Concavity and Convexity Calaquiloyan Cecenyan Ichtacacalli ītēchcopa Kevin Hsieh and Yunshuang Lin

Tlanāhuatīlli Concavity and Convexity Calaquiloyan Cecenyan Ichtacacalli ītēchcopa Kevin Hsieh and Yunshuang Lin cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Tepoztli īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliCallitic· 2022

Concavity and Convexity Calaquiloyan Cecenyan Ichtacacalli

īpal Kevin Hsieh and Yunshuang Lin

Tlanāhuatīlli: Form Space Design

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Callitic Tlamantli

8,375

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #136938

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Concavity and Convexity Calaquiloyan Cecenyan Ichtacacalli

Concavity ihuan Convexity ce ome-tlapaltin cecenyan ichtacacalli tlen oncah Taoyuan, Taiwan. In icalihtic quinepanoa huehcauh melahuac tlamachiotl ihuan yancuic tlachihualli. Tepoztli mallatl tlapechtli tlein oquichiuhqueh mochihua quen tlaixyahualotl ihuan quen ilhuicatlapechtli inahuac cuauhtlapechtli tlein tlecoloni. In mallatl quicahua tlanexyotl ma panoc, yehica tlanexyotl ihuan cehualotl mocuepa ipan iztac tepamitl. Ce ohtli tlein quipia tliltic ihuan iztac tlaixyahualotl ihuan tliltic tezcatl quichihua ce nezcayotl quen ce coyoctli. In ilhuicatlapechtli mochihua ica amo nenehuiliztli tlaxinehuallotl centlalilli, amo ica nenehuiliztli tlatecpanaliztli. In tlachihualiztli ohualeuh itech intlahcuiloltlazol Pierre Soulages.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Concavity and Convexity Calaquiloyan Cecenyan Ichtacacalli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Concavity and Convexity Calaquiloyan Cecenyan Ichtacacalli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Concavity and Convexity Calaquiloyan Cecenyan Ichtacacalli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The interior is designed with modern elements to interpret the classical style, bringing galvanized mesh panels into the space as screens and ceilings between staircases. The mesh panel has a penetrating characteristic to bring in light, so that the space can form natural ripples and dance with light and shadow. This design creates an artistic and stylish appearance through the use of contradictory elements.
Huēyiliztli īhuān Tlacualtepēhualli: Construction began in February 2021 and was completed in June 2021.
The total square footage is 1170 square meters. Located in Taoyuan, Taiwan, the two-story reception center includes a meeting area, audio visual room, exhibition area, VIP ROOM, pantry and lounge.
Tōcāitl: Symmetry, neoclassical, modern, material experimental, Corinthian Order, corrugated sheet, Pierre Soulages
Tlachīhualiztli Māchiyōtl: The concept of the corridor comes from Pierre Soulages paintings, using black and white stripes and black mirrors to create a visual interlacing effect, like a time tunnel. Through the mirror effect, light and different materials blending with each other, enlarging the depth of field and bringing spaciousness. The design of the ceiling is different from the common symmetrical approach, and is illustrated by asymmetrical collage carvings, allowing the classical to be presented in a modern form.
Tlanāhuatīlli Nētēcahuilīztli: This is not a newly built project, but a retrofit of the original building. Corrugated sheet and galvanized mesh panels are the symbol of inexpensive materials in Taiwan, often used in factories and countryside bungalows. In this case, the designer has taken a common, mundane material and elevated its value with the use of color palette, structure and classical elements to make it both modern and technological.
Tlatēmōliztli: In Pierre Soulages paintings, the squeegee is used to create strong color blocks and stripes on the paint. The texture becomes the visual focal point, and the presence of light is felt in the concavity and convexity of the paint. Therefore, this project is based on the development of a classical and modern space, full of texture and the flow of light and shadow.
Tēyōllālīliztli: Inspired by the abstract painter Pierre Soulages, the design explores the changing relationship between black, line and light through Pierre Soulages powerful and textured style of painting. The designer uses light as a design element, and through the reflection and interplay of colors and spatial textures, a sense of natural rhythm is derived from the space.
Tēquitl Cāhuitl: This project is built in Taiwan.
Tēquitl Ōhuitl: The designer installed galvanized mesh panels and metallic water ripple glass panels in the staircase, open the sense of space through the large vertical window openings. With a large amount of light and plain white walls, the designer let the expression of the space change with the weather and time of day.
Patentēmeh: Copyrights belong to Form Space Design.
Calpolli Tlācah: Kevin Hsieh
Yunshuang Lin
Īxiptla Tlanēxtīlli: Photographer: Hezi Studio