Device of Perception Tlaneltokiloyan ītēchcopa Yuting Zhang

Tlanāhuatīlli Device of Perception Tlaneltokiloyan ītēchcopa Yuting Zhang cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Bronse īpan Calchihualiztli, Calmanaliztli ihuan Tlatecpanaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCalchihualiztli· 2022

Device of Perception Tlaneltokiloyan

īpal Yuting Zhang

Tlanāhuatīlli: Yuting Zhang

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Calchihualiztli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #138650

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Device of Perception Tlaneltokiloyan

Tlahtōlmachiyōtl Tlaittalizcopa in Device of Perception, se tlaneltokiloyan campa mochīhua ītequiuh in tlamantli tlaneltokilli, nemi īpan āltepētl Mexico Tlālnāhuac, motlālia īnepantlah in huēyi cān oncateh cualli huehcauh cē calpōlli tepitzin ītech ontlaquetzalli īhuān cē huēyi tlanamacayān tequitl. In tlaneltokiloyan quipiya nāhui mīl ōn cē pōhualli ōmatlāctli ōmāhcuīlli metztli tepēmeh, īhuān quipiya cē huēyi calli campa mocaqui tlahtōlli, cē tepitzin nezcayōtl calli, cē tlanextilizyān, tequitcayan, cē calpiyalōyan īhuān cē cafetería. Cē tlālpan tepēyōtl calaquiyān quixēxelōa in calli īhuān in ōhtli tlamahuiztli, quinequi noihqui tlamiyec in ītech calli calli tlanextilizyān. Cē cē calli tepēyōtl in tepitzin torreyōtl mocuepa ōn ce tlahco ilhuiyōtl, quichīhua cē malacacholli tlanextilizyān campa nēci cualcān āltepētl. Motequitiltia in tepoztetl chicāhuac īhuān in tepoztli tlein mopatla ītechpan cāhuitl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Device of Perception Tlaneltokiloyan ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Device of Perception Tlaneltokiloyan ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Device of Perception Tlaneltokiloyan quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Huēyiliztli īhuān Tlacualtepēhualli: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Tōcāitl: cultural center, gallery, theater, exhibition
Tlachīhualiztli Māchiyōtl: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Tlanāhuatīlli Nētēcahuilīztli: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Tlatēmōliztli: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Tēyōllālīliztli: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Tēquitl Cāhuitl: 2017 in Mexico City
Tēquitl Ōhuitl: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Calpolli Tlācah: Yuting Zhang
Īxiptla Tlanēxtīlli: Yuting Zhang