Xicpanahuī campa tlahtōlli
Raices Tlachihchihualli Chicahuanemi ītēchcopa Mayte Ossorio Domecq

Tlanāhuatīlli Raices Tlachihchihualli Chicahuanemi ītēchcopa Mayte Ossorio Domecq cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Bronse īpan Cozquitl Tlachihchihualiztli Nēhuilīztli Tlamantli.


BronseCozquitl· 2022

Raices Tlachihchihualli Chicahuanemi

īpal Mayte Ossorio Domecq

Tlanāhuatīlli: Maison Domecq

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Cozquitl Tlamantli

17,703

Tlapalli

Tlanēxtilistli

Ītechcopa Raices Tlachihchihualli Chicahuanemi

In Raices nepapantlachihualiztli mochihua pampa monequi oc ceppa moquitztizceh miac oval tlahcuilolli yancuic ehuatl ipan ce caltequitl campa mochihuah pamacactli, cemilhuitl mohuicah pampa ahmo quintequih. Ic oc ceppa quiquitztiznequi, in chihuani oquitemohuetz tlachihualiztli tlen quinextiz inmiahyo huan in huel tequipanoz, quimpiyaya intemohuilizyoh itech atlapalli totomeh, cuachiquimiliztli, necentlaliztli huan nepatlachihualiztli. Pampa achi miec tlapalehuiliztin mochihuazceh, noyuhqui oquinenceh oc ceppa quiquitztizceh ehuatl occequintin caltequitin.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Raices Tlachihchihualli Chicahuanemi ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Raices Tlachihchihualli Chicahuanemi ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Raices Tlachihchihualli Chicahuanemi quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa
The design of the Raices line was conceived from a sustainable point of view, through the reuse of the oval left over from the Ombu safety boots.
The goal: the generation of unique pieces through craftsmanship, maximizing its use and the ability to generate different patterns from color changes.
We sought to minimize the reading of the difference between the ovals.
The staggering allowed to minimize the differences and to take the thicknesses as a fundamental part in the generation of value and also to generate rigidity, greater solidity to the proposed pieces.
Huēyiliztli īhuān Tlacualtepēhualli
dimensions depending on the piece
Hoops 75 x 85mm
Bracelet 255 x 70mm
Necklace 400 x 65mm
Headband 135 x 65 mm
Packaging 200 x 150 cm
Tōcāitl
sustainability, leatherjewelry, sustainablejewelry, ecofriendly, sustainable, slowfashion, zerowaist
Tlachīhualiztli Māchiyōtl
The elaboration of this entire collection is done manually, reusing small leather ovals left over from Ombu safety boots, as well as small remnants from different local leather goods companies.
It is done by hand cutting and gluing, as can be seen in the video and in some cases the incorporation of studs or rivets that add light and reinforce its character.
Tlanāhuatīlli Nētēcahuilīztli
It is always a challenge to work from a given shape. The work concentrates on finding its beauty and functionality. Finding the latent message of these materials, their proportion and then, the design.
The boots are made in black, brown and white. This color limitation, led us to take as an opportunity the use of small scraps from other companies, thus expanding the palette and the saleability of the pieces.
Integrating the concept of corporate social responsibility and rescue of crafts.
Tlatēmōliztli
This line emerged in response to the need to reuse small scraps of discarded leather, for which its development was limited to direct experimentation.
Technique used: scaling, a resource that can be assimilated to the natural structures already known, minimizing the differences in size between the ovals and, in turn, taking the thicknesses as a fundamental part of the generation of value.
The objective: the generation of unique, handcrafted and durable pieces. Making the most of scraps. Expand the offer of the same piece through changes in the possible patterns by means of color changes.
Tēyōllālīliztli
The inspiration for this line comes from the scales on the wings of birds. That overlapping that gains character with changes in color and depth. It was the technology of the use of a certain raw material, the leftover ovals from the manufacture of boots, which led us to look for the latent language in this material and its possible uses for the formal generation. The colors would appear later when this resource allowed us to recover very small scraps of leather from other companies.
Tēquitl Cāhuitl
This process of recovering materials began in 2012, incorporating new pieces and new colors year after year. Different pieces of this collection have been exhibited at the Fairs: Expocomer Panama 2014 Maison et Objet 2014-2015-2016-2017 They have been sold to the SF MOMA, Japan and France until today
Tēquitl Ōhuitl
This object is easy to access, easy to use and does not require help to handle it. Although this material requires certain care: do not wet, do not use alcohol and take care of it with bitumen or wax to increase its durability.
Patentēmeh
no yet
Īxiptla Tlanēxtīlli
Image No 1 PH Maru Somoza
Image No 2 PH Francisco Sexauer / prod model Mercedes Garcia Di Mare
Image No 3 PH Mayte Ossorio Domecq
Image No 4 PH Francisco Sexauer / prod model Mercedes Garcia Di Mare

Tlacōhualli

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Cualli Tlanāhuatīlli Monequi Huēyi Tēixpantīliztli

A' Design Award cē cemānāhuac tēmacēhualli ītēchcopa cualli tlanāhuatīlli. Xicnēmili īpan A' Design Award ic ticpīāz tlanāhuatīlli tēixpantīliztli, mahuizzōtl, cuallōtl īhuān tēixpantīliztli ītēchcopa motēquitl. Xictlāli motēquitl ītēchcopa A' Design Award īhuān xicnēhuili ītēchcopa huēyi A' Design Prize.

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