Xu Wei Icalihtic Tlaixnextiloyan Tlahtlacuiloltecpancalli ītēchcopa U a D

Tlanāhuatīlli Xu Wei Icalihtic Tlaixnextiloyan Tlahtlacuiloltecpancalli ītēchcopa U a D cē cencā mahuizzō tēmacēhualōni īpan huēyi 2023 Mahuizolli A' Design Award Iztacteocuitlatl īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCallitic· 2023

Xu Wei Icalihtic Tlaixnextiloyan Tlahtlacuiloltecpancalli

īpal U a D

Tlanāhuatīlli: Uad

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Callitic Tlamantli

14,829

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #142326

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Xu Wei Icalihtic Tlaixnextiloyan Tlahtlacuiloltecpancalli

Xu Wei ce tlaixnextiloyan tlahtlacuiloltecpancalli icalihtic in Shaoxing altepetl, Zhejiang tlalpan, China, ipan 8,000 metros cuadrados ixtlahuatl. Inin tlayecchihualiztli quicentlalia in calquetzaliztli, in icalihtic ihuan in tlaixnextiliztli ipan ce zan tlanemililiztli. Ce tlanextic tlalchipan tlatzintlan quinnepanoa in tlaixnextiloyan calhuehueyi ipan ome inacaztlan ihuan in mictlampa ihuan huitztlampa plazas. In ithualtin calihtic quinxelohuah in tlaixnextiloyan ihuan quihueyilia in tlanextilizyotl. In tlamantli mocencahua ipan iztac geometría tlachihchihualli, ic in tlanextli, in tlayohualli ihuan in tlalixpan tlachializtli mocahua in tlein ocachi monequi. In cuauhixtli omocualnexti ihuan omopepetlauh ompa oncan inic mochihuaz ce chipahuac iztac ixtli iuhqui in huehue arroz amatl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Xu Wei Icalihtic Tlaixnextiloyan Tlahtlacuiloltecpancalli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Xu Wei Icalihtic Tlaixnextiloyan Tlahtlacuiloltecpancalli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Xu Wei Icalihtic Tlaixnextiloyan Tlahtlacuiloltecpancalli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: As for the distribution and functions of the areas, the overall design is as free and refreshing as Xu Wei's art works, in quest of a flowing atmosphere rather than meaningless and strange forms. The transparent ground floor connects exhibition halls on both sides and the north and south squares. Thanks to the changing light and shadows, as well as the huge transparent glass, the whole space is connected in harmony. Here, a splendid picture is unfolding, bringing our memory back to the past.
Huēyiliztli īhuān Tlacualtepēhualli: Project area: 8,000 square meters
Type: Art Museum
Tōcāitl: UAD, Xu Wei, Art Museum, herringbone slope, Qingteng Bookstore
Tlachīhualiztli Māchiyōtl: Taking inspiration from Xu Wei's paintings, the designers set up an internal courtyard on both sides, respectively, reasonably dividing exhibition halls, enhancing interior transparency and adhering to the design idea of "merging courtyards with the interior". For example, landscaped structures are introduced into the interior framework system, providing visitors with more opportunities to explore the beauty of nature.
Tlanāhuatīlli Nētēcahuilīztli: Many attempts were made to select main materials for the veneers. At the beginning, the materials chose by the designers appeared gray and dark, far from the desired effect. Later, in response, the veneers were re-polished on the site and re-clad with coatings, with the purpose of producing a visual effect as pure, clean and white as Chinese traditional rice papers.
Tlatēmōliztli: As for the whole space, the design team implements the holistic design philosophy of integrating architecture, the interior, and display space. Along the stairs, the rough plain-white textures on the surface extend to the second floor. The long, narrow hallway and the double-pitched roof are combined to create a framed view which encompasses both tourists and landscapes, and create a setting with various uses, including resting, gathering, viewing and taking pictures.
Tēyōllālīliztli: In order to achieve the aesthetic aim of "though made by man, it seems to be created by nature," the project takes cues from the essence of Oriental aesthetics of "unity of man and nature." The designers convert all elements into simple, white geometric ones, so as to highlight various scenes. The design not only responds to Xu Wei's artistic idea of "adopting basic colors," but incorporates into the local historical context and renders an ethereal art world with "blank" as a carrier.
Tēquitl Cāhuitl: Design Cycle: April 2020-April 2021
Completion time: October 2021
Locayion: No. 33, Houguan Lane, Yuecheng District, Shaoxing City, Zhejiang Province
Tēquitl Ōhuitl: The museum and the surrounding landscapes are intertwined, creating a number of gray spaces that embody the Oriental aesthetic functions of "hiding, resting, self-cultivating and wandering" that are specific to Chinese traditional architecture. The designers create a complete and coherent spatial experience related with the architecture and landscapes for tourists, with the aid of the spatial construction technique known as "viewpoint transformation."
Calpolli Tlācah: Chu Ran
Liu Wanlin
Wang Junzheng
Mei Wenbin
Īxiptla Tlanēxtīlli: Zhao Qiang