The Land of Rocks Tlanextiloyan Calnechicolli ītēchcopa Weixian He and Baoyang Wei

Tlanāhuatīlli The Land of Rocks Tlanextiloyan Calnechicolli ītēchcopa Weixian He and Baoyang Wei cē cencā mahuizzō tēmacēhualōni īpan huēyi 2023 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tianquiznextiliztli Calchihualiztli, Callitic ihuan Tlanextiliztlatecpanaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlTianquiznextiliztli· 2023

The Land of Rocks Tlanextiloyan Calnechicolli

īpal Weixian He and Baoyang Wei

Tlanāhuatīlli: Wise Space Aesthetics

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tianquiznextiliztli Tlamantli

17,273

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #139921

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa The Land of Rocks Tlanextiloyan Calnechicolli

In Tetl Tlalpan ce tlanextiloyan calli tlen zan achitonca omochiuh ipampa ce tlanamacani tlen tetl tlatlatilli (sintered stone) ompa Guangzhou Design Week ipan xihuitl 2020. Inin calnechicolli quipia 180 metros cuadrados. Ce tlatlaliliztli tlen achi tzauctoc ihuan achi tlapouhtoc quinyacana in tlachiani ipan ce ohtli tlen miec tlamantli quipia, ihuan in coyoncayotl tlen omotec ipan in tepamitl quichihua ma neci in tetl imachiyo tlen quiyahuac ihuan tlen calihtic. Ce tlachihualli coltic itoca Rock Flower ihcac tlahco in tlanextiloyan. Inin tlachihualiztli quinextia ihuan quichihua ma huel momachili in inepanolhuiliz in tetl tlatlatilli, in chantiliztli ihuan in hueyi altepetl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

The Land of Rocks Tlanextiloyan Calnechicolli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in The Land of Rocks Tlanextiloyan Calnechicolli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. The Land of Rocks Tlanextiloyan Calnechicolli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: "Custom, high-end, professional brand essence" given to show the space inside and outside.The main products combined with the brand culture are displayed in front of the public through a variety of aesthetic forms to create a visual, sensory and experiential immersive experience place.The purpose is not only to express exhibitionality and artistry, but also to attract the attention of designers and professionals and create conditions for brand communication and brand appreciation.
Huēyiliztli īhuān Tlacualtepēhualli: 180sqm
Tōcāitl: Brand exhibition, temporary exhibition, ceramic tile, sintered stone, Guangzhou
Tlachīhualiztli Māchiyōtl: Arrangement and encircle do not cause closure or isolation. On the contrary, through special arrangement and cut crevices, one can see the beautiful and varied posture of the stone patterns from the outside to the inside. Or watching people from the inside out as they move and stare curiously at them.
Tlanāhuatīlli Nētēcahuilīztli: The huge theme of the relationship between sintered stone, habitation and city is challenging to express through a limited space in a limited time period. We have a primary and secondary layout of a spatial structure, giving full consideration to the design aesthetic feeling and functionality, semi-enclosed and semi-open structure to create a dynamic visiting line. Visitors can control the rhythm of moving and static, fast and slow, so that visitors have a sense of immersion.
Tlatēmōliztli: From the point of view of the brand, while fully displaying the advantages of the product, we need to express the deeper cultural connotation, that is, to make the relationship between sintered stone, habitation and city visible, palpable and experiential, which is the focus of our design. This relationship is not straightforward, but requires people to place themselves in the space, heart feeling. So when we design, we need to consider how to make the visitors have a more delicate touch point - Architecture should become more open in the city, both formally and emotionally.
Tēyōllālīliztli: What is the relationship between sintered stone, habitation and city? One lives in the city, moving between different buildings and staying sometimes. This exhibition space is like the epitome of urban architecture. The sintered stone and its application products are integrated into the space, and the building will no longer be a "shelter" without emotion. Endowed with the soul of nature, the architecture has more flexibility and is infinitely close to people's hearts.
Tēquitl Cāhuitl: The project was constructed and completed in Guangzhou in December 2020, and was exhibited at Pavilion 2C06, Hall 2, Guangzhou Design Week from December 3 to December 6, 2020.
Tēquitl Ōhuitl: To meet the requirements of semi-open interaction, the entrance presents the characteristics of rigid and flexible sintered stone in two ways. Symmetric and asymmetric docking - Together. The flexibility and suppleness of sintered stone as the first impression to attract the attention of visitors. The "Rock flower" structure stands in the center of the stage as the protagonist, with graceful curves extending upward. When you sit on the bench and look up, the clouds glow implicitly, like a dream.
Calpolli Tlācah: Chief Designer: Weixian He
Designer: Baoyang Wei
Designer: Fengming Tang
Īxiptla Tlanēxtīlli: Image #1, 2, 3, 4, 5: Photographer Zhuoquan Wu
Video shooting and editing: Zhuoquan Wu