Jaipur Tlachihualli Icpalli Sennechicolli ītēchcopa Sonal Tuli

Tlanāhuatīlli Jaipur Tlachihualli Icpalli Sennechicolli ītēchcopa Sonal Tuli cē cencā mahuizzō tēmacēhualōni īpan huēyi 2023 Mahuizolli A' Design Award Cozticteocuitlatl īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

CozticteocuitlatlCaltlapechtli· 2023

Jaipur Tlachihualli Icpalli Sennechicolli

īpal Sonal Tuli

Tlanāhuatīlli: Within

Mahuizolli A' Design Award Cozticteocuitlatl Tēmacēhualōni īpan Caltlapechtli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #143733

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Jaipur Tlachihualli Icpalli Sennechicolli

Jaipur ce icpalli sennechicolli ica chicome tlachihualli tlen omoyolchihualti ica altepetl Jaipur ipan India. Inin sennechicolli quipia ce console, ce credenza, ce tezcatl, ce tlacualcaltlapechtli, ce tilmapetatl, ce tlanextilcuahuitl huan ce pilcatlahuilli. Inintlachihualiz omocuic itech ixayac quen necuzayolcalli tlen Hawa Mahal, huan itlacuiloliz quilnamiqui in xoxouhqui tepalcachihualiztli tlen ompa tlalpan. Iztac tetl marmol mocentlalia ica lapis lazuli ica tetlacalaquilli huan tetlapacholiztli, ome huehue tlachihualiztli tlen India tlen momachihua ica imma. In tlacualcaltlapechtli hueli moxexeloa, huan cehcen imetzhuan mopiloa itech itzonco, tlen quipalehuia ma amo ohui in tlahuicaliztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Cozticteocuitlatl

Jaipur Tlachihualli Icpalli Sennechicolli ca in quicuic in Mahuizolli A' Design Award Cozticteocuitlatl, huel mahuiztic tlamahuizoliztli tlen momaca in achtopa, huel cualli ihuan mahuiztic tlachihualli. In quicuicah Cozticteocuitlatl ca cenca yancuic, tlachiyani ihuan tlanextic tlachihualli in quinextia in tlamatiliztli ihuan toltecayotl. Ca quinequi in Jaipur Tlachihualli Icpalli Sennechicolli quitlalizque yancuic tlamantli ihuan quimacazque tlazohtli. Ni dizayno in quicuic Cozticteocuitlatl ca mahuiztic tlamantli in quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Jaipur Tlachihualli Icpalli Sennechicolli quiyolchicahua ihuan quipaquiltia in tlacah.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Each of the seven pieces of the Jaipur collection is an out-and-out reflection of the culturally rich city. Encapsulating the essence of the forms of the splendid city palace and the hues and motifs of the traditional craft of blue pottery, the collection is a spectacular unison of tradition with modernity. Handcrafted impeccably, each piece is made in India and finished to perfection. Jaipur is a work of art, a collector's reverie.
Huēyiliztli īhuān Tlacualtepēhualli: Jaipur Console - Length 2190mm x Depth 510mm x Height 950mm Jaipur Credenza - Length 2380mm x Depth 525mm x Height 900mm Jaipur Mirror - Width 800mm x Depth 65mm x Height 1600mm Jaipur Rug - Length 1676mm x Width 2438mm
Tōcāitl: Indian craft, Craftsmanship, Contemporary design, Art furniture, Art
Tlachīhualiztli Māchiyōtl: The purity of white marble and the beautiful blue of lapis lazuli come together with India's extraordinary and timeless crafts - stone inlay and stone overlay. Stone inlay is a traditional craft of India, in which delicate precious stones are inserted into the base stone to create a pattern. Stone overlay, on the other hand, uses slivers of stone that are pasted on any surface to create patterns. Both these crafts require expert hand skill, which is a legacy passed on from generations of master craftsmen.
Tlanāhuatīlli Nētēcahuilīztli: In the early stages of design development, blue pottery was chosen not only as the inspiration, but the tiles were also conceptualized as a part of the material board. But, after numerous rounds of prototyping, we found the tiles to be too fragile , and hence, white marble, a stronger material that would give the same ethnic feel as pottery was chosen and in the process, another traditional craft technique of inlay and overlay work (Parchinkari) was used.
Another challenge we faced was the weight of the Jaipur console due to the heavy brass framework. This too would be a hurdle in the transportation of the piece. Hence, the Jaipur sideboard was redesigned such that it could be dismantled and each leg could be assembled and fixed at the top.
The inlay and overlay work on the curvature of the knobs and bowls has been painstakingly elaborate, and added many more weeks to the completion of the pieces.
Tlatēmōliztli: A field trip to Jaipur was the beginning of the research for the Jaipur collection, to enable us to breathe in the context and its true spirit. The vibrant culture has so much to offer and the aim was to experience it directly. The Mughal and Rajput Architecture of the region was truly inspiring, but the geometry and proportions of the Hawa Mahal left the team in awe. The form of the collection has been derived from the honeycombed structure of the Hawa Mahal façade. We were mesmerized by the colors and patterns of blue pottery and so followed a visit to the local craft village of Kot Jewar to understand the process of blue pottery. Many samples were brought back to the studio to study its strengths and shortcomings. While in Jaipur, we witnessed a surprisingly huge number of peacocks in the Rambagh Palace, where we stayed, and that too inspired the motifs of the collection. Bringing back photographs and videos depicting colors, motifs, architecture, and samples of local crafts such as blue pottery tiles, knobs and bowls, inlay work, Tarkashi, sandstone and white marble ( local stones ) helped us put together the concepts and material board in the very beginning. Dialogues with local craftsmen helped with the understanding of crafts, techniques and materials. Once the early sketches were ready, we ordered blue pottery tiles for the collection, but during the design development, white marble and lapis lazuli were preferred to fit the narrative.
Tēyōllālīliztli: The Jaipur collection, a design narrative by Within is an untold story of the vibrant pink city of India. It celebrates the spirit and heritage of the city, drawing inspiration from its architecture and blue pottery - a traditional craft of Jaipur.
Tēquitl Cāhuitl: The project started in June 2020 in Delhi and finished in April 2021 in Delhi and was exhibited in India Design ID in May 2021.
Tēquitl Ōhuitl: All the pieces of the luxury collection Jaipur, are designed as pieces of art used to enhance any entrance way, foyer space or any other luxury space. These art pieces are interactive in their own ways.
The Jaipur sideboard surprises us with a glimpse of pink when one peeps inside the shutter, reminding of the pink sandstone of Jaipur.
The Jaipur chandelier and pendant, when lit bring alive the traditional patterns crafted with lapis lazuli on the glowing white marble.
The Jaipur mirror comes with an option of backlit knobs.
Also, the Jaipur sideboard is designed such that it can be dismantled and each leg can be assembled and fixed to the top.
Calpolli Tlācah: Sonal Tuli
Sanjana Dawani
Īxiptla Tlanēxtīlli: Image #1 : 3D Visualiser Sushant Verma, 2022.
Image #2 : 3D Visualiser Sushant Verma, 2022.
Image #3 : Photographer Sohel Ahmed, 2022.
Image #4 : Photographer Sohel Ahmed, 2022.
Image #5 : Photographer Sohel Ahmed, 2022.
Video Credits : Videographer and Editor : Raoul Tandon, 2022.