

10,817

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #132788

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Villa Gilbam Chanyotl Cali

Villa Gilbam se cē chanyotl cali tlen onoc īpan cē tepētl īitzcallo, īpan Siahkal, tlahuīlcopa Iran. In tlālli quipiya cē 750 metro tlatectli ihuan huetzi cē 10 pōhualxihuitl (porciento) de cihuatlāmpa huīc tōnatiuh calaquiyāmpa. In cali moquetza īca tōnatiuh iquīzayāmpa in tlālli, īpan cē tlatectli tlazohtlaloni cē 8 īhuān 15 metro, cāmpa cē cali cuallāntica onoca; ic in monāmiquiliztli īhuān tlālli catemāhuiltilo. Ōme tlanextlālli tlacuahcualōlli (cantilevered) huālquīza in nelhuayotl īpan tlālpan īhuān īacatl caltech, ahmo quimonāmictiah in tlālli. In yēyi tlanextlālli mochīhuah tlanacaztililli inic quichīhuah cē tlapōhualli tlālxelōlli tlein cencah pōhualli, īhuān oncah tlachiyaliztli īpan in tepēmeh tlein tēyāhualo.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Villa Gilbam Chanyotl Cali ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Villa Gilbam Chanyotl Cali ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Villa Gilbam Chanyotl Cali quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: In the plan of Villa Gilbam, solutions have been found for issues, including the location that the villa should be established there, the impacts of climate and neighborhood on its design, and the desired quality of the shared space.
Huēyiliztli īhuān Tlacualtepēhualli: Due to the fact that climate and neighborhood were not the limiting factors for the location of the villa, the east of the land, which used to be a place of another building in the past, was allocated for this purpose. With the aim of minimizing intrusion and seizure of the area, the connection surface of the villa to the land was limited to the same rectangle of the old building with dimensions of about 8 × 15 meters. To meet the demands of the employer, which required 350 square meters, two console volumes were added to the initial core of the project at ground level and the first floor without connecting to the ground.
Tlachīhualiztli Māchiyōtl: The project land with an approximate area of 750 square meters is located on the slopes of one of the mountains in northern Iran in the Siahkal region. The land with an unknown geometry has a slope of about 10% from east to west. In the east of the land, and in a rectangle section measuring 8 × 15 meters, intrusion and seizure were seen; as if this rectangle had been a place of a building in the past. The project’s employer has needed a place with an area of 350 square meters.
Tlanāhuatīlli Nētēcahuilīztli: The two console volumes at the height have slid over each other in such a way that neither of them obstructs the proper light of the south and the proper view of the north and south for each other. The console volume located on the ground floor level is in the south and the first level console volume is located in the north. Suitable light from the south passes over the southern volume and reaches the northern volume. Also, the northern volume has a good view of the southern mountains. Below the northern volume is empty and the southern volume overlooks the northern landscape.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains.
Tlatēmōliztli: The current project design is a quantitative and qualitative one. The most important goals are achieving proper functioning, creating the desired spatial quality, resuscitation of the middle courtyard as patterns of indigenous architecture, and reducing energy and construction material consumption. To achieve the goals of the project Field observation, study of the needs of the client, study of historical texts, the study of architectural standards, technical characteristic observation Of materials, the study of regional climate have been considered.
Tēyōllālīliztli: Factors such as the desired spatial quality, local architecture, climate, and exposed usage of materials have been considered in the project design. We believe that the beautiful innovative useful architecture of Villa Gilbam is the result of using the above-mentioned factors in the project simultaneously.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains.
Tēquitl Cāhuitl: The design of the project started in June 2016 and finished in December 2016 in Tehran.
Tēquitl Ōhuitl: One of our primary design goals was material disclosure. We believe that the use of exposed materials not only creates an indigenous feeling in the spaces but also causes less damage to the environment.
Calpolli Tlācah: Principal Architects: Davood Boroojeni - Saba Ammari
CG Artist: Peyman Nozari
Īxiptla Tlanēxtīlli: Image #1: Illustrator Peyman Nozari, 2021.
Image #2: Illustrator Peyman Nozari, 2021.
Image #3: Illustrator Peyman Nozari, 2021.
Image #4: Illustrator Peyman Nozari, 2021.
Image #5: Illustrator Peyman Nozari, 2021.